Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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Don’t you remember, Grey?

Something was wrong with him, really wrong. It wasn’t Iggy’s voice he was hearing; the voice was in his head . Every surface that met his eyes seemed to throb with vividness. He rubbed his eyes, but it only got worse. It was as if he weren’t just seeing things, but touching and smelling and tasting them too, as if the wires in his brain had crossed.

Don’t you remember… dying?

And all at once he did; the memory pierced him like an arrow to the chest. The aquatic blue of the containment chamber, and the slowly opening door; Subject Zero rising above him, assuming his full and terrible dimensions; the feel of Zero’s jaws on the curve of his neck and the clamp of boring teeth, picketed row upon row; Zero gone, leaving him alone, and the blare of the alarm and the sound of gunfire and the screams of dying men; his stumble into the hall, a vision of hell, blood everywhere, painting the walls and floor, and the grisly remains, a slaughterhouse of legs and arms and torsos with their roping entrails; the sticky, arterial spurt through his fingers where he held them to his throat; the air whooshing out of him, and his long slide to the floor, blackness enveloping him, his vision swimming; and then the letting go.

Oh God.

Come to me, Grey. Come to me .

He tore from the room, daylight blasting his eyes. It was crazy; he was crazy. Across the parking lot he ran like a great, lumbering animal, sightless and without direction, his hands clamped to his ears. A few cars dotted the lot, parked at haphazard angles, many with their doors standing open. But in its white-hot state, Grey’s mind failed to register this fact, just as it failed to note other troubling details: the smashed front windows of the hotel; the highway on which not a single vehicle could be seen to move; the vacant filling station across the access road, its windows smeared with red, and the body of a man slumped against the pump in the manner of an impromptu siesta; the wrecked McDonald’s, its chairs and tables and ketchup packets and Happy Meal toys and patrons of various ages and races hurled through the windows in violent disgorgement; the plume of chemical smoke from the still-burning wreckage of a tractor-trailer two miles away; the birds. Great wheeling clouds of large, black birds, crows and ravens and buzzards, the scavengers, idly spinning overhead. All of it suspended like the aftermath of a terrible battle, bathed with pitiless summer sunshine.

Do you see, Grey?

“Stop it! Shut up!”

He stumbled on something soft. Organically damp and squishy, under his feet. It sent him crashing to his hands and knees, skidding on the blacktop.

See the world that we have made .

He squeezed his eyes shut. He was heaving for breath. He knew without looking that the squishy thing was a body. Please , he thought, not sure whom or even what he was addressing. Himself. The voice in his head. God, whom he’d never quite believed in but was willing to believe in now. I’m sorry for whatever I did. I’m sorry, I’m sorry, I’m sorry .

By the time he finally looked, all hope had left him. The body was a woman. The flesh of her face was sucked so tightly to the bones it was hard to tell how old she was. She was dressed in sweatpants and a scoop-necked T-shirt with a little frill of pink lace at the neckline; Grey supposed she’d been in bed and had come out to see what was happening. She was splayed on the pavement, her back and shoulders twisted. Flies were buzzing over her, dipping in and out of her mouth and eyes. One arm lay outstretched on the pavement, palm up; the other was bent across her chest, the tips of her fingers touching the wound at her throat. Not a cut or gash, nothing as tidy as that. Her throat had been chomped away, down to the bone.

She was not the only one. Grey’s vision widened, like a camera lifting over the scene. To his left, twenty feet away, a Chevy half-ton was parked with the driver’s door open. A heavyset man in suit pants with suspenders had been pulled from his seat and now hung half in and half out of the truck, dangling head-down over the running board, though his head wasn’t there; his head was somewhere else.

More bodies lay near the hotel entrance. Not bodies, strictly speaking—more like a zone of human parts. A woman police officer had been eviscerated as she’d stepped from her cruiser. She rested with her back propped against the fender, pistol still clutched in her hand, her chest opened like the flaps of a trench coat. A man in a shiny purple tracksuit, wearing enough gold around his neck to fill a pirate chest, had been hurled upward, his torso lodging like a kite in the limbs of a maple tree; his bottom half had come to rest on the hood of a jewel-black Mercedes. The man’s legs were crossed at the ankles, as if the lower half of his body hadn’t heard it was missing the rest.

By this time, Grey knew himself to be in something close to a trance. You couldn’t look at something like this and allow yourself to feel anything.

The one that finally did it was the one that wasn’t there. Two vehicles, a Honda Accord and a Chrysler Countryside, had collided head-on near the exit, their front ends crumpled into each other like the bellows of an accordion. The driver of the sedan had been shot through the windshield. The sedan was otherwise untouched, but the minivan looked ransacked. Its sliding door had been ripped away and hurled across the parking lot like a Frisbee. On the pavement by the open door, in a plume of debris—suitcases, toys, a jumbo pack of diapers—lay the prostrate body of a woman; just beyond the reach of her outstretched hand, tipped on its side, was an empty baby carrier. What happened to the baby? Grey thought.

And then: Oh .

* * *

Grey chose the pickup. He wouldn’t have minded driving the Mercedes, but he guessed a truck would be more sensible. He’d owned a Chevy half-ton, back in a life that didn’t seem to matter now, so the pickup was something familiar to cling to. He eased the decapitated driver free and laid him on the pavement. It was troubling, not having the head to give back to the poor guy. It didn’t seem right to leave him there without it. But the head was nowhere obvious, and Grey had seen enough. He looked around for a pair of shoes his size—13EEE; whatever Zero had done to him, it hadn’t shrunk his feet any—and finally chose a pair of loafers from the feet of the man on the Mercedes. They were Italian lambskin, soft as butter, and a little narrow in the toe box, but leather like that would stretch. He got in the truck and started the engine. There was a little more than three-quarters of a tank of gas; Grey figured that would get him most of the way to Denver.

He was about to pull away when a last thought occurred to him. He put the vehicle in park and returned to the room. Holding the pistol a little distance from his body, he walked back to the truck and deposited it in the glove compartment. Then, with only the gun for company, he put the truck in gear and drove away.

6 Momma was in the bedroom Momma was in the bedroom not moving Momma was in - фото 9

6

Momma was in the bedroom. Momma was in the bedroom, not moving. Momma was in the bedroom, which was forbidden. Momma was dead, precisely.

After I’m gone, remember to eat, because you sometimes forget. Bathe every other day. Milk in the fridge, Lucky Charms in the cupboard, and hamburger casseroles to reheat in the freezer. Put them in at 350 for an hour, and remember to turn off the oven when you’re done. Be my big boy, Danny. I love you always. I just can’t be afraid anymore. Love, Momma .

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