Bo Michaëlis - Copenhagen Noir

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Copenhagen Noir: краткое содержание, описание и аннотация

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An anthology of stories edited by Bo Tao Michaëlis
Joining Rome, Paris, Istanbul, London, and Dublin as European hosts for the Akashic Noir series, Copenhagen Noir features brand-new stories from a top-notch crew of Danish writers, with several Swedish and Norwegian writers thrown into the mix. This volume definitively reveals why Scandinavian crime fiction has come to be so popular across the world.
Includes brand-new stories by: Naja Marie Aidt, Jonas T. Bengtsson, Helle Helle, Christian Dorph and Simon Pasternak, Susanne Staun, Lene Kaaberbøl and Agnete Friis, Klaus Rifbjerg, Gretelise Holm, Georg Ursin, Kristian Lundberg, Kristina Stoltz, Seyit Öztürk, Benn Q. Holm, and Gunnar Staalesen.

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He lets go, and slowly I get to my feet. The tree limb has poked a hole in my coat, down at my lower ribs. My phone is halfway down the slope. Even from here I can see the number 1 on the display. That’s as far as I got. Kris offers a hand, and I shove it away. I can get up by myself. I just have to catch my breath.

“Kris, you fat bastard!” I stick a hand in under my sweater. My back is sore, but it’s not any worse than that. Fucking asshole.

“He’ll come back,” he says, and looks away.

I can smell her long before I reach her. It hasn’t left me, the smell, it followed me yesterday when Kris and I left her. I tried washing it off but it was still there. My mother didn’t seem to notice anything, maybe it was just me. When I got up this morning it was still there. It was worse on my coat. The hole in the back is bigger than I thought at first, or else it’s ripped out more, but it’s the only coat I have. I put an extra sweater on to keep warm.

I meet Kris on the lawn by the booster station. We haven’t planned to meet here. We didn’t make any plans at all after yesterday. He’s smiling strangely. Both his hands are in his pockets. I can practically see from his look that the knife is back in his inside pocket. “Morning,” he says, and smiles.

I say nothing, just walk past him, farther up toward the booster station and the railroad behind it. Why is he so happy? He follows, I hear him a few meters behind me. We keep moving along the path. He says nothing, but I can feel his smile knifing me in the back. Why is he smiling this way? He would have said if the killer had been here. I could ask him, but I don’t want to. I don’t turn, I just keep walking. And he follows a few meters behind.

“Get the hell out of here!” I yell, while I run toward the crow with a rock in my hand. I don’t even come close to hitting it, but it’s enough to scare the crow. It flies over to the other side of the body for cover. I pick up another rock. The crow takes off again. This time it lands on the edge of the barrier. It looks down at us. Kris plods along over to me, his hands in his pockets. He doesn’t seem especially surprised. He’s not smiling anymore, but he’s not mad or all worked up.

“Shhh,” he says abruptly. “People can hear you when you yell that way.”

“Yeah? Fuck them. How many people you think yell ‘Get the hell out’ in one day in Valby?”

He shrugs and plods on, over to the body. The smell is much worse now. It feels warmer too. That, or else it’s because I’m wearing an extra sweater. The crow still sits there. I throw the rock, but it sees it coming. It flies up and away, disappears between the trees. If it has found her, other crows will for sure be coming along too. I look up. There are a few dark spots high up in the gray sky. But they fly away.

“Fuck! Look at this!” Kris is standing at the body. I stand beside him and look down. Her eyes, which had been staring at us before, staring at nothing, are punctured and almost gone.

My hand flies up to cover my own eyes, but I lower it immediately. It still smells like death here. The dark spots up in the sky are back. How well do crows see? Can they smell her from up there?

“Kris,” I say slowly, afraid that my voice is shaking.

“We’re not calling yet,” he says. “First he’s got to come, we’ll grab him, then we call.”

“Kris, if we let her lay here much longer, there won’t be anything left. Those crows are coming back as soon as we leave.”

“This was your idea. We find the killer and we’re heroes. It was your idea.”

