Dan Brown - Inferno

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Inferno: краткое содержание, описание и аннотация

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‘Seek and ye shall find.’ With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings.
A threat to his life will propel him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence. Only Langdon’s knowledge of hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers.
With only a few lines from Dante’s dark and epic masterpiece,
, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance — sculptures, paintings, buildings — to find the answers to a puzzle which may, or may not, help them save the world from a terrifying threat…
Set against an extraordinary landscape inspired by one of history’s most ominous literary classics,
is Dan Brown’s most compelling and thought-provoking novel yet, a breathless race-against-time thriller that will grab you from page one and not let you go until you close the book.

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Vayentha winced. Talk about having someone by the balls.

She removed her eyes from the peculiar statue and quickly climbed the stairs toward the museum.

She arrived on a high balcony that overlooked the hall. A dozen or so tourists were waiting outside the museum entrance.

“Delayed opening,” one cheerful tourist offered, peeking out from behind his camcorder.

“Any idea why?” she asked.

“Nope, but what a great view while we wait!” The man swung his arm out over the expanse of the Hall of the Five Hundred below.

Vayentha walked to the edge and peered at the expansive room beneath them. Downstairs, a lone police officer was just arriving, drawing very little attention as he moved, without any sense of urgency, across the room toward the staircase.

He’s coming up to take a statement , Vayentha imagined. The man’s lugubrious trudge up the stairs indicated this was a routine response call — nothing like the chaotic search for Langdon at the Porta Romana.

If Langdon is here, why aren’t they swarming the building?

Either Vayentha had assumed incorrectly that Langdon was here, or the local police and Brüder had not yet put two and two together.

As the officer reached the top of the stairs and ambled toward the museum entrance, Vayentha casually turned away and pretended to gaze out a window. Considering her disavowal and the long reach of the provost, she was not taking any chances of being recognized.

“Aspetta!” a voice shouted somewhere.

Vayentha’s heart skipped a beat as the officer stopped directly behind her. The voice, she realized, was coming from his walkie-talkie.

“Attendi i rinforzi!” the voice repeated.

Wait for support? Vayentha sensed that something had just changed.

Just then, outside the window, Vayentha noticed a black object growing larger in the distant sky. It was flying toward the Palazzo Vecchio from the direction of the Boboli Gardens.

The drone , Vayentha realized. Brüder knows. And he’s headed this way.

* * *

Consortium facilitator Laurence Knowlton was still kicking himself for phoning the provost. He knew better than to suggest that the provost preview the client’s video before it was uploaded to the media tomorrow.

The content was irrelevant.

Protocol is king.

Knowlton still recalled the mantra taught to young facilitators when they started handling tasks for the organization. Don’t ask. Just task.

Reluctantly, he placed the little red memory stick in the queue for tomorrow morning, wondering what the media would make of the bizarre message. Would they even play it?

Of course they will. It’s from Bertrand Zobrist.

Not only was Zobrist a staggeringly successful figure in the biomedical world, but he was already in the news as a result of his suicide last week. This nine-minute video would play like a message from the grave, and its ominously macabre quality would make it nearly impossible for people to turn it off.

This video will go viral within minutes of its release.

CHAPTER 43

Marta Alvarez was seething as she stepped out of the cramped video room, having left Langdon and his rude little sister at gunpoint with the guards. She marched over to a window and peered down at the Piazza della Signoria, relieved to see a police car parked out front.

It’s about time.

Marta still could not fathom why a man as respected in his profession as Robert Langdon would so blatantly deceive her, take advantage of the professional courtesy she had offered, and steal a priceless artifact.

And Ignazio Busoni assisted him!? Unthinkable!

Intent on giving Ignazio a piece of her mind, Marta pulled out her cell phone and dialed il Duomino ’s office, which was several blocks away at the Museo dell’Opera del Duomo.

The line rang only once.

“Ufficio di Ignazio Busoni,” a familiar woman’s voice answered.

Marta was friendly with Ignazio’s secretary but was in no mood for small talk. “Eugenia, sono Marta. Devo parlare con Ignazio.”

There was an odd pause on the line and then suddenly the secretary burst into hysterical sobbing.

“Cosa succede?” Marta demanded. What’s wrong!?

Eugenia tearfully told Marta that she had just arrived at the office to learn that Ignazio had suffered a massive heart attack last night in an alleyway near the Duomo. It was around midnight when he had called for an ambulance, but the medics hadn’t arrived in time. Busoni was dead.

Marta’s legs nearly buckled beneath her. This morning she’d heard on the news that an unnamed city official had died the previous night, but she never imagined it was Ignazio.

“Eugenia, ascoltami,” Marta urged, trying to remain calm as she quickly explained what she had just witnessed on the palazzo video cameras — the Dante death mask stolen by Ignazio and Robert Langdon, who was now being held at gunpoint.

Marta had no idea what response she expected Eugenia to make, but it most certainly was not what she heard.

“Roberto Langdon!?” Eugenia demanded. “Sei con Langdon ora?!” You’re with Langdon now?!

Eugenia seemed to be missing the point. Yes, but the mask—

“Devo parlare con lui!” Eugenia all but shouted. I need to speak to him!

* * *

Inside the security room, Langdon’s head continued to throb as the guards aimed their weapons directly at him. Abruptly, the door opened, and Marta Alvarez appeared.

Through the open door Langdon heard the distant whine of the drone somewhere outside, its ominous buzz accompanied by the wail of approaching sirens. They found out where we are.

“È arrivata la polizia,” Marta told the guards, sending one of them out to usher the authorities into the museum. The other remained behind, gun barrel still aimed at Langdon.

To Langdon’s surprise, Marta held out a cell phone to him. “Someone wants to speak to you,” she said, sounding mystified. “You’ll need to take it out here to have a connection.”

The group migrated from the stuffy control room into the gallery space just outside, where sunlight poured through large windows offering a spectacular view of Piazza della Signoria below. Although he was still at gunpoint, Langdon felt relieved to be out of the enclosed space.

Marta motioned him over near the window and handed him the phone.

Langdon took it, uncertain, and raised it to his ear. “Yes? This is Robert Langdon.”

“Signore,” the woman said in tentative, accented English. “I am Eugenia Antonucci, the secretary of Ignazio Busoni. You and I, we meet yesterday night when you arrive his office.”

Langdon recalled nothing. “Yes?”

“I’m very sorry to say you this, but Ignazio, he die of heart attack yesterday night.”

Langdon’s grip tightened on the phone. Ignazio Busoni is dead?!

The woman was weeping now, her voice full of sadness. “Ignazio call me before he die. He leave me a message and tell me to be sure you hear it. I will play it for you.”

Langdon heard some rustling, and moments later, a faint breathless recording of the voice of Ignazio Busoni reached his ears.

“Eugenia,” the man panted, clearly in pain. “Please be sure Robert Langdon hears this message. I’m in trouble. I don’t think I’ll make it back to the office.” Ignazio groaned and there was a long silence. When he began speaking again, his voice was weaker. “Robert, I hope you escaped. They’re still after me … and I’m … I’m not well. I’m trying to reach a doctor, but …” There was another long pause, as if il Duomino were mustering his last bit of energy, and then … “Robert, listen carefully. What you seek is safely hidden. The gates are open to you, but you must hurry. Paradise Twenty-five.” He paused a long moment and then whispered, “Godspeed.”

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