Giorgio Faletti - I Kill

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I Kill: краткое содержание, описание и аннотация

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A best-seller across Europe, Italian author Faletti’s first novel is a top-notch thriller. Monte Carlo, in Monaco, is supposed to be one of the safest places on earth, with a police force more concerned with paparazzi than with homicide, but that all changes when a mystery man calls a popular radio show. The next day two faceless bodies are discovered, along with I kill written in blood. The substantial cast of characters that assembles to find the killer is led by Frank, a former FBI agent; Frank’s best friend, Nicholas, the police commissioner; and the charismatic DJ Jean-Loup Verdier. All the characters are fully fleshed and three-dimensional, which makes the use of multiple viewpoints particularly enjoyable. The dialogue and narration could have been a little tighter, but Faletti manages to pull it off, maintaining a good pace and masterfully building tension through 600 pages, a clear sign of a major new talent. This one will appeal not only to devotees of European crime fiction but also to thriller fans in general.
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The voice on the radio. The writing, red as blood. I kill…A detective and an FBI agent embark upon the most harrowing case of their careers as they attempt to track down an enigmatic killer in this relentlessly suspenseful thriller. The killer announces his heinous acts in advance with desperate phone calls and ties his crimes together with songs that point to his victims; he then mutilates them and removes their faces. Set in Monte Carlo and featuring an international cast of intriguing characters, the hunt for the deranged perpetrator remains gripping and unsettling, possibly even more so, after the killer's identity is revealed and the detectives must close in on their target before he strikes again.

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‘And?’

‘Why bother asking if you already know the answer?’

‘I don’t know the details, but I can imagine what you’re going to say,’ Frank replied, shaking his head.

‘That’s right, I forgot. You’re with the FBI. You have quick intuition and a free coffee card. The message wasn’t written by hand.’

‘No?’

‘The bastard used a stencil. He glued the letters on to a piece of cardboard and cut them out. He had it with him and when he needed it, he placed the stencil on the table and spilled the blood on top. How did you know?’

‘I didn’t.’ Frank shook his head. ‘But it seemed strange that a man so goddamn thorough would then make such an obvious blunder.’

Hulot gave in and, with a grimace of revulsion, threw his half-finished coffee into the bin. He looked at his watch with a sigh.

‘Let me go and see if my wife is still married to me. There are two cars downstairs, two cops in each. You never know. The others are at their posts. I’ll be at home if you need me.’

‘Okay, I’ll call you if anything happens.’

‘I shouldn’t say this, but I’m glad you’re here tonight. And here in general. Goodnight, Frank.’

‘Goodnight, Nicolas. Say hi to Céline.’

‘Sure.’

Frank watched his friend leave, his shoulders stooped under his jacket.

With the manager’s support, they’d had the radio station under surveillance for three days, waiting for something to happen. When they had first told him of their plan, Robert Bikjalo had looked at them with half-closed eyes, as if he were avoiding the smoke from the reeking cigarette between his fingers. He had weighed Inspector Hulot’s words as he brushed ashes from his Ralph Lauren shirt, his eyes narrowed to slits.

‘So, you think the guy might call again?’

‘We’re not sure. It’s only a hopeful guess. But if he does, we’ll need your help.’

Hulot and Frank were sitting in front of him, in two leather armchairs. Frank noticed that the height of the chairs was carefully adjusted so that anyone sitting on the other side was looking down on them from above. Bikjalo had turned to Jean-Loup Verdier, sitting on a comfortable couch that matched the armchairs. The deejay had run his hand through his dark, longish hair. He had stared questioningly at Frank with his green eyes and rubbed his hands together nervously. ‘I don’t know if I can do what you want. That is, I don’t know how I’m supposed to act. A show is one thing, talking on the phone with normal people. It’s different with a… with a…’

‘I know it’s not easy,’ Frank said, coming to his rescue, realizing that Jean-Loup was having a hard time saying the word murderer. ‘It’s not easy for us to try to understand what he has in mind. But we’ll be here, and we’ll help you all we can and we’ll be ready for whatever happens. We’ve even called in an expert.’ He had turned to look at Nicolas who had been silent until then.‘We’ve got a psychiatrist,’ Hulot had said. ‘He’s a police consultant and he helps out handling negotiations with criminals when there are hostages.’

