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Justin Cronin: The Twelve

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Justin Cronin The Twelve

The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning. In his internationally bestselling and critically acclaimed novel , Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with… In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights. One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price. A heart-stopping thriller rendered with masterful literary skill, is a grand and gripping tale of sacrifice and survival. Named one of the Ten Best Novels of the Year by and , and one of the Best Books of the Year by • e • • • THE TWELVE PRAISE FOR JUSTIN CRONIN’S “Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.” —Time “Read this book and the ordinary world disappears.” —Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.” —The Dallas Morning News

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Two down, one to go.

It should have been easy. Suddenly it wasn’t. As Alicia drew a second blade, the remaining viral turned and swatted her hand with a force that sent the weapon spiraling into the dark. Before the creature could deliver another blow, Alicia dropped to the floor and rolled away; when she rose, fresh blade in hand, the viral was gone.

Shit.

She snatched her cross from the floor, loaded a fresh bolt, and dashed outside. Where the hell was it? Two quick steps and Alicia launched herself to the roof of the shed, landing with a clang. Quickly she surveyed the landscape. Nothing, no sign.

Then the viral was behind her. A trap, Alicia realized; it must have been hiding, lying flush to the far side of the roof. Two things happened simultaneously. Alicia spun on her heels, aiming the cross instinctively; and with a sound of splintering wood and tearing metal, the roof gave way beneath her.

She landed face-up on the floor of the shed, the viral crashing on top of her. Her cross was gone. Alicia would have drawn a blade, but both of her hands were now occupied in the stalemated project of holding the viral at arm’s length. Left and right and left again the creature darted its face, jaws snapping, toward the curve of Alicia’s throat. An irresistible force meeting an immovable object: how long could this go on? The children in their beds, Alicia thought. That’s who this one was. She was the woman looking through the doorway at her sleeping children. Think about the children, Alicia thought, and then she said it:

“Think about the children.”

The viral froze. A wistful expression came into its face. For the thinnest instant—not more than half a second—their eyes met and held in the darkness. Mary, Alicia thought. Your name was Mary. Her hand was reaching for her blade. I send you home, my sister Mary , thought Alicia. I release you from the prison of your existence . And with an upward thrust she sank her blade, tip to hilt, into the sweet spot.

Alicia rolled the corpse away. The others lay where they had fallen. She collected her blade and bolt from the first two, wiped them clean, then knelt by the body of the last. In the aftermath Alicia usually felt nothing beyond a vague hollowness; it surprised her now to discover that her hands were shaking. How had she known? Because she had; with absolute clarity, she had known that the woman’s name was Mary.

She pulled the blade free, touched it to her head and heart. Thank you, Mary, for not killing me before my work is complete. I hope you are with your little ones now .

Mary’s eyes were open, gazing at nothing; Alicia closed them with her fingertips. It wouldn’t do to leave her where she was. Alicia hoisted the body into her arms and carried it outside. A rind of moon had risen, washing the landscape in its glow, a darkness visible. But moonlight wasn’t what Mary needed. A hundred years of nighttime sky were enough, Alicia thought, and laid the woman on a patch of open ground where, come morning, the sun would find her and cast her ashes to the wind.

Alicia had begun to climb.

A night and a day had passed. She was in the mountains now, ascending a dry creekbed through a slim defile. The feeling of the virals was stronger here: she was headed toward something. Mary, she thought, what were you trying to tell me?

It was nearly dawn by the time she reached the top of the ridge, the horizon jumping away. Below her, in the wind-scraped blackness, the valley floor unfurled, none but the stars for company. Alicia knew it was possible to parse discrete figures from their arbitrary-seeming arrangement, the shapes of people and animals, but she had never learned to do this. They appeared to her only as a random scattering, as if each night the stars were flung anew against the sky.

Then she saw it: a gaping maw of blackness, set in a bowl-like depression. The opening was a hundred feet tall or more. Curved benches, like an amphitheater, carved from the rocky face of the mountain, were situated at the cave’s mouth. Bats were flicking through the sky.

It was a door to hell.

You’re down there, aren’t you? Alicia thought, and smiled. You son of a bitch, I’ve found you .

II. THE FAMILIAR

3 Denver Police Dept Case File 193874 District 6 Transcript of Interview - фото 5

3 Denver Police Dept Case File 193874 District 6 Transcript of Interview - фото 6

3

Denver Police Dept.

Case File 193874

District 6

Transcript of Interview with Lila Beatrice Kyle

VIA: Det. Rita Chernow

3 May 4:17 A.M.

RC: Let the record show that the subject has been fully apprised of her rights and has declined to have an attorney present at this interview. Questioning conducted by Detective Rita Chernow, Denver PD, District Six. The time is four-seventeen A.M. Dr. Kyle, would you please state your full name?

LK: Lila Beatrice Kyle.

RC: And you’re an orthopedic surgeon at Denver General Hospital, is that correct?

LK: Yes.

RC: And do you know why you’re here?

LK: Something happened at the hospital. You wanted to ask me some questions. What is this room? I don’t know it.

RC: We’re in the police station, Dr. Kyle.

LK: Am I in trouble?

RC: We talked about this, remember? We’re just trying to figure out what happened in the ER tonight. I know you’re upset. I have just a few questions for you.

LK: There’s blood on me. Why is there blood on me?

RC: Do you recall what happened in the ER, Dr. Kyle?

LK: I’m so tired. Why am I so tired?

RC: Can we get you something? Coffee maybe?

LK: I can’t drink coffee. I’m pregnant.

RC: Water, then? How about some water?

LK: Okay.

( Break .)

RC: So let’s start at the beginning. You were working in the emergency room tonight, is that correct?

LK: No, I was upstairs.

RC: But you came down to the ER?

LK: Yes.

RC: At what time?

LK: I’m not sure. Sometime around one A.M. They paged me.

RC: Why did they page you?

LK: I was the orthopedist on call. They had a patient with a broken wrist.

RC: And was that patient Mr. Letourneau?

LK: I think so, yes.

RC: What else did they tell you about him?

LK: Before I went downstairs, you mean?

RC: Yes.

LK: He had some kind of animal bite.

RC: Like a dog bite?

LK: I suppose so. They didn’t say.

RC: Anything else?

LK: He had a high fever. He’d vomited.

RC: And that’s all they told you?

LK: Yes.

RC: And what did you see when you got to the ER?

LK: He was in the third bed. There were only a couple of other patients. Sunday’s usually quiet.

RC: What time would this be?

LK: One-fifteen, one-thirty.

RC: And did you examine Mr. Letourneau?

LK: No.

RC: Let me rephrase. Did you see the patient?

( Pause .)

RC: Dr. Kyle?

LK: I’m sorry, what was the question?

RC: Did you see Mr. Letourneau tonight in the ER?

LK: Yes. Mark was there, too.

RC: Are you referring to Dr. Mark Shin?

LK: He was the attending. Have you talked to him?

RC: Dr. Shin is dead, Dr. Kyle. He was one of the victims.

LK: (inaudible)

RC: Could you speak up, please?

LK: I just… I don’t know. I’m sorry, what did you want to know?

RC: What can you tell me about Mr. Letourneau? How did he seem?

LK: Seem?

RC: Yes. Was he awake?

LK: He was awake.

RC: What else did you observe?

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