Alan Hollinghurst - The Swimming-Pool Library

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This novel centres on the friendship of William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, who is searching for someone to write his biography.

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It was the crowd in the sense of the little clan , the gathering of half a dozen queens, that I joined when I went to Ronald Staines’s, feeling for the first time restored and randy, and enjoying the breeze that set the chestnuts and cherry trees along the pavements sighing.

Bobby answered the bell. ‘Jolly good,’ he said, letting me in and then conducting me across the hall with a heavy arm around my shoulder, a kind of gentlemanly muffling of eroticism which also disguised his need for support: he was already extravagant and slow with drink. ‘Jolly glad you could come,’ he said. ‘Not brought your little friend this time, then?’

‘I’m not sure he has a career as a model.’

Bobby laughed tremendously at this. ‘I liked him, I must say,’ he confessed, as if discussing with colleagues an underqualified applicant for a job.

In the white, selfconscious drawing-room Staines sprang up when I entered. He had on blue, baggy workman’s trousers but with a very high, belted waist that gave him the look of someone in a Forties film; a checked camp shirt, the sleeves tightly rolled up around wiry biceps, the pale hairless arms somehow improperly revealed; and blue, rubber-soled sailing shoes, which completed the fantasy image of the man prepared for action.

‘My dear, how perfectly perfect of you to come,’ he welcomed me. ‘We’re all so relieved that you’re better.’ I came forward sheepishly but proudly, like an injured games hero at school, almost expecting sporting applause. Bobby only let go of me to move towards the drinks table.

There was a perceptible conflict of claims on me as Charles, seated monumentally on the sofa, slower on the uptake, half turned to see me and then reached out his left hand for his unconventional and friendly greeting. ‘Ah, William. Let me see the worst. Let me see what they’ve done to my Boswell.’ He wore an elderly, Aschenbachish cream linen suit, not unstained.

I went and sat beside him, and he took my hand again as he searched my face, appraised it as he had before. He offered no verdict, except ‘Well, at least I saw it before they spoilt it.’

‘Is it really so bad?’

But he only patted my hand and then threw it away. ‘How’s the great work?’ he wanted to know.

Staines, unprepared for Charles’s possessiveness, cut in here with instructions that we must drink. ‘And then there’s Aldo,’ he said, swivelling with extended hand and producing a small, curly-haired young man in graphic jeans from behind his armchair. As I walked round I saw that he had been looking through a pile of photographs on the floor. I shook his surprisingly large red hand, and he gave a privileged sort of smirk. ‘Aldo’s my bummaree,’ said Staines, ‘my John the Baptist.’ He had a nice, alert little body, and I realised he must be a part of the planned vulgarity.

The martinis were extremely, almost disagreeably, strong on an empty stomach, and gave me a light head at once. We talked frothily for a while-Aldo, however, saying nothing at all, although Staines spoke for him in a supercilious way: ‘Oh Aldo doesn’t care for that, do you, Aldo?’ or, to suggest that under other circumstances the Italian might be a desirable conversationalist, ‘That’s what Aldo always says.’ Then Staines would touch some part of him and Bobby would nod and raise his eyebrows, as if to say there was no limit to what these queens would do.

I was some way through my second drink when Staines asked us all to go through -not to the dining-room (‘We will have a special meal later’) but to the studio. I got an unpleasant feeling that we were all going to watch a sex film, and that with this company it would be most embarrassing and anaphrodisiac. Charles took my arm, more to connect me to himself than as a prop: he was clipping us together and hardly leant on me at all. There was an odd and rather revolting attitude of suppressed expectancy on everyone’s face, and I saw that I was the only one who did not know for sure what was going on.

I was more confused in the studio, where there was a noise of other people, and we hovered for a while as our host rushed off with a great air of professionalism and urgency. The romantic Edwardian backdrop, with its balustrade and overhanging cloudy branches, was in position, and in front of it the fat-cushioned chaise-longue from the garden. A couple of blond teenagers in wing-collars and tight, striped pants were sitting there, passing what was left of a thick joint back and forth, cupped under the hand, as doormen keep their illicit fag from view or from the rain. Lights and reflectors in an arc defined a kind of acting area, divided from us by a clutter of chairs. ‘Everybody got a drink?’ said Bobby, very heartily. ‘For God’s sake sit down. This could take hours.’

Charles seated himself on a creaking old carver, and looked around a bit fussily for me to pull up a chair beside him. Aldo sat down neatly on my other side, and drew protectively on his long drink. Beyond him Bobby extended his legs from one chair to another. My ignorance and foreboding added to the social discomfort and I leant over to whisper to Charles: ‘Who are these boys?’

He looked startled. ‘What, these boys? But… you don’t know them? I thought…’ He tugged out a handkerchief from his breast pocket and ran it back and forth under his nose. ‘Most naughty and wicked boys.’ He coughed, as if discretion forbade him to say more, and then tucked the hanky away.

‘More important, what are they going to do?’

‘Oh…’

I felt foolish, reddened a little; was annoyed too, but really peculiarly drunk. One of the boys, better-looking, I thought, was flicking at the other’s fringe with his fingertips. The other smiled woozily, and gripped himself between the legs. There was something familiar about him, some faint blur on the screen of memory. Then they turned to look into the shadows beyond, where a figure was moving, in and out of my view, dark-black. I couldn’t see him when his quiet but resonant voice was heard: ‘How’s you boys feelin’?’

‘Want a bit?’ said the looker, with tartish expressionlessness, holding up the joint.

‘I’m stoned, baby,’ was the reply, melodious, rather stern. When he came forward nonetheless to have a pull on the last papery thumbnail’s length of the joint I knew his handsome, lined face at once, the huge, challenging, mobile eyes, the pink of his inner lips, as if at any second he would lick them clean of raspberry fool. And then of course I knew the boys.

‘Oh Abdul, Abdul,’ Charles was calling, in his most invocative and hammy voice. The chef came over, not now with the serious, solicitous manner of the Club dining-room but with a kind of flirtatious nonchalance, as if he were a fellow member. They shook hands, Charles hanging on as Abdul withdrew his long, powerful fingers.

‘All right, Charlie?’ said the black man genially, amazingly.

‘You remember my young friend William.’

‘How are you, William.’ He shook my hand too, in a casual fashion, and gave a drugged grin. ‘Come to see the show.’ He looked along to Aldo and Bobby, who clearly needed no introduction, and closing his eyes and biting his lower lip ground his hips around slowly, as if dancing to some very sexy music in his head.

I was nearly shocked by this, and dazed and gulping like an innocent. Though he was twice my age I fancied Abdul crazily, was seriously moved by him. I remembered how I had watched those places where his black, black skin disappeared into his white chef’s uniform, the wrists and the long, thick neck, and the awareness I had of his body. As he turned away I followed him with what was probably a look of stricken devotion. It was the high, haunted African brow, and the high, rolling African ass, and the long, dangling, fishing, musical hands.

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