James Lilliefors - Viral

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Viral: краткое содержание, описание и аннотация

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is a world-class thriller.”
-Vince Flynn Two brothers race to stop a political mastermind’s massive bioterrorist plot in this terrifying espionage thriller.
In remote pockets of the Third World, a deadly virus is quietly sweeping through impoverished farming villages and shanty towns with frightening speed and potency. Meanwhile, in Washington, a three-word message left in a safe-deposit box may be the key to stopping the crisis—if, that is, Charles Mallory, a private intelligence contractor and former CIA operative, can decipher the puzzle before time runs out.
What Mallory begins to discover are the traces of a secret war, with a bold objective—to create a new, technologically advanced society. With the help of his brother Jon, an investigative reporter, can he break the story to the world before it is too late—before a planned ‘humane depopulation’ takes place?
As the stakes and strategies of this secret war become more evident, the Mallory brothers find themselves in a complex game of wits with an enemy they can't see: a new sort of superpower led by a brilliant, elusive tactician who believes that ends justify means.

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After de-boarding, Jon Mallory purchased a travel visa, passed through Customs and stopped at the bureau de change to trade dollars for shillings—a thousand dollars for 90,817 shillings. He figured he’d be in Kenya for two or three days at most—a day to settle in and scope out the location, another day to find his brother, or else his “message.”

He avoided the airport safari hawkers and souvenir sellers, making his way to a cab stand in front of the terminal where a fleet of yellow-striped Kenteaco Transport Mercedeses was lined up. “Downtown, please,” he said, climbing in the back of one. “The Norfolk.”

As the cab raced to the city, a distance of about fifteen kilometers, he rolled down his window and enjoyed the view of dusty plains with the hazy rim of mountains in the distance. Kenya rose up to him with a simple, quiet beauty he recalled fondly. As someone coming here from the so-called First World, Jon saw it not as a place that lagged behind but as a land that was emerging, that offered lessons and opportunities. Twice he had reported from Nairobi, and he knew a few people here. Two, in particular: Sara Musoka, a food and travel writer for Kenya’s oldest newspaper, who was born and raised in Nairobi and had attended college in the States; and Sam Sullivan, a hard-drinking former Reuters sports writer who had quit journalism to manage a safari resort. Sullivan had been a character, always embarking on schemes to become wealthy or famous. It might be fun to see him again , Jon thought.

He watched the Nairobi skyline as they came to the crush of the city—the I&M Bank Tower, the Times Tower, the Kenyatta International Conference Centre, the NSSF Building, and a dozen other skyscrapers. Things were better in Nairobi, he had heard; the economy growing again, the corruption not so bad as it used to be. Reliable services, good restaurants. The civil unrest of the Moi era had long since abated, although new violence had swept through the slums surrounding Nairobi after the 2007 election. The wounds had not all healed. It was still a dangerous city, where a dozen or more carjackings occurred each day. A city that sometimes seemed to live up to its nickname: “Nairobbery.”

In town, Mallory’s cab driver barreled wildly along Haile Selassie Avenue, dodging the overpacked mini-buses, hurtling past the site where the U.S. Embassy and the Ufundi Co-operative House had been blown up in 1998—a highly circuitous route to the Norfolk, for sure. By the time they reached the City Market, Jon was fairly certain they were being followed—by a dark-colored Renault he had noticed ever since leaving the airport. It was right behind them crossing the Nairobi River, and then two cars back as the driver turned onto Uhuru Highway.

It was no longer in sight when they arrived at the Norfolk Hotel. But as Jon Mallory paid the driver and thanked him, he saw that it was parked in the next block, the driver’s head slumped down slightly behind the wheel.

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THE NORFOLK WAS a charming old colonial-style hotel, a little creaky but comfortable and clean, with colorful gardens in back and a busy terrace lounge. Jon checked in, pretending to be a businessman, setting his computer case on the counter. He asked perfunctory questions about Internet and phone service and requested a map of the city. He was given a room on the second floor, facing the gardens.

