Ira Levin - A Kiss Before Dying

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A Kiss Before Dying not only debuted the talent of best-selling novelist Ira Levin to rave reviews, it also set a new standard in the art of mystery and suspense. Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing—not even murder—to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she’s pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

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... As we left Annabelle Koch's room, she added a final word. "Even when the police return the belt to me," she said, "I know I won't be able to wear my green suit again."

He found the last weeks of the school year disappointingly flat. He had expected the excitement created by Dorothy's death to linger in the air like the glow of a rocket; instead it had faded almost immediately. He had anticipated more campus conversations and newspaper articles, allowing him the luxuriant superiority of the omniscient; instead- nothing. Three days after Dorothy died campus gossip veered away to pounce on a dozen marijuana cigarettes that had been discovered in one of the smaller dormitories. As for the newspapers, a short paragraph announcing Leo Kingship's arrival in Blue River marked the last time the Kingship name appeared in the Clarion-Ledger. No word of an autopsy nor of her pregnancy, although surely when an unmarried girl committed suicide without stating a reason, that must be the first thing they looked for. Keeping it out of the papers must have cost Kingship plenty.

He told himself he should be rejoicing. If there had been any kind of inquiry he certainly would have been sought for questioning. But there had been no questions, no suspicion,-hence no investigation. Everything had fallen into place perfectly. Except that business of the belt. That puzzled him. Why on earth had Dorothy taken that Koch girl's belt when she hadn't wanted to wear it? Maybe she really did want to talk to someone-about the wedding-and then had thought better of it. Thank God for that. Or maybe the buckle of her belt had really been broken, but she had managed to fix it after she had already taken Koch's. Either way, though, it was an unimportant incident. Koch's interpretation of it only strengthened the picture of a suicide, added to the flawless success of his plans. He should be walking on air, smiling at strangers, toasting himself with secret champagne. Instead there was this dull, leaden, letdown feeling. He couldn't understand it.

His depression became worse when he returned to Menasset early in June. Here he was, right where he'd been last summer after the daughter of the farm equipment concern had told him about the boy back home, and the summer before, after he had left the widow. Dorothy's death had been a defensive measure; all his planning hadn't advanced him in the slightest.

He became impatient with his mother. His correspondence from school had been limited to a weekly postcard, and now she badgered him for details; did he have pictures of the girls he'd gone out with?- expecting them to be the most beautiful, the most sought after-Did he belong to this club, to that club?-expecting him to be the president of each- What was his standing in philosophy, in English, in Spanish?-expecting him to be the leader in all. One day he lost his temper. "It's about time you realized I'm not the king of the world!" he shouted, storming from the room.

He took a job for the summer; partly because he needed money, partly because being in the house with his mother all day made him uneasy. The job didn't do any good towards taking his mind off things though; it was in a haberdashery shop whose fixtures were of angular modern design; the glass display counters were bound with inch wide strips of burnished copper.

Towards the middle of July, however, he began to slough off his dejection. He still had the newspaper clippings about Dorothy's death, locked in a small gray strongbox he kept in his bedroom closet. He began taking them out once in a while, skimming through them, smiling at the officious certainty of Chief of Police Eldon Chesser and the half-baked theorizing of Annabelle Koch.

He dug up his old library card, had it renewed, and began withdrawing books regularly; Pearson's Studies in Murder, Bolitho's Murder for Profit, volumes in the Regional Murder Series. He read about Landru, Smith, Pritchard, Crippen; men who had failed where he had succeeded. Of course it was only the failures whose stories got written,-God knows how many successful ones there were. Still, it was flattering to consider how many had failed.

Until now he had always thought of what happened at the Municipal Building as "Dome's death." Now he began to think of it as "Dome's murder." Sometimes, when he had lain in bed and read several accounts in one of the books, the enormous daring of what he had done would overwhelm him. He would get up and look at himself in the mirror over the dresser. I got away with murder, he would think. Once he whispered aloud: "I got away, with murder!"

So what if he wasn't rich yet! Hell, he was only twenty-four.

Part Two

ELLEN

Letter from Annabelle Koch to Leo Kingship:

girls' dormitory

Stoddard university

blue river,

Iowa March 5, 1951

Dear Mr. Kingship,

I suppose you are wondering who I am, unless you remember my name from the newspapers. I am the young woman who loaned a belt to your daughter Dorothy last April. I was the last person to speak to her. I would not bring up this subject as I am sure it must be a very painful subject to you, except that 1 have a good reason.

As you may recall Dorothy and I had the same green suit. She came to my room and asked to borrow my belt. I loaned it to her and later the police found it (or what I thought was it) in her room. They kept it for over a month until they got around to returning it to me and by that time it was quite late in the season so I did not wear the green suit again last year.

Now spring is approaching again and last night I tried on my spring clothes. I tried on my green suit and it fitted perfectly. But when I put on the belt I found to my surprise that it was Dorothy's belt all along. You see, the notch that is marked from the buckle is two notches too big for my waist. Dorothy was quite slender but I am even more so. In fact to be frank I am quite thin. I know that I certainly did not lose any weight because the suit still fits me perfectly, as I said above, so the belt must be Dorothy's. When the police first showed it to me I thought it was mine because the gold finish on the tooth of the buckle was rubbed off. I should have realized that since both suits were made by the same manufacturer the finish would have come off of both buckles.

So now it seems that Dorothy could not wear her own belt for some reason, even though it was not broken at all, and took mine instead. I cannot understand it. At the time I thought she only pretended to need my belt because she wanted to speak to me.

Now that I know the belt is Dorothy's I would feel funny wearing it. I am not superstitious, but after all it does not belong to me and it did belong to poor Dorothy. I thought of throwing it away but 1 would feel funny doing that also, so I am sending it to you in a separate package and you can keep it or dispose of it as you see fit.

I can still wear the suit because all the girls here are wearing wide leather belts this year anyway.

Yours truly,

Annabelle Koch

Letter from Leo Kingship to Ellen Kingship:

March 8, 1951

My dear Ellen,

I received your last letter and am sorry not to have replied sooner, but the demands of business have been especially pressing of late.

Yesterday being Wednesday, Marion came here to dinner. She is not looking too well. I showed her a letter which I received yesterday and she suggested that I send it on to you. You will find it enclosed. Read it now, and then continue with my letter.

Now that you have read Miss Koch's letter, I will explain why I forwarded it.

Marion tells me that ever since Dorothy's death you have been rebuking yourself for your imagined callousness to her. Miss Koch's unfortunate story of Dorothy's "desperate need of someone to talk with" made you feel, according to Marion, that that someone should have been you and would have been you, had you not pushed Dorothy out on her own too soon. You believe, although this is something which Marion has only deduced from your letters, that had there been a difference in your attitude towards Dorothy, she might not have chosen the path she did.

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