“I know it. But fuck it, hey, I was wrong. If he doesn’t come back now, he’s not coming back.”

“No way. He’ll be back. It’s like you said. He’s got to get off one more time.”

I don’t know why he keeps going on about what I said. He doesn’t usually do that. But I don’t dare say anything more. Not after yesterday. Instead I bend over, and without looking too closely at her messed-up face I grab the blanket and wrap it around her head. Close and tight. I don’t want to take chances.

“What are you doing?” Kris asks. Again, that nice and easy voice.

“I’m covering her up. He doesn’t have to get as far as taking his dick out or anything. We just need to get him, right? It doesn’t really matter about her. If she lays here much longer, the crows will eat her. If we get the guy, the police or their fucking CSI team or whatever will take care of the rest. Okay? You’ll still get to be the hero.”

Kris doesn’t answer, and I take that to mean it’s okay. I feel him staring at me while I wrap the blanket around her. The blanket isn’t nearly big enough, and after I’ve wrapped her head up I notice her legs sticking out from the knees down. I think about starting over, but I leave her like she is. Protecting her head is the most important thing right now. Protect the open wounds. Crows’ beaks aren’t strong enough to rip holes in skin. Only eagles and vultures and that kind of bird can. Crows need an open wound. Or an eye.

I take three steps away and throw up. Kris laughs at me. I squat down, lean against the barrier. Stay sitting, stare up at the sky. At the black spots. They disappear after a while. A train goes by. We hide behind the barrier. The slope is slippery. I kick the branch away. The one I landed on yesterday. Kris laughs again. Something is wrong about this. Something deeply, deeply wrong. I don’t say anything. We wait. We listen. Trains pass by. Cars drive along down on the road. Buses. Kris goes for food. He hands me a burger. I don’t eat it. I’m not hungry. I wait and listen. Stay crouched down with the burger in my hands. Kris takes a look. It’s getting dark, getting dark fast. I did a good job with the blanket. The crows don’t come back. The guy doesn’t either.

I go home. Kris stays behind. “See you tomorrow,” he says. “Get a good night’s sleep and come back ready to go.” The smell sticks to me. My clothes. My hair, my skin. I breathe through my mouth, but I can taste it on my tongue.

I don’t eat dinner. Take a long bath, but the smell is still there. I go right to bed. I see her half-eaten eyes in the dark. There is something deeply, deeply wrong here.

I breathe icy air, and it hurts all the way inside my chest, but I keep going. I don’t know if anyone at home saw me run out, and I don’t care either. I run, slip on the ice a few times, fall, and brush myself off with my hands. It hurts, but it’s not that bad.

I’m thinking: crows and their fucking beaks, they can’t do what eagles and vultures can, but what about foxes? What about fucking foxes and their teeth?

From where I live it’s easiest to get up on the tracks from Vigerslev Allé. From the station. There’s nobody on the street this time of night anyway. I fly up the steps, onto the platform, and down to the tracks.

There. Right there. I see two, maybe three, before I trip over a crosstie. They look up at me. “Hey, goddamnit!” I throw a rock. They run off, flee. I go down to the girl. They’ve been eating her.

They’ve been eating her. Her foot. Feet. They’ve eaten her feet. Her legs. All the way up to her thighs. Big chunks of meat bitten off. I start to cry. I can’t help it. The tears stream out.

“I’m sorry,” I say. “Sorry, I didn’t know. I got here as fast as I could. I’m sorry, sorry.” I wrap the blanket around her legs as tightly as I can. Just like I did with her head yesterday.

The foxes, they’re still here. They’re waiting at a distance, quiet. They’re staring at us. At me and the girl. What should I do? I realize I left my phone at home. I can’t leave her here. The foxes will be back on her as soon as I leave.

“Hey,” I say. “We can’t stay sitting out here.” The blanket is wrapped tight around her. It’s cold and wet and heavy, and my fingers hurt, but I can’t stop now. I can’t leave her here. “You’re safe now,” I say, and lift her up on my shoulder. “Nothing’s going to happen to you. Not anymore. I’m going to take care of you.”

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