Lionel Shriver - We Need to Talk About Kevin

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That neither nature nor nurture bears exclusive responsibility for a child’s character is self-evident. But generalizations about genes are likely to provide cold comfort if it’s your own child who just opened fire on his fellow algebra students and whose class photograph—with its unseemly grin—is shown on the evening news coast-to-coast.
If the question of who’s to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.
In relating the story of Kevin’s upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?
We Need To Talk About Kevin

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“Now,” he announced quietly, “it’s special .”

I snatched the gun, flung it on the floor, and stamped it to bits. I was wearing pretty yellow Italian pumps. The ink ruined my shoes.

Eva

JANUARY 13, 2001

Dear Franklin,

Yes, second Saturday of the month, and I’m debriefing in the Bagel Café again. I’m haunted by the image of that guard with the mud-spatter of facial moles, who looked at me today with his routine mixture of sorrow and distaste. I feel much the same way about his face. The moles are large and puffy, like feeding ticks, mottled and gelatinous, widening toadstoollike from a narrower base so that some of them have started to droop. I’ve wondered if he obsesses over his lesions, doing overtime at Claverack to save for their removal, or has developed a perverse fondness for them. People seem able to get used to anything, and it is a short step from adaptation to attachment.

In fact, I read recently that a neural operation has been developed that can virtually cure some Parkinson’s patients. So successful is the surgery that it has moved more than one of its beneficiaries to kill themselves. Yes, you read correctly: to kill themselves. No more trembling, no more spastic arm swings in restaurants that knock over the wine. But also, no more aching sympathy from doe-eyed strangers, no more spontaneous outpourings of tenderness from psychotically forgiving spouses. The recovered get depressed, reclusive. They can’t handle it: being just like everybody else.

Between ourselves, I’ve started to worry that in some backhanded way I’ve become attached to the disfigurement of my own life. These days it is solely through notoriety that I understand who I am and what part I play in the dramas of others. I’m the mother of “one of those Columbine kids” (and how it grieves Kevin that Littleton has won the generic tag over Gladstone). Nothing I do or say will ever outweigh that fact, and it is tempting to stop fighting and give over. That must explain why some mothers of my ilk have abandoned any attempt to recoup the lives they led before, as marketing directors or architects, and have gone on the lecture circuit or spearheaded the Million Mom March instead. Perhaps this is what Siobhan meant by being “called.”

Indeed, I’ve developed a healthy respect for fact itself, its awesome dominance over rendition. No interpretation I slather over events in this appeal to you has a chance of overwhelming the sheer actuality of Thursday , and maybe it was the miracle of fact itself that Kevin discovered that afternoon. I can comment until I’m blue, but what happened simply sits there, triumphing like three dimensions over two. No matter how much enamel those vandals threw at our windowpanes, the house remained a house, and Thursday has the same immutable feel about it, like an object I can paint but whose physical enormity will persist in shape, regardless of hue.

Franklin, I’m afraid I caught myself giving over in the Claverack visitors’ waiting room today. And by the way, I’d be the last to complain about the facilities overall. Newly constructed to supply a burgeoning market sector, the institution is not yet overcrowded. Its roofs don’t leak, its toilets flush; Juvenile Detention on a Wing and a Prayer (JUVIEWAP) would give the joint an enthusiastic listing. Claverack’s classrooms may provide a better meat-and-potatoes education than trendy suburban high schools whose curricula are padded with courses in Inuit Literature and Sexual Harassment Awareness Training. But aside from the incongruous Romper Room primary colors of the visiting area, Claverack is aesthetically harsh—laying bare, once you take away the frippery of life, how terrifyingly little is left. Cinder-block walls a stark white, the pea-green linoleum unpatterned, the visitors’ waiting room is cruelly lacking in distractions—a harmless travel poster for Belize, a single copy of Glamour —as if to deliberately quash self-deceit. It is a room that does not wish to be confused with anything so anodyne as an airline ticket-purchasing office or a dental waiting room. That lone poster for AIDS prevention doesn’t qualify as decor, but as an accusation.

Today a slight, serene black woman sat next to me, a generation younger but doubtless a mother. I kept shooting fascinated glances at her hair, plaited in a complex spiral that disappeared into infinity at the crown, my admiration fighting a prissy middle-class foreboding about how long the braids went unwashed. Her restful resignation was characteristic of the black relatives who frequent that room; I’ve made a study of it.

White mothers of delinquents, a statistically rarer breed, tend to jitter, or if they are still, they are ramrod rigid, jaws clenched, heads held stiffly as if fixed in place for a CAT-scan. Should low-enough attendance allow, white moms always assume a chair with at least two empty plastic seats on either side. They often bring newspapers. They discourage conversation. The implication is bald: Something has violated the space-time continuum. They do not belong here. I often detect a Mary Woolford brand of outrage, as if these mothers are looking fiercely around the room for someone to sue. Alternatively, I will get a sharp reading of this-cannot-be-happening—an incredulity so belligerent that it can generate a holographic presence in the waiting room of an ongoing parallel universe in which Johnny or Billy came home at the same time he always did after school that day, another ordinary afternoon on which he had his milk and Ho-Hos and did his homework. We white folks cling to such an abiding sense of entitlement that when things go amiss, we cannot let go of this torturously sunny, idiotically cheerful doppelgänger of a world that we deserve in which life is swell.

By contrast, black mothers will sit next to one another, even if the room is practically empty. They may not always talk, but there is an assumption of fellowship in their proximity, an esprit de corps reminiscent of a book club whose members are all plowing through the same arduously long classic. They never seem angry, or resentful, or surprised to find themselves here. They sit in the same universe in which they’ve always sat. And black people seem to have a much more sophisticated grasp of the nature of events in time. Parallel universes are science fiction, and Johnny—or Jamille—didn’t come home that afternoon, did he? End of story.

All the same, there’s a tacit understanding among the whole of our circle that you do not fish for details about the misconduct that landed your seatmate’s young man here. Although the transgression in question is in many cases the family’s most public manifestation, in that room we collude in the seemly view that the stuff of the Times Metro Section, the Post front page, is a private affair. Oh, a few mothers from time to time will bend a neighbor’s ear about how Tyrone never stole that Discman or he was only holding a kilo for a friend, but then the other mothers catch one another’s’ eyes with bent smiles and pretty soon little Miss We Gonna Appeal This Injustice puts a lid on it. (Kevin informs me that inside, no one claims to be innocent. Instead they confabulate heinous crimes for which they were never caught. “If half these jerk-offs were telling the truth,” he slurred wearily last month, “most of the country would be dead.” In fact, Kevin has more than once claimed Thursday and newbies haven’t believed him: “And I’m Sidney Poitier , dude.” Apparently he dragged one such skeptic to the library by the hair to confirm his credentials in an old copy of Newsweek. )

So I was struck by this young woman’s repose. Rather than clean her nails or cull old receipts from her pocketbook, she sat upright, hands at rest in her lap. She stared straight ahead, reading the AIDS awareness poster for perhaps the hundredth time. I hope this doesn’t sound racist—these days I never know what will give offense—but black people seem terribly good at waiting, as if they inherited the gene for patience along with the one for sickle-cell. I noticed that in Africa as well: dozens of Africans sitting or standing by the side of the road, waiting for the bus or, even harder, waiting for nothing in particular, and they never appeared restive or annoyed. They didn’t pull grass and chew the tender ends with their front teeth; they didn’t draw aimless pictures with the toes of their plastic sandals in the dry red clay. They were still, and present. The capacity is existential, that ability to just be, with a profundity that I have seen elude some very well educated people.

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