Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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But there she went again. David . David Centre was her husband now. Lila really had to get a handle on that. Not that she and David had ever shared a chocolate mousse or been to Café des Amis or done anything remotely of the kind. The man didn’t have one romantic bone in his body. How had she let a man like that talk her into marriage? As if she were merely one more item on a glorified to-do list? Become a famous doctor, check. Get Lila Kyle pregnant, check. Do the honorable thing, check. He hardly seemed to know who she was.

Down the stairs she went. Outside the sun was pouring down, filling the hall like a golden gas. By the time she reached the door, a pure excitement was coursing through her. What sweet release! After so much time cooped up, to venture out at last! She could only imagine what David would say when he found out. For God’s sake, Lila, I told you it’s not safe. You have to think of the baby . But it was the baby she was thinking of; the baby was the reason. That’s what David didn’t understand. David, who was too busy off saving the world to help with the nursery, who drove a car powered by asparagus, or pixie dust, or wholesome thoughts, or whatever it was, and who had left her here alone. Alone! And what was worse, really the worst thing of all, was that he didn’t even like Peter Rabbit. How was it possible she was going to have a baby with a man who didn’t like Peter Rabbit? What did that say about him? What kind of father would he be? No, it was none of David’s business what she did, Lila concluded, lifting her purse and keys from the hallway table and unbolting the door. It was none of his business if she went outside, or if she painted the nursery chartreuse, or vermilion, or puce. David could go screw himself. That’s what David could do.

Lila Kyle would buy the paint herself.

8 It was not a good day in the office of the deputy director Today May - фото 11

8

It was not a good day in the office of the deputy director. Today, May 31—Memorial Day, not that it mattered—was an end-of-the-world kind of day.

Colorado was gone, basically. Colorado was kaput. Denver, Greeley, Fort Collins, Boulder, Grand Junction, Durango, the thousand little towns in between. The latest aerial intel looked like a war zone: cars crashed on the highways, buildings burning, bodies everywhere. During daylight hours, nothing seemed to be moving except the birds, huge spiraling swarms of them, like the word had gone out from Vulture Central Command.

Would somebody please tell him whose idea it had been to kill the entire state of Colorado?

And the virus was moving. Spreading in every direction, a twelve-fingered hand. By the time Homeland had sealed off the major interstate corridors—those dithering assholes couldn’t get themselves out of a burning house—the horse was already galloping from the barn. As of this morning, the CDC had confirmed cases in Kearney, Nebraska; Farmington, New Mexico; Sturgis, South Dakota; and Laramie, Wyoming. And those were just the ones they knew about. Nothing yet in Utah or Kansas, though that was a matter of time, maybe just hours. It was five-thirty in northern Virginia, three hours till sundown, five in the west.

They always moved at night.

The briefing with the Joint Chiefs had not gone well, though Guilder hadn’t expected it to. To begin with, there was the whole “problem” of Special Weapons. The military brass had never been particularly comfortable with, or especially clear on, what DSW did, or why it existed outside any military chain of command, drawing its budget from, of all things, the Department of Agriculture. (Answer: Because nobody gave a shit about agriculture.) The military was all about hierarchies, who urinated highest on the hydrant, and as far as the brass could see, Special Weapons answered to no one, its pieces cobbled together from a dozen other agencies and private contractors. It resembled nothing so much as a game of sidewalk three-card monte, the queen always moving, not quite where you thought it would be. As for what DSW actually did, well, Guilder had heard the nicknames. “Distraction from Serious Warfare.” “Department of Silly Wingnuts.” “Deep-Shit Weirdness.” And his personal favorite: “Discount Shoe Warehouse.” (Even he had started calling it the Warehouse.)

So it was that Deputy Director Horace Guilder (were there any actual directors anymore?) had found himself sitting before the Joint Chiefs (enough stars and bars around the table to start a Girl Scout troop) to offer his official assessment of the situation in Colorado. (Sorry, we made vampires; it seemed like a good idea at the time.) A full thirty seconds of dumbfounded silence ensued, everyone waiting to see who would speak next.

Let me see if I have you right , the chairman intoned. He leaned his folded hands over the table. Guilder felt a bead of sweat drop from his armpit to slither the length of his torso. You decided to reengineer an ancient virus that would transform a dozen death row inmates into indestructible monsters who live on blood, and you didn’t think to tell anybody about this?

Well, not exactly “decided.” Guilder hadn’t been with DSW at the outset. He’d come in at the change of administration, so much money and so many man-hours already down the rat hole that he couldn’t have put the brakes on if he tried. Project NOAH was under a chain of command so obscure, even Guilder didn’t know where it had originated—probably NSA, though he’d gotten the sense it might have gone even higher than that, even to the White House itself. But sitting before the Joint Chiefs, he understood that this distinction was pointless. Guilder had spent three decades working in agencies where so much was a secret that nobody was actually responsible for anything. Ideas seemed to flower of their own accord. We did what? No, we didn’t . And so, off into the shredder it went. Which was exactly what was about to happen to Special Weapons; probably even to Guilder himself.

But in the meantime, there was blame to be doled out. The meeting had quickly devolved into a shouting match, Guilder taking verbal punch after verbal punch. He felt relieved when he was banished from the room, knowing that the situation was out of his hands. Henceforth, the military would deal with this the way they dealt with all problems: by shooting everything in sight.

In hindsight, Guilder might have put the situation more diplomatically. But the CDC’s projections spoke for themselves. Three weeks, four at the outside, and the virus would take out Chicago, St. Louis, Salt Lake. Six weeks and they were looking at the coasts.

Vampires, for Christ’s sake. What had he been thinking?

What had everyone been thinking?

And yet there was no doubt that Lear had been on to something. The great Jonas Lear—even Guilder was intimated by the man, a Harvard biochemist with an IQ of a zillion who had, for all intents and purposes, invented the field of paleovirology, retrieving and resuscitating ancient organisms for modern use. Within his professional circle it was generally assumed that Lear was a shoo-in, someday, for a Nobel Prize. Okay, maybe using death row inmates hadn’t been the smartest move. They’d gotten ahead of themselves there. And certainly Lear wasn’t rowing with his oars entirely in the water. But you had to admit the idea had possibilities. Such as, for instance, not dying. Ever. A matter in which Guilder had lately found himself holding a not-inconsiderable personal stake.

His only hope was the girl.

Amy NLN. The thirteenth test subject, snatched from a convent in Memphis, Tennessee, where her mother had abandoned her. Guilder hadn’t felt exactly comfortable signing off on that. A kid, for the love of God. Somebody was bound to notice, and they had; by the time Wolgast had brought her in, everybody from the Oklahoma Highway Patrol to the U.S. Marshals was scouring the country for her, and Richards, that lunatic, had left a trail of bodies a mile wide. The nuns at the convent, shot in their sleep. A pair of small-town cops. Six people at a coffee shop whose only mistake was coming in for breakfast at the same time as Wolgast and the girl.

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