Paul Cleave - Joe Victim

She takes the tool and the gun and heads back down in the elevator. She puts the gun into the trunk. Traffic doesn’t increase over the next hour. It never does, no matter what the hour on a Sunday morning. The temperature doesn’t increase much either. Maybe one degree, if that. She drives with the heater on and the radio on. She’s listening to Bruce Springsteen. He’s singing about a guy who went on a killing spree with his girlfriend in the fifties. Things were simpler back then.

Driving the car is easier when you’re not eight or nine months pregnant, but she puts the suit on now. She pulls into the parking lot of the gun store and goes inside. The guy who helps her is in his forties, has thick glasses and eyebrows reaching across to shake hands with each other. His name is Arthur. Arthur seems a little in shock. He seems to think she’s going to give birth to a redheaded baby right there in the store. He looks like a friendly guy that the world hasn’t beaten up. She tells him what she needs. A box of ammunition. Plus a bullet puller for taking apart bullets and a bullet-seating die for reassembling them. She tells him they are for her husband. He nods thoughtfully, probably thinking the husband was planning on shooting himself rather than face what was balancing a fine line between staying in her womb and spilling out of it onto the floor. He gets the items for her and she pays in cash.

“Tell him,” Arthur says, “if he has any questions to come in and see me. People messing around with this stuff, using pliers and vise grips instead of the right tools, can blow off their fingers.”

She thanks him and gets back on the road.

When she gets to the forest she takes the same route as before and parks in the same place and takes a blanket and the gun, but forgoes any tins as those from last time are still here-not that she needs them. The ground is a little drier today. The air is still. It’s going to be the same weather conditions tomorrow morning, but it’s supposed to rain later on in the day. At least that’s what the weather report is telling them. She uses the tool to measure out the same distance from a tree and lays down the blanket when she gets there. She gets out the gun. She loads the magazine. Puts the gun together. And points it at the tree.

She picks a spot. A big knot. She aims in on it, calms her breathing, and fires. The gunshot is muted through her earmuffs. The knot in the tree is splintered as the bullet crashes into it. She lines the knot back up. Takes another shot. Fires the second bullet within an inch of the first. Accurate enough. Way more accurate than she showed Raphael. A few hundred shots she could probably shoot the tree down.

As she shoots, she thinks about how the plan has changed for both of them. In some pretty big ways too. Instead of Melissa being the collector, she will be victim number two. And Joe, instead of being collected, will be victim number one. She’s sure of it. The plan was never to shoot Joe in the head, but to wound him. Melissa, dressed in her paramedic’s uniform, will pick him up. Then, thanks to the C-four, she’ll evade the police. Raphael originally thought they were picking Joe up to torture and kill him. That was never the real plan. The first part, yes, but not the second part.

She looks through the sight at the bullet impact. It’s four, maybe five inches below the knothole. She adjusts the sights again. Takes aim. Fires. This time the bullet hits the tree even lower. She sets the gun down and walks to the tree and gets out a tape measure. Puts it from the knothole to the last bullet hole. Eleven inches. Just about perfect. She walks back to the gun. Adjusts the sights again, this time slightly to the side. Takes aim at the knothole. Steadies the gun. Fires.

This time the bullet hits the tree eleven inches down from the knothole and a few inches to the left. She uses up most of the bullets.

It’s perfect. A calculated risk, certainly, but perfect nonetheless.

And the truth of it is it’s not her life on the line here, but Joe’s. And that’s an acceptable risk.

Schroder hates working on Sundays. It seems he’s busier now than he was when he was a cop. His wife sure thinks so. She was grumpy with him this morning over breakfast. The excuse that This is his job was no better today than it has been over the last twenty years. And the kids were being annoying. The baby last night was hard work. He’d sleep for half an hour and then whimper and be grizzly and then wake up. So Schroder would wake up too. So would his wife. They’d take turns at feeding him. At one point the baby shit himself so bad Schroder thought they were going to have to call in an exorcist to clean up the mess. It’s been a night of broken sleep, following a week of broken sleep, following what has now felt like forever. He loves his kids more than anything, but every night as four a.m. rolls into five, he figures the difference between being a good dad and a bad dad is that a good dad doesn’t put a pillow over the baby to make it go quiet. He knows from the job that there have been plenty of bad dads over the years. Bad mums too.

There are things to be pleased about this morning. Reasons to be calm. Joe led the police to a body yesterday evening. It hadn’t been a trap. Melissa didn’t reveal herself. There were no explosions, no splashes of blood. Schroder had been expecting bad news. When the call came he was almost too afraid to answer it. It wasn’t Joe calling on the dead detective’s cell phone, it was Kent herself reporting in.

The deal was going ahead. The body, as far as the rest of the world was concerned, was still missing. So Jonas Jones was going to become a hero. Or he is facing a huge embarrassment if the body belongs to somebody else. Though, knowing Jones, there’ll be a way to spin that into a positive. He’ll probably say Calhoun, even from the spirit world, is still first and foremost a cop.

Also, Kent had said, have you heard about the university students?

Yeah, I’ve heard.

I just don’t understand young people, she said.

Nobody does, he said. Not even young people.

People have been killed, people are hurting, but it’s just an excuse for a party for these kids. I just hope none of them dress as any of the victims. You think they’d do that?

Schroder didn’t know, but hoped not, and told her so.

He stopped for coffee on the way to the TV station. He popped a couple of caffeine pills into his mouth and they disappeared with the first swallow of coffee, the extra hit helping him wake up, but the problem with those extra hits is they just don’t last as long as they used to.

There aren’t many people in the studio. Sunday isn’t a popular day for making stuff happen. Even God thought that way. There’s a small crew. Two camera operators, a man and a woman who Schroder is sure are involved with each other in some way. A sound guy with a German accent whose job is to hold up a boom microphone and stay out of the way. An intern holding the lights. And the director, a very butch-looking woman who looks like she could field strip a rabbit and turn it into stew. They’re all on the set where they normally film. Schroder hates this part. He is the police presence to give the show more authenticity.

Schroder’s used to talking into the camera. He’s done it with cases in the past. It’s not difficult. Not when you’re speaking about a case. But it is when you’re talking from a script. He is sitting opposite Jonas Jones, Psychic. They are at a table with a black cloth over it. There are flowers in the center, more flowers in the backdrop, some candles too. There are two product-placed bottles of McClintoch spring water on the table. The labels are facing the camera and the advertising department of McClintoch spring water are contributing funds to the making of the show.