Paul Cleave - Joe Victim

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“AR-fifteen,” he says. “Lightweight, uses a high-velocity, small-caliber round, extremely accurate. Scope too, as requested.”

She nods. She’s impressed. Derek may be stupid, but being stupid doesn’t mean you can’t be useful. “That’s half of it,” she says.

He goes back to the manhole. Reaches in and pulls out a small rucksack. It’s mostly black with plenty of red trim. He sits it on the bed and opens it. “C-four,” he says. “Two blocks, two detonators, two triggers, two receivers. Enough to blow up a house. Not enough to do much more. You know how to use it?”

“Show me.”

He picks up one of the blocks. It’s the size of a bar of soap. “It’s safe,” he says. “You can shoot it. Drop it. Burn it. Hell, you can even microwave it. You can do this,” he says, and starts to squeeze it. “You can mold it into any shape. You take one of these,” he says, and picks up what looks like a metal pencil, only with wires coming from the end of it, “and stab it in. Attach the other end to these receivers,” he says, “then it’s just a matter of firing the trigger. You’ve got a range of a thousand feet, further if it’s line of sight.”

“How long does the battery in the receiver last?”

“A week. Tops.”

“Anything else I need to know?”

“Yeah. Don’t mix them up,” he says, and holds up one of the remotes. “See this piece of yellow tape I’ve put across it? It lines up with the piece of tape I’ve put on this detonator. So this,” he says, holding up the detonator with the tape, “goes with this,” he says, holding both the remote and detonator together.

“Okay.”

“That’s it,” he says, and starts packing them into the bag.

“I need your help doing something else,” she says.

He keeps putting things away. “What kind of something?”

“I want you to shoot somebody,” she says.

He looks up at her and shakes his head, but the question doesn’t faze him and doesn’t slow down his packing. “That’s not my thing.”

“You sure?” She holds up the newspaper and shows him a picture of Joe Middleton, the Christchurch Carver. “Him,” she says. “You shoot him, and I’ll pay you what you want.”

“Huh,” he says, then shakes his head again. “He’s in custody,” he says. “It’s impossible.”

“His trial starts next week. That means transport every day, twice a day, back and forth from jail to the courthouse. Five days a week. That’s five times a week he’s going to step out of a police car and make his way into the courts, and five times a week he’s going to step back out of the courts and into a police car. I already have a spot where he can be shot from, and an escape route.”

Derek shakes his head again. “Things like that aren’t always as they seem.”

“What do you mean?”

“You think they’re just going to drive him the same way every day, and just drop him off outside the front door? That’s where your spot looks over, right?”

She hadn’t thought of that. “Then what?”

“They’re going to mix up the route. They’re going to try and get him there in secret. They might put him in a normal car. Or a van.”

“You think so?”

“A trial this big? Yeah. I’d put money on it,” he says. “So whatever plan you think you might be hatching, it isn’t going to work. Too many variables. You think you can just hide in the building somewhere and take a shot? Which building? Which direction is he coming from?”

“The courthouse doesn’t move,” she says. “That’s not a variable.”

“Uh huh. And which entrance will he be using? They’re going to mix that up too. That’s why whatever spot you think you’re going to shoot him from is probably not going to work.”

“What if I can find out the route? And the way he’ll be going into the courthouse?”

“How you going to do that?”

“I have my ways.”

He shakes his head. She’s getting sick of all the negativity. “Doesn’t matter,” he says. “It’s just too hard a job. Shooting somebody like Joe, nobody’s going to get away.”

“Who can help me?”

He puts a hand to his face and strokes the bottom of his chin. He gives it some serious thought. Then comes up with an answer. “I don’t know anyone.”

“I’ll pay you a finder’s fee,” she says, trying not to sound desperate, but the fact is she is desperate. She’d already had a shooter lined up for this, but it fell through. Now she’s running out of time.

“There is nobody,” he says. “Sourcing weapons is one thing,” he says, “but it’s not like I have a Rolodex full of people we can call if we want somebody dead. It’s the sort of thing you have to do yourself.”

“Please,” she says.

He sighs, as if the idea of letting down a pretty lady is just too painful for him. “Look, there may be somebody I can call, okay? But it’ll take a while.”

“I need a name in the next few days,” she says.

He laughs, his mouth opening so wide she can see a few missing teeth near the back. She hates seeing that kind of thing. Hates people with missing teeth about as much as she hates being laughed at. “Lady,” Derek says, and she hates being called lady too-it’s impressive Derek has just gone three for three. “It’s just not going to happen. Even if my guy could do that, he would never accept to do it so quickly. Killing somebody is about homework,” he says. “It’s about the money too, but not this late in the game.”

“So you won’t call him?” she asks.

“There’s just no point. I’m sorry.”

“Okay,” she says. “Then show me how to put the rifle together.”

“It’s simple,” he says, and he picks it up piece by piece and attaches it, metal locking into metal, each piece making a satisfying click, him telling her along the way what each piece is called. It takes him less than a minute.

“Again, but slower,” she says. “Pretend I’ve never used a gun before,” she says, but of course she’s used a gun before, and she’ll be using one again soon too. Real soon. As soon as he’s finished showing her how.

He takes it apart. Puts it back together. This time it takes three minutes. He shows her how to load it. Then he takes it apart and puts it back into the case and shuts the lid and latches it closed.

“Anything else?”

“Ammunition,” she says.

He unzips the front of the rucksack with the C-four buried inside. Reaches in and pulls out one box of ammunition. “There’s two more just like it in the bag,” he says. “Point two two three Remington,” he says. “All armor-piercing rounds.”

“Thank you,” she says.

She shoots him twice in the chest through the newspaper, the silencer allowing the neighbors to keep on being neighborly without fighting the need to call the police. She knows shooting the guy who gave you the guns is somewhat of a cliché, but it’s a cliché for a reason. She figures that arms dealers, just like taxi drivers and helicopter pilots, always know they’ll never make it to retirement. He drops where he stands. The look on his face is one she’s seen before, a look of disbelief mixed with anger and fear. She puts the pistol back into the briefcase along with the newspaper. She goes over to the manhole and reaches in and finds another bag. It’s most of the original money she gave him. Which means he probably used some of it to buy the gun and explosives. This is his profit.

“I believe you,” she says, looking down at him, and he would thank her for agreeing with him, but all he can do is slowly open and close his mouth, a spit bubble of blood growing and shrinking. “If I can’t find somebody to shoot Joe for money, maybe I can find them to shoot him for another reason. Thanks for everything,” she says, “and I’m going to keep the bag too,” she says, holding it up. “I like the color.”

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