Upstairs, he took a Tusker lager from the mini-bar and downed half in one long drink. He clicked on the television, found the international news on CNN and cracked open the window to enjoy the air. During his second beer, he tried calling his old colleagues in Nairobi, without success—Sam Sullivan’s number didn’t answer; Sara Musoka’s came back as out of service.

Jon latched the door. He sat at the table and unfolded the sheet of paper from his shirt pocket, puzzling again over what those letters might mean: htunoilerctt. Was it an anagram? A substitution cipher? He finally gave up and tried to nap, but it was no good. He felt restless, tired, and energized at the same time. At a few minutes past five, he went out, slipping through the rear servants’ entrance and heading along the back streets toward downtown; after several blocks, he saw that the Renault was right with him, following at a distance of a half block. Jon wondered who it might be—someone trying to find his brother, perhaps. But why were they being so obvious? He tried taking an alley, too narrow for auto traffic. But the Renault was right there when he emerged on Radio Road.

A block from the Hilton, Jon impulsively hailed a cab. “The Carnivore,” he said.

The cab darted into traffic.

The Carnivore was one of Nairobi’s most popular tourist restaurants, an upscale nyama choma joint. Jon followed a waiter to the back of the restaurant, past the roasting pit where hunks of crocodile, zebra, antelope, goat, and ostrich were cooking. He ordered a bourbon and water and watched the waiters walk briskly back and forth carrying trays and meat on spears. Mostly what Jon wanted was to hide, to think and to let a little time pass.

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LEAVING THE RESTAURANT, after a drink and a plate of olives, Jon took a cab back to Radio Road. It was nearly dark now, and the streets were alive with a new energy. He wanted to have a look first, at the street, if not the residence. The cabbie let him off three blocks away. There was no sign of the Renault anymore.

The address Honi had given him was in a rundown neighborhood of brick apartments, a street that might have belonged to any inner city in America—except this one seemed deserted. He heard a persistent low rattling sound as he walked through the night shadows.

The address was two buildings from a corner. The streetlight opposite the building flickered, off, then quickly on, then off again. The building’s windows were dark. When Jon Mallory approached, he saw a shape shift in the shadows: a huge man rising in front of the building, shining a flashlight in his eyes for a moment.

“Hello,” Jon said, shielding his eyes. The flashlight was still on, but pointed at the ground. The man wore some sort of security guard uniform. The rattling sound had been his breathing. This was not going to be easy.

Jon nodded toward the apartment, his pulse racing. “What happened?”

“Pilipili iko mtini yakuwashia nini,” the man said, speaking in Swahili.

None of your business .

Jon reached in his pockets and pulled out several shilling notes. The man took them and stuffed them in his pocket. “All closed now,” he said. “Crime scene.”

Okay. Jon took a deliberate breath and let a few moments pass. “I think I know someone living here. I was supposed to meet him.”

“Not anymore.”

“Why? What happened?”

The big man shrugged and shined his flashlight through the window. Held it there. The place seemed to have been ransacked. File cabinets hung open. A bookshelf overturned, a desk on its side. “Police. Raided it.”

The man nodded down the street. Another man, sitting behind the wheel of a dark-colored Fiat, appeared to be watching them.

Jon stepped back, taking a mental picture of the building—three stories, brick, worn wood-frame window casings—and then he walked away, back toward the Norfolk. So he was too late.

Several blocks up Radio Road, he saw the Renault pull out of a parking space and into traffic. A mini-bus followed, blaring hip-hop.

He walked to the edge of Central Park, found an open bench and sat, watching the traffic. What now? Let the information come to you . He gazed up the street, at the office buildings, the slanting shadows, the layers of the city, with the breeze blowing the smells of night—curry spices, fried foods, car exhaust. If this was the neighborhood where his brother had been, what would he have done here? Where would he have eaten and shopped? Who would have seen him and talked with him?

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