Dan Brown - Inferno

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Inferno: краткое содержание, описание и аннотация

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‘Seek and ye shall find.’ With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings.
A threat to his life will propel him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence. Only Langdon’s knowledge of hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers.
With only a few lines from Dante’s dark and epic masterpiece,
, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance — sculptures, paintings, buildings — to find the answers to a puzzle which may, or may not, help them save the world from a terrifying threat…
Set against an extraordinary landscape inspired by one of history’s most ominous literary classics,
is Dan Brown’s most compelling and thought-provoking novel yet, a breathless race-against-time thriller that will grab you from page one and not let you go until you close the book.

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Unfortunately, Langdon realized, this probably also ruled out his other option: the Paperback Exchange — one of Langdon’s favorite Florentine bookshops — which would definitely have had copies of The Divine Comedy on hand.

“Any other ideas?” Sienna said.

Langdon thought a long moment and finally nodded. “There’s a site just around the corner where Dante enthusiasts gather. I bet someone there has a copy we can borrow.”

“It’s probably closed, too,” Sienna warned. “Almost every place in town moves the Sabbath away from Sunday.”

“This place wouldn’t dream of doing such a thing,” Langdon replied with a smile. “It’s a church.”

* * *

Fifty yards behind them, lurking among the crowd, the man with the skin rash and gold earring leaned on a wall, savoring this chance to catch his breath. His breathing was not getting any better, and the rash on his face was nearly impossible to ignore, especially the sensitive skin just above his eyes. He took off his Plume Paris glasses and gently rubbed his sleeve across his eye sockets, trying not to break the skin. When he replaced his glasses, he could see his quarry moving on. Forcing himself to follow, he continued after them, breathing as gently as possible.

* * *

Several blocks behind Langdon and Sienna, inside the Hall of the Five Hundred, Agent Brüder stood over the broken body of the all-too-familiar spike-haired woman who was now lying sprawled out on the floor. He knelt down and retrieved her handgun, carefully removing the clip for safety before handing it off to one of his men.

The pregnant museum administrator, Marta Alvarez, stood off to one side. She had just relayed to Brüder a brief but startling account of what had transpired with Robert Langdon since the previous night … including a single piece of information that Brüder was still trying to process.

Langdon claims to have amnesia.

Brüder pulled out his phone and dialed. The line at the other end rang three times before his boss answered, sounding distant and unsteady.

“Yes, Agent Brüder? Go ahead.”

Brüder spoke slowly to ensure that his every word was understood. “We are still trying to locate Langdon and the girl, but there’s been another development.” Brüder paused. “And if it’s true … it changes everything.”

* * *

The provost paced his office, fighting the temptation to pour himself another Scotch, forcing himself to face this growing crisis head-on.

Never in his career had he betrayed a client or failed to keep an agreement, and he most certainly had no intention of starting now. At the same time he suspected that he might have gotten himself tangled up in a scenario whose purpose diverged from what he had originally imagined.

One year ago, the famous geneticist Bertrand Zobrist had come aboard The Mendacium and requested a safe haven in which to work. At that time the provost imagined that Zobrist was planning to develop a secret medical procedure whose patenting would increase Zobrist’s vast fortune. It would not be the first time the Consortium had been hired by paranoid scientists and engineers who preferred working in extreme isolation to prevent their valuable ideas from being stolen.

With that in mind, the provost accepted the client and was not surprised when he learned that the people at the World Health Organization had begun searching for him. Nor did he give it a second thought when the director of the WHO herself — Dr. Elizabeth Sinskey — seemed to make it her personal mission to locate their client.

The Consortium has always faced powerful adversaries.

As agreed, the Consortium carried out their agreement with Zobrist, no questions asked, thwarting Sinskey’s efforts to find him for the entire length of the scientist’s contract.

Almost the entire length.

Less than a week before the contract was to expire, Sinskey had somehow located Zobrist in Florence and moved in, harassing and chasing him until he committed suicide. For the first time in his career, the provost had failed to provide the protection he had agreed to, and it haunted him … along with the bizarre circumstances of Zobrist’s death.

He committed suicide … rather than being captured?

What the hell was Zobrist protecting?

In the aftermath of his death, Sinskey had confiscated an item from Zobrist’s safe-deposit box, and now the Consortium was locked in a head-to-head battle with Sinskey in Florence — a high-stakes treasure hunt to find …

To find what?

The provost felt himself glance instinctively toward the bookshelf and the heavy tome given to him two weeks ago by the wild-eyed Zobrist.

The Divine Comedy.

The provost retrieved the book and carried it back to his desk, where he dropped it with a heavy thud. With unsteady fingers, he opened the cover to the first page and again read the inscription.

My dear friend, thank you for helping me find the path.

The world thanks you, too.

First off , the provost thought, you and I were never friends.

He read the inscription three more times. Then he turned his eyes to the bright red circle his client had scrawled on his calendar, highlighting tomorrow’s date.

The world thanks you?

He turned and gazed out at the horizon a long moment.

In the silence, he thought about the video and heard the voice of facilitator Knowlton from his earlier phone call. I thought you might want to preview it before upload … the content is quite disturbing.

The call still puzzled the provost. Knowlton was one of his best facilitators, and making such a request was entirely out of character. He knew better than to suggest an override of the compartmentalization protocol.

After replacing The Divine Comedy on the shelf, the provost walked to the Scotch bottle and poured himself half a glass.

He had a very difficult decision to make.

CHAPTER 52

Known as the Church of Dante, the sanctuary of Chiesa di Santa Margherita dei Cerchi is more of a chapel than a church. The tiny, one-room house of worship is a popular destination for devotees of Dante who revere it as the sacred ground on which transpired two pivotal moments in the great poet’s life.

According to lore, it was here at this church, at the age of nine, that Dante first laid eyes on Beatrice Portinari — the woman with whom he fell in love at first sight, and for whom his heart ached his entire life. To Dante’s great anguish, Beatrice married another man, and then died at the youthful age of twenty-four.

It was also in this church, some years later, that Dante married Gemma Donati — a woman who, even by the account of the great writer and poet Boccaccio, was a poor choice of wife for Dante. Despite having children, the couple showed little signs of affection for each other, and after Dante’s exile, neither spouse seemed eager to see the other ever again.

The love of Dante’s life had always been and would always remain the departed Beatrice Portinari, whom Dante had scarcely known, and yet whose memory was so overpowering for him that her ghost became the muse that inspired his greatest works.

Dante’s celebrated volume of poetry La Vita Nuova overflows with flattering verses about “the blessed Beatrice.” More worshipful still, The Divine Comedy casts Beatrice as none other than the savior who guides Dante through paradise. In both works, Dante longs for his unattainable lady.

Nowadays, the Church of Dante has become a shrine for the brokenhearted who suffer from unrequited love. The tomb of young Beatrice herself is inside the church, and her simple sepulchre has become a pilgrimage destination for both Dante fans and heartsick lovers alike.

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