‘Okay. If you tell me what to do, I’ll do it.’ Jean-Loup had looked at Bikjalo to give him the last word. The manager was staring at the filter of another Russian cigarette. He was still noncommittal. ‘It’s a big responsibility, of course…’

‘Listen, I don’t know if you really understand the situation,’ Frank had said, knowing what Bikjalo was getting at. He had stood up, upsetting the chair hierarchy. Now he would dominate Bikjalo from above. ‘Just to clarify, let me show you something.’ Frank had bent down and taken several 5x7 photos from Hulot’s briefcase on the floor. He had thrown them on the desk. ‘We’re hunting a man capable of doing this.’

They were pictures of the bodies and mutilated heads of Jochen Welder and Arianna Parker. Bikjalo had looked at the photos and blanched. Hulot had smiled to himself and Frank had sat back down.

‘This man is still at large and we think he’s going to try it again. You’re our only chance at stopping him. This isn’t a strategy to raise the ratings. This is a manhunt, and people could live or die as a result.’

Bikjalo was mesmerized, as if under a hypnotic spell. Frank had taken the pack of cigarettes on the table and examined it with apparent curiosity. ‘Besides the fact that, if this case is solved thanks to you, it’ll give you and Jean-Loup a popularity you wouldn’t dream of in a million years.’

Bikjalo had relaxed. He had pushed the photos towards Frank, touching them with only the tips of his fingers, as if they were on fire. He had leaned back in his armchair looking relieved. The conversation was back to a subject he could understand.

‘Okay. If we have a chance to help the law, a chance to be useful, Radio Monte Carlo certainly isn’t going to back down. That’s what Voices is all about, after all. Help for people needing help. There’s only one thing I would like to ask you in return, if you will.’ He had paused. Frank was silent, so he had continued. ‘An exclusive interview with you, by Jean-Loup, as soon as it’s all over. Before the others. Here on the radio.’

Frank had looked at Hulot, who had agreed with an imperceptible nod of his head.

‘It’s a deal.’ Frank had stood up again. ‘Our technicians will be coming with their equipment to tap the phones. There are a few other things, but they’ll explain all that. We’ll start tonight.’

‘Okay. I’ll tell our people to do all they can to help.’

The meeting was over. Everyone had stood up. Frank had found himself facing the bewildered stare of Jean-Loup Verdier. He had grabbed his arm reassuringly.

‘Thanks, Jean-Loup. You’re doing a great thing. I’m sure you’ll be fine. How do you feel?’

The deejay had looked at him with two clear eyes, green as the sea. ‘I’m terrified.’

THIRTEEN

Frank looked at the time. Jean-Loup was announcing the last commercial before the end of the programme. Laurent gestured towards Barbara. The mixer turned some knobs to fade out the deejay’s voice. They had a five-minute break. Frank got up and stretched.

‘Tired?’ asked Laurent, lighting a cigarette. The smoke rose and was absorbed by the exhaust fan.

‘Not really. I’m used to waiting.’

‘Lucky you! I’m a nervous wreck,’ said Barbara as she stood up, tousling her red hair with her hands. Sergeant Morelli, sitting on a padded chair near the wall, raised his eyes from the sports page he was reading. He was suddenly more interested in the girl’s body under her light summer dress than in the World Cup.

‘Maybe it’s none of my business,’ Laurent remarked, turning his swivel chair to face Frank, ‘but I want to ask you something.’

‘Ask, and I’ll tell you if it’s your business or not.’

‘What’s it like to do a job like yours?’

Frank stared at him for a second as if he couldn’t see him. Laurent assumed he was thinking about how to answer. He didn’t know that Frank Ottobre was seeing a woman lying on a marble slab in a morgue, a woman who for better or for worse had been his wife. ‘What’s it like?’ Frank repeated, as if he needed to hear it again before he could answer. ‘After a while, all you want to do is forget.’

Laurent turned back to the control board. He didn’t really like the American with the athletic build and cold eyes, who seemed so removed from the world around him. His demeanour made any type of contact impossible. He was a man who gave nothing because he asked for nothing. But he was there, waiting, and not even he knew what he was waiting for.

‘One more commercial,’ said Barbara, sitting back down at the mixer. Her voice interrupted the awkward silence. Although Morelli had returned to his sports page, he kept looking up at the girl’s hair falling over the back of her chair.

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