Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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She’d left the note tucked beneath the salt and pepper shakers on the kitchen table. Danny liked salt, but not pepper, which made him sneeze. Ten days had gone by—Danny knew this from the marks he put on the calendar every morning—and the note was still there. He didn’t know what to do with it. The whole place smelled something awful, the way a raccoon or possum did when it had been run over again and again for days.

The milk was no good, too. With the electricity off, it had gone sour, warm and unpleasant in his mouth. He tried the Lucky Charms with water from the tap, but it wasn’t the same, nothing was the same, everything was different because Momma was in the bedroom. At night he sat in the dark in his room with the door closed. He knew where Momma kept the candles, they were in the cupboard over the sink where she kept her bottle of Popov for when her nerves got to her, but matches were nothing for him. They were on the list. It wasn’t an actual list, it was just the things he couldn’t do or touch. The toaster, because he kept pushing the button back down and burning the toast. The pistol in Momma’s nightstand, because it wasn’t a toy, it could shoot you. The girls on his bus, because they wouldn’t like it, and he wouldn’t get to drive the No. 12 anymore, which would be bad. That would be the worst thing in the world to Danny Chayes.

No electricity meant no TV, so he couldn’t watch Thomas, either. Thomas was for little boys, Momma had told him so a million times, but the therapist, Dr. Francis, said it was okay to watch it as long as Danny tried other things, too. His favorite was James. Danny liked his red color and matching tender, and the sound of his voice the way the narrator did it, so soothing it made his throat tickle at the top. Faces were hard for Danny, but the expressions on the Thomas trains were always precise and easy to follow, and it was funny, the things they did to each other, the pranks they liked to play. Switching the tracks so Percy would run into a coal loader. Pouring chocolate all over Gordon, who pulled the express, because he was such a haughty engine. The kids on his bus sometimes made fun of Danny, calling him Topham Hatt, singing the song with not-nice words in place of the real ones, but for the most part Danny tuned this out. There was one kid, though. His name was Billy Nice, and nice was not what he was. He was a sixth grader, but Danny thought he’d probably been held back a few times, on account of he had a body like a full-grown man’s. He boarded each morning without so much as a book in his hands, sneering at Danny as he mounted the steps, high-fiving and what-upping the other boys as he sauntered down the alley between the seats, dragging a smell of cigarettes.

Hey, Topham Hatt, how are things going on the Island of Sodor today? Is it true that Lady Hatt likes to take it in the caboose?

Har-har-har, Billy laughed. Har-har-har. Danny never said anything back, because it would only make things worse; he’d never told Mr. Purvis anything, because he knew what the man would say. Goddamnit, Danny, whatcha let the little shit treat you like that for? Lord knows you’re one weird duck, but you’ve got to stand up for yourself. You’re the captain of that ship. You allow a mutiny and the next thing you know everything goes in the dumper .

Danny liked Mr. Purvis, the dispatcher. Mr. Purvis had always been a friend to Danny, and Momma, too. Momma was one of the cafeteria ladies, so that was how they knew each other, and Mr. Purvis was always coming around the house, fixing things, like the disposal or a loose board on the porch, even though he had a wife of his own, Mrs. Purvis. He was a big bald man who liked to whistle through his teeth and was always hitching up his pants. Sometimes he visited at night, after Danny was in bed; Danny would hear the TV going in the living room, and the pair of them laughing and talking. Danny liked those nights. They gave him a good feeling in his mind, like the happy-click. When anybody asked, Momma always said that Danny’s father “wasn’t in the picture,” which was precisely true. There were pictures of Momma in the house, and pictures of Danny, and pictures of the two of them together. But he’d never seen one with his father in it. Danny didn’t even know the man’s name.

The bus had been Mr. Purvis’s idea. He’d taught Danny to drive in the parking lot at the depot, and went with him to get his Class B license, and helped him fill out the application. Momma hadn’t been so sure at first, on account of her needing Danny to help around the house, being a useful engine, and the Social Security, which was money from the government. But Danny knew the real reason, which was the different and special way he was. The thing with a job, Momma had explained, using her careful voice, was that a person needed to be “adaptable.” Things would happen, different things. Take the cafeteria. Some days they would serve hot dogs, and some days lasagna, and other days chicken cutlets. The menu might say one thing, but it turned out to be another; you couldn’t always know. Wouldn’t that upset him?

But a bus wasn’t a cafeteria. A bus was a bus, and it ran on a schedule, precisely. When Danny got behind the wheel, he felt the happy-click bigger and deeper than he’d ever felt in his life. Driving a bus! A big yellow one, all the seats in their orderly rows, the gearshift with its six speeds and reverse, everything laid out nice and neat before him. It wasn’t a train but it was close, and each morning as he pulled away from the depot, he always imagined he was Gordon or Henry or Percy or even Thomas himself.

He was always on time. Forty-two minutes from depot to drop-off, 8.2 miles, nineteen stops, twenty-nine passengers, precisely. Robert-Shelly-Brittany-Maybeth-Joey-Darla/Denise (the twins)-Pedro-Damien-Jordan-Charlie-Oliver (O-Man)-Sasha-Billy-Molly-Lyle-Dick (Dickhead)-Richard-Lisa-Mckenna-Anna-Lily-Matthew-Charlie-Emily-JohnJohn-Kayla-Sean-Timothy. Sometimes a parent would wait with them on the corner, a mother in a housecoat or a father in a jacket and tie, holding a mug of coffee. How’s it going today, Danny , they might say, wearing a good-morning smile on their faces. You know, a person could set their watch by you .

Be my useful engine , Momma always said, and that’s what Danny was.

But now the children were gone. Not just the children: everyone. Momma and Mr. Purvis and maybe all the people in the world. The nights were dark and still, no lights burning anywhere. For a while there had been a lot of noise—people yelling, sirens wailing, Army trucks roaring down the street. He’d heard the pop of guns. Pop! went the guns. Pop-pop-pop-pop! What are they shooting at, Danny wanted to know, but Momma wouldn’t say. She told him to stay inside, using her strong voice, and not to watch TV, and to keep away from the windows. What about the bus, Danny asked, and Momma only said, Damnit, Danny, don’t worry about the bus now. School’s out today. What about tomorrow, Danny asked. And Momma said, It’s out tomorrow, too.

Without the bus, he didn’t know what to do with himself. His brain felt as jumpy as corn in a hot pan. He wished Mr. Purvis could come over and watch TV with Momma, it always made her feel better about things, but the man never did. The world went quiet, the way it was now. There were monsters out there. Danny had figured that out. As a for instance, there was the woman across the street, Mrs. Kim. Mrs. Kim taught the violin, kids coming over to her house for their lessons, and on summer days when the windows were open Danny could hear them playing, twinkle-twinkle and Mary-had-a-little-lamb and other things he didn’t know the names of. Now there was no violin and Mrs. Kim was hanging over the porch railing.

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