Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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He drew up to the end of the driveway and pulled the lever to open the door. “Hey,” he said, because that was all he could think of. “Hey, good morning.”

It seemed like their turn to talk, but they didn’t say anything. Danny let his eyes quickly graze their faces; their expressions were nothing he could read. None of the trains on Thomas ever looked like these two did. The Thomas trains were happy or sad or cross, but this was something else, like the blank screen on the TV when the cable wasn’t working. The girl’s eyes were puffy and red, her hair kind of smooshed-looking. Timothy had a runny nose he kept rubbing with the back of his wrist. Their clothing was all wrinkled and stained.

“We heard you honking,” the girl said. Her voice was hoarse and shaky, like she hadn’t used it in a while. “We were hiding in the cellar. We ran out of food two days ago.”

Danny shrugged. “I had Lucky Charms. But just with water. They’re no good that way.”

“Is there anybody else left?” the girl asked.

“Left where?”

“Left alive.”

Danny didn’t know how to answer that. The question seemed too big. Maybe there wasn’t; he’d seen a lot of bodies. But he didn’t want to say so, not with Timothy there.

He glanced at the boy, who so far had said nothing, just kept nervously rubbing his nose with his wrist. “Hey, Timbo. You got allergies? I have those sometimes.”

“Our parents are in Telluride,” the boy stated. He was looking at his sneakers. “Consuela was with us. But she left.”

Danny didn’t know who Consuela was. It was hard when people didn’t answer your question but instead answered some other question you hadn’t even thought of.

“Okay,” said Danny.

“She’s in the backyard.”

“How can she be in the backyard if she left?”

The boy’s eyes widened. “Because she’s dead .”

For a couple of seconds, nobody said anything. Danny wondered why they hadn’t gotten on the bus yet, if maybe he’d have to ask them.

“Everybody’s supposed to go to Mile High,” the girl said. “We heard it on the radio.”

“What’s at Mile High?”

“The Army. They said it’s safe there.”

From what Danny had seen, the Army was pretty much dead, too. But Mile High would give them someplace to go. He hadn’t really thought of that before. Where was he going?

“I’m April,” the girl said.

She looked like an April. It was funny how some names were like that. They just seemed to fit.

“I’m Danny,” he said.

“I know,” said April. “Just please, Danny? Get us the hell out of here.”

7 The color wasnt right Lila decided No it wasnt right at all The shade - фото 10

7

The color wasn’t right, Lila decided. No, it wasn’t right at all.

The shade was called “buttercream.” On the sample from the store it was a soft, faded yellow, like old linen. But now, as Lila stood back to inspect her work, dripping roller in hand—honestly, she was making such a mess; why couldn’t David do these things?—it looked more like: well, what? A lemon. An electrified lemon. Maybe in a kitchen it would have been all right, a bright, sunny kitchen with windows looking out to a garden. But not in a nursery. My God, she thought, a color like that, the baby wouldn’t sleep a wink.

How depressing. All her hard work wasted. Hauling the ladder up the stairs from the basement, laying the drop cloths, lowering herself onto her hands and knees to tape off the baseboards, only to find she’d have to go back to the store and start over. She’d planned to have the room done by lunch, leaving enough time for the paint to dry before she hung the wallpaper border, a repeating pattern of scenes from Beatrix Potter. David thought the border was silly—“sentimental” was the word he’d used—but Lila didn’t care. She’d loved the stories of Peter Rabbit when she was a girl, crawling onto her father’s lap or snuggling down in bed to hear, for the hundredth time, the tale of Peter’s escape from Mr. McGregor’s garden. The yard of their house in Wellesley had been bordered by a hedgerow, and for years—long after she should have stopped believing in such things—she’d patiently searched it for a rabbit in a little blue jacket.

But now Peter Rabbit would have to wait. A wave of exhaustion enfolded her; she needed to get off her feet. The fumes were making her dizzy, too. Something seemed to be wrong with the AC, although with the baby, she always felt a little overheated. She hoped David would get home soon. Things were crazy at the hospital. He’d called her once to let her know he’d be late, but she hadn’t heard from him since.

She made her way downstairs to the kitchen. The place was an awful mess. Dishes piled in the sink, counters stained, the floor beneath her bare feet tacky with grime. Lila stopped in the doorway, feeling puzzled. She hadn’t realized how badly she’d let things go, and what had happened to Yolanda? How long since she’d been here? Tuesdays and Fridays were the housekeeper’s regular days. What was today? To look at this kitchen, thought Lila, you’d think Yolanda hadn’t been to the house in weeks. Okay, the woman’s English was not the best, and sometimes she did strange things, like confusing the teaspoons with the tablespoons—how David grumbled about that—or depositing the bills, unread, straight into the recycling bin. Annoying things like that. But Yolanda wasn’t one to miss even a day of work. One winter morning she’d shown up with a cough so bad that Lila could hear it from upstairs; she’d practically had to pry the mop from the woman’s hands, saying, Por favor, Yolanda, let me help you, I’m a doctor. Soy médico . (Of course it was bronchitis; Lila had listened to the woman’s chest right there in the kitchen and written the prescription for amoxicillin herself, knowing full well that Yolanda probably didn’t even have a doctor, let alone insurance.) So, okay, she sometimes threw the mail away and mixed up the silverware and put the socks in the underwear drawer, but she was a hard worker, tireless really, a cheerful and punctual presence they depended on, what with their crazy schedules. And now not even a call.

Which was another thing. The phone didn’t seem to be working, on top of which there was no mail. Or newspaper. But David had told her not to go outside under any circumstances, so Lila hadn’t checked. Maybe the newspaper was sitting in the driveway.

She fetched a glass from the cabinet and turned on the faucet. A groan from below, a burp of air, and… nothing. The water, too! Then she remembered; the water had been out a while. Now she’d have to call a plumber on top of everything else. Or would have, if the phones were working. Wasn’t it just like David to be away when everything went to hell in a handbasket. That had been one of Lila’s father’s favorite expressions, hell in a handbasket. A curious turn of phrase, now that Lila thought about it. What exactly was a handbasket, and how was it different from a regular basket? There were lots of phrases like that, even just simple words that could suddenly look strange, as if you’d never seen them before. Diaper. Misled. Plumber. Married.

Had that really been her idea, to marry David? Because she didn’t remember thinking, I will marry David . Which a person should think, probably, before they went ahead and did it. Strange how one minute life was a certain way and then it was another, and you couldn’t remember what you’d done to make it all happen. She wouldn’t have said that she loved David, exactly. She liked him. She admired him. (And who could fail to admire David Centre? Chief of cardiology at Denver General, founder of the Colorado Institute of Electrophysiology, a man who ran marathons, sat on boards, held season tickets to both the Nuggets and the opera, who daily hauled his patients from the very brink of death?) But did these feelings add up to love? And if not, should you actually marry such a man because you were carrying his child—nothing planned, it had simply happened—and because, in a moment of characteristically David nobility, he had announced that he intended to “do the right thing”? What was the right thing? And why did David sometimes seem not like David but someone resembling David, based on David, a man-sized, David-like object? When Lila had told her father the news of their engagement, she’d seen it in his face: he knew. He was sitting at his desk in his study, surrounded by the books he loved, stroking glue onto the bowsprit of a model ship. In just the tiniest lift of his generous eyebrows, the truth was written. “Well,” he said, and cleared his throat, pausing to screw the top onto the little jar of glue. “I can see how, under the circumstances, you might want to. He’s a good man. You can do it here if you like.”

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