Simon Lelic - A Thousand Cuts

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A Thousand Cuts: краткое содержание, описание и аннотация

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In the depths of a sweltering summer, teacher Samuel Szajkowski walks into his school assembly and opens fire. He kills three pupils and a colleague before turning the gun on himself.
Lucia May, the young policewoman who is assigned the case, is expected to wrap up things quickly and without fuss. The incident is a tragedy that could not have been predicted and Szajkowski, it seems clear, was a psychopath beyond help. Soon, however, Lucia becomes preoccupied with the question no one else seems to want to ask: what drove a mild-mannered, diffident school teacher to commit such a despicable crime?
Piecing together the testimonies of the teachers and children at the school, Lucia discovers an uglier, more complex picture of the months leading up to the shooting. She realises too that she has more in common with Szajkowski than she could have imagined. As the pressure to bury the case builds, she becomes determined to tell the truth about what happened, whatever the consequences…

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Samuel, though. I’d never heard Samuel swear, not until that day. I won’t repeat what he said but you could hardly blame him. Christ knows what the kid must have been eating. I haven’t ever seen a turd that colour. I’d be at the doctor’s in a jiffy if I had. And the size of it. He must have been saving up for days. I won’t mention the smell because you can imagine the smell.

He jumps right up when he sees it, like it’s a tarantula in there or something. He jumps and he knocks the table and coffee, people’s coffee, it goes everywhere. There are a few of us, you know, scattered around on the chairs, around this big coffee table that we’ve got in there, and we’re marking papers or flicking through The Times or the Sun or whatever it is we’re doing. I was reading a book, this book I got sent from the States. It’s about the stock market, stocks and shares. It’s called How to Invest Your Salary and Make Loads of Money and Retire While You’ve Still Got a Life . Something like that. My cousin, Frank, he lives in Minnesota, he’s the one who sent it to me. Reckons he’s made a hundred k in sixteen months. Dollars he’s talking about but still. And he’s basically a moron and I teach economics, right, so I’m thinking, if he can do it, how hard can it be?

The coffee. It goes everywhere. The others start hollering, moaning at Samuel, saying Jesus Christ this, bloody hell that. But I’ve seen what he’s seen and I’m watching this turd roll on to the floor, under the table, and I’m watching Samuel’s face and I can’t help but look at this turd. The others can’t see it yet but they can smell it. Vicky, Vicky Long, she teaches drama, she’s the first. She lifts her chin and flares her nostrils and starts aiming them round the room like the barrels of a shotgun. All very theatrical. She sniffs – rapid fire, sniff sniff sniff. Then the others start doing it. Sniffing. All of them. Sniff sniff sniff. By this time I’ve got my face tucked into my shirt so as the lot of them are sniffing they also start looking at me. And I’m saying, don’t look at me, it’s got nothing to do with me, and that’s when Samuel picks it up.

He could have used a plate or something. Wrapped it in newspaper. I mean, there was a copy of the Sun just lying there and that’s about all it’s good for, right? But for whatever reason Samuel doesn’t feel the need. He just reaches down and picks it up, like maybe he’s dropped his pen, like all he’s doing is picking up his pen. He holds it up. Everyone can see it now. They can see it but that doesn’t explain it. What they’re seeing is Samuel Szajkowski, this weird little bloke with his fluffy little beard, standing in the staffroom, holding up a day-old turd.

It was in his case, I say. He found it in his case.

Because if I hadn’t said that I don’t know what the others would have done. Ran out screaming, half of them. Samuel’s not taking any notice though, he’s just staring at this thing in his hand. For some reason I think he’s going to drop it on me. Throw it to me to catch. I don’t know why. He doesn’t and he wouldn’t have but when someone’s standing over you, his fist around a great big turd, you don’t want to take any chances, do you?

