Justin Cronin - The Twelve

Last Stand in Denver, signing off.

With a push he was aloft, his body lobbing down and away. One story, two stories, three, the rope smoothly sliding through his hands: he landed on the balcony of the apartment four floors below. A familiar twang of pain shot upward from his left knee; he gritted his teeth to force it away. The helicopter was closing in now, the thrum of its blades volleying off the buildings. He peeled off his harness, drew one of the Glocks, and fired a single shot to shatter the glass of the balcony door.

The air of the apartment was stale, like the inside of a cabin sealed for winter. Heavy furniture, gilt mirrors, an oil painting of a horse over the fireplace; from somewhere wafted the stench of decay. He moved through the becalmed space with barely a glance. At the door he paused to attach a spotlight to the rail of the AK and stepped out into the hall, headed for the stairs.

In his pocket were the keys to the Ferrari, parked in the building’s underground garage, sixteen floors below. Kittridge shouldered open the door of the stairwell, quickly sweeping the space with the beam from the AK, up and down. Clear. He withdrew a flare from his vest and used his teeth to unscrew the plastic top, exposing the igniter button. With a combustive pop, the flare commenced its rain of sparks. Kittridge held it over the side, taking aim, and let go; if there was anything down there, he’d know it soon. His eyes followed the flare as it made its descent, dragging a contrail of smoke. Somewhere below it nicked the rail and bounced out of sight. Kittridge counted to ten. Nothing, no movement at all.

Three flares later he reached the bottom; a heavy steel door with a push bar and a small square of reinforced glass led to the garage. The floor was littered with trash: pop cans, candy bar wrappers, tins of food. A rumpled bedroll and a pile of musty clothing showed where someone had been sleeping—hiding, as he had.

Kittridge had scouted out the parking garage the day of his arrival. The Ferrari was parked near the southwest corner, a distance of approximately two hundred feet. He probably should have moved it closer to the door, but it had taken him three days to locate Warren’s keys—who kept his car keys in a bathroom drawer?—by which time he’d already barricaded himself inside the penthouse.

The fob had four buttons: two for the doors, one for the alarm, and one that, he hoped, was a remote starter. He pressed this one first.

From deep within the garage came a tart, single-noted bleep, followed by the throaty roar of the Ferrari’s engine. Another mistake: the Ferrari was parked nose to the wall. He should have thought of that. Not only would this slow his escape; if the car had been facing the opposite way, its headlights would have given him a better look at the garage’s interior. All he could make out through the stairwell door’s tiny window was a distant, glowing region where the car awaited, a cat purring in the dark. The rest of the garage was veiled in blackness. The infected liked to hang from things: ceiling struts, pipes, anything with a tactile surface. The tiniest fissure would suffice. When they came, they came from above.

The moment of decision was upon him. Toss more flares and see what happens? Move stealthily through the darkness, seeking cover? Throw open the door and run like hell?

Then, from high overhead, Kittridge heard the creak of an opening stairwell door. He held his breath and listened. There were two of them. He stepped back from the door and craned his neck upward. Ten stories above, a pair of red dots were dancing off the walls.

He shoved the door open and ran like hell.

He had made it halfway to the Ferrari when the first viral dropped behind him. There was no time to turn and fire; Kittridge kept on going. The pain in his knee felt like a wick of flame, an ice pick buried to the bone. From the periphery of his senses came a tingling awareness of beings awakening, the garage coming to life. He threw open the door of the Ferrari, tossed the AK and rucksack onto the passenger seat, got in, and slammed the door. The vehicle was so low-slung he felt like he was sitting on the ground. The dashboard, full of mysterious gauges and switches, glowed like a spacecraft’s. Something was missing. Where was the gearshift?

A wang of metal, and Kittridge’s vision filled with the sight of it. The viral had bounded onto the hood, folding its body into a reptilian crouch. For a frozen moment it regarded him coolly, a predator contemplating its prey. It was naked except for a wristwatch, a gleaming Rolex thick as an ice cube. Warren? Kittridge thought, for the man had been wearing one like it the day Kittridge had walked him to the car. Warren, old buddy, is that you? Because if it is, I wouldn’t mind a word of advice on how to get this thing in gear .

He discovered, then, with the tips of his fingers, a pair of levers positioned on the undersides of the steering wheel. Paddle shifters. He should have thought of that, too. Up on the right, down on the left, like a motorcycle. Reverse would be a button somewhere on the dash.

The one with the R, genius. That one .

He pushed the button and hit the gas. Too fast: with a squeal of smoking rubber, the Ferrari jolted backward and slammed into a concrete post. Kittridge was hurled back into his seat, then tossed forward again, his head smacking the heavy glass of the side window with an audible thud. His brain chimed like a tuning fork; particles of silver light danced in his eyes. There was something interesting about them, interesting and beautiful, but another voice inside him said that to contemplate this vision, even for a moment, was to die. The viral, having tumbled off the hood, was rising from the floor now. No doubt it would try to take him straight through the windshield.

Two red dots appeared on the viral’s chest.

With a birdlike quickness, the creature broke its gaze from Kittridge and launched toward the soldiers coming through the stairwell door. Kittridge swung the steering wheel and gripped the right paddle, engaging the transmission as he pressed the accelerator. A lurch and then a leap of speed: he was thrust back into his seat as he heard a blast of automatic weapon fire. Just when he thought he’d lose control of the car again he found the straightaway, the walls of the garage streaming past. The soldiers had bought him only a moment; a quick glimpse in the rearview and Kittridge beheld, in the glow of his taillights, what appeared to be the detonation of a human body, an explosive strewing of parts. The second soldier was nowhere visible, though if Kittridge had to bet, he’d say the man was surely dead already, torn to bloody hunks.

He didn’t look back again.

The ramp to the street was located two floors above, at the far end of the garage. As Kittridge downshifted into the first corner, engine roaring, tires shrieking, two more virals dropped from the ceiling, into his path. One fell under his wheels with a damp crunch, but the second leapt over the roof of the barreling Ferrari, striding it like a hurdler. Kittridge felt a stab of wonder, even of admiration. In school, he had learned that you couldn’t catch a fly with your hand because time was different to a fly: in a fly’s brain, a second was an hour, and an hour was a year. That’s what the infected were like. Like beings outside of time.

They were everywhere now, emerging from all the hidden places. They flung themselves at the car like suicides, driven by the madness of their hunger. He tore through them, bodies flying, their monstrous, distorted faces colliding with the windshield before being hurled up and over, away. Two more turns and he’d be free, but one was clinging to the roof now. Kittridge braked around the corner, fishtailing on the slick cement, the force of his deceleration sending the viral rolling onto the hood. A woman: she appeared to be wearing, of all things, a wedding gown. Gouging her fingers into the gap at the base of the windshield, she drew herself onto all fours. Her mouth, a bear trap of blood-lined teeth, was open very wide; a tiny golden crucifix dangled at the base of her throat. I’m sorry about your wedding , Kittridge thought as he drew one of the pistols, steadied it over the steering wheel, and fired through the windshield.