We watch him, the rest of us. Or I do, Vicky does, Chrissie Hobbs does. Matilda and George, they turn away. They don’t want to see it. The rest of us don’t want to see it either but, like I said before, your attention’s kind of drawn to it.

Chrissie, she’s the first to respond. Here, she says. Let me get something.

And Vicky’s saying, don’t touch it, Samuel, put it down.

It was in his case, I say again. Someone put it in his case.

And Samuel, he doesn’t say a word.

He was almost lucky. The people who were there, they were nice people, kind people. I wouldn’t call them Samuel’s friends. Samuel didn’t really have any friends, except Maggie, although some friend Maggie turned out to be. They weren’t his friends but they would have helped him. To clean things up. To sort out his case. They would have helped.

He was almost lucky but then Terence walks in.

I call him Terence. I refuse to call him TJ. I call him TJ to his face because I don’t want to make a fuss. It’s important to him so I say let him have his little nickname. He might not be so keen on it if he knew what some of the kids say it stands for. Tosser Jones, they say. I hear them and I pretend I don’t. Toss Jism. That’s why they call him TJ. He thinks it’s because they all like him. He thinks I like him too. I don’t but what can you do? I work with him. I have to get on with him. It would be awkward for the others if I didn’t.

You’ve met Terence, right? So you’ve got a fair idea about how he might react. When Terence walks in, Samuel’s still standing where he’s standing, still holding this thing in his hand. Chrissie is in the kitchen. She’s got a carrier bag and the washing-up bowl and she doesn’t know which one to bring. I’ve moved away by now so I’m with the others, on the opposite side of the table. We turn to look at Terence and he sees the expressions on our faces and then the lot of us turn around again to look at Samuel.

Poor bugger.

Poor bugger: what am I talking about? He’s a murderer. I keep having to remind myself. He was a murderer. He shot three children. He killed a teacher, an innocent woman. And I’m feeling sorry for the bloke. This psycho nutcase maniac. I’m acting like he deserved compassion.

What’s that?

Well, I suppose that doesn’t surprise me. If he hadn’t done what he did, he might even have deserved it. The sympathy. These people you’ve talked to showing him pity. But not now.

Terence told everyone. The teachers, yes, but the teachers were always going to hear about it. Terence told the kids. He’s friendly with some of them, too friendly if you ask me. He wants to be one of the lads, you know, just a mate, which is not what he’s here for, is it? It took him a moment or two to understand, to realise what was going on, because all of us started gabbling at once. But after that he thought it was hilarious. It was like he wished he’d thought of it himself. So he tells his little buddies and his buddies spread the word and in six or seven minutes the story’s all over the school. For Donovan it was the perfect result. I mean, no one would have been able to prove it was Donovan but it was, of course it was. Even if it was Gideon who did the deed, it would have been Donovan who had the idea.

I had a word with Samuel after that. Everyone knew the kids were giving him a hard time but there’s a line to be drawn somewhere, isn’t there? I couldn’t tell you where, I couldn’t point and say, there, that’s the limit. But shitting in a man’s briefcase. It’s not the kind of thing you stand for. The line, well. It might as well be the horizon.

Go to the headmaster, I say. Tell him what’s been going on.

Samuel shakes his head. I’ve tried, he says. I’ve tried already. He makes to move past me but I hold his arm.

When? I say. What did you tell him?

Samuel just sort of shrugs. Not a lot, he says. Nothing specific. I told him I was finding it hard. I’ve told him more than once.

And?

And that was as far as we got.

But what did the headmaster say? He must have said something.

He told me it was hard. He told me teaching was hard.

Samuel, I say, that’s not good enough. You need to tell him about… about this. About everything. He’ll do something. He’ll have to. I try to make a joke, I say, you’ve got proof at least now, haven’t you? Exhibit number two, your honour.

Samuel seems to consider it. He doesn’t laugh of course but he seems to consider it. So I’m thinking he might go and speak to him but in the end he doesn’t. In the end I have to force him into it.

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