Lionel Shriver - So Much for That

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An extraordinary novel from the Orange Prize winning author of ‘We Need to Talk About Kevin’.What do you pack for the rest of your life?Shepherd Knacker is bored with his humdrum existence. He's sold his successful handy-man business for a million dollars and is now ready to embark on his 'Afterlife' - a one way ticket to a small island off the coast of Africa. He tries to convince his wife Glynis to come with him, but she laughs off the idea as preposterous.There's no way she'll let Shepherd uproot the family to some far-flung African island.When Glynis is diagnosed with an extremely rare and aggressive form of cancer, Shepherd's dreams of an exotic adventure are firmly put on hold. He devotes himself to caring for his sick wife, watching her fade before his eyes.Shepherd's best friend Jackson knows all too well about illness. His sixteen year old daughter has spent her life dosed up on every treatment going while he and his wife Carol feed their youngest daughter sugar pills so she won't feel left out. But then Jackson undergoes a medical procedure of his own which has devastating consequences …So Much For That is a deeply affecting novel, told with Lionel Shriver's trademark originality, intelligence and acute perception of the human condition.

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Copyright Contents Cover Title Page Copyright Dedication Epigraph chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve chapter thirteen chapter fourteen chapter fifteen chapter sixteen chapter seventeen chapter eighteen chapter nineteen acknowledgments about the book Praise for So Much for That About the Author Also by Lionel Shriver About the Publisher

The Borough Press

An imprint of HarperCollins Publishers

The Place

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollins Publishers 2015

First published in Great Britain by HarperCollins Publishers 2010

Copyright © Lionel Shriver 2010

Lionel Shriver asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it, while at times based on historical figures, are the work of the author’s imagination.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Cover design © HarperCollins Publishers 2015

Cover photographs © Shutterstock.com

Source ISBN: 9780007578061

Ebook Edition © 2015 ISBN: 9780007351886

Version: 2015-01-22

Dedication Contents Cover Title Page Copyright Dedication Epigraph chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve chapter thirteen chapter fourteen chapter fifteen chapter sixteen chapter seventeen chapter eighteen chapter nineteen acknowledgments about the book Praise for So Much for That About the Author Also by Lionel Shriver About the Publisher

To Paul. In loss, liberation.

Time is money.

—BENJAMIN FRANKLIN,

Advice to a Young Tradesman, 1748

Contents

Cover

Title Page

Copyright

Dedication

Epigraph Dedication Contents Cover Title Page Copyright Dedication Epigraph chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve chapter thirteen chapter fourteen chapter fifteen chapter sixteen chapter seventeen chapter eighteen chapter nineteen acknowledgments about the book Praise for So Much for That About the Author Also by Lionel Shriver About the Publisher To Paul. In loss, liberation.

chapter one

chapter two

chapter three

chapter four

chapter five

chapter six

chapter seven

chapter eight

chapter nine

chapter ten

chapter eleven

chapter twelve

chapter thirteen

chapter fourteen

chapter fifteen

chapter sixteen

chapter seventeen

chapter eighteen

chapter nineteen

acknowledgments

about the book

Praise for So Much for That

About the Author

Also by Lionel Shriver

About the Publisher

chapter one Contents Cover Title Page Copyright Dedication Epigraph Dedication Contents Cover Title Page Copyright Dedication Epigraph chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve chapter thirteen chapter fourteen chapter fifteen chapter sixteen chapter seventeen chapter eighteen chapter nineteen acknowledgments about the book Praise for So Much for That About the Author Also by Lionel Shriver About the Publisher To Paul. In loss, liberation. chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve chapter thirteen chapter fourteen chapter fifteen chapter sixteen chapter seventeen chapter eighteen chapter nineteen acknowledgments about the book Praise for So Much for That About the Author Also by Lionel Shriver About the Publisher

Shepherd Armstrong Knacker

Merrill Lynch Account Number 934-23F917

December 01, 2004 – December 31, 2004

Net Portfolio Value: $731,778.56

What do you pack for the rest of your life?

On research trips – he and Glynis had never called them “vacations” – Shep had always packed too much, covering for every contingency: rain gear, a sweater on the off chance that the weather in Puerto Escondido was unseasonably cold. In the face of infinite contingencies, his impulse was to take nothing.

There was no rational reason to be creeping these halls stealthily like a thief come to burgle his own home – padding heel to toe on the floorboards, flinching when they creaked. He had double-checked that Glynis was out through early evening (for an “appointment”; it bothered him that she did not say with whom or where). Calling on a weak pretense of asking about dinner plans when their son hadn’t eaten a proper meal with his parents for the last year, he had confirmed that Zach was safely installed at a friend’s overnight. Shep was alone in the house. He needn’t keep jumping when the heat came on. He needn’t reach tremulously into the top dresser drawer for his boxers as if any time now his wrist would be seized and he’d be read the Miranda.

Except that Shep was a burglar, after a fashion. Perhaps the sort that any American household most feared. He had arrived home from work a little earlier than usual in order to steal himself.

The swag bag of his large black Samsonite was unzipped on the bed, lying agape as it had for less drastic departures year after year. So far it contained: one comb.

He forced himself through the paces of collecting a travel shampoo, his shaving kit, even if he was doubtful that in The Afterlife he would continue to shave. But the electric toothbrush presented a quandary. The island had electricity, surely it did, but he’d neglected to discover whether their plugs were flat American two-prongs, bulky British three-prongs, or the slender European kind, wide-set and round. He wasn’t dead sure either whether the local current was 220 or 110. Sloppy; these were just the sorts of practical details that on earlier research forays they’d been rigorous about jotting down. But then, they’d lately grown less systematic, especially Glynis, who’d sometimes slipped on more recent journeys abroad and used the word vacation . A tell, and there had been several.

Resistant at first to the Oral B’s jarring cranial buzz, at length Shep had come to relish the slick of his teeth once the tedium was complete. As with all technological advances, it felt unnatural to go backward, to resume the fitful scrub of splayed nylon on a plastic stick. But what if Glynis went to the bathroom when she came home and noticed that his blue-ringed toothbrush was missing, while hers, with the red ring, still sat on the sink? Best she didn’t begin this of all evenings with perplexity or suspicion. He could always take Zach’s – he’d never heard the kid use it – but Shep couldn’t see swiping his own son’s toothbrush. (Shep had paid for the thing, of course, along with pretty much everything here. Yet little or nothing in this house felt like his. That used to bug him but now just made it easier to leave the salad spinner, the StairMaster, and the sofas behind.) Worse, he and Glynis shared the same recharger. He didn’t want to leave her with a toothbrush that would last five or six days (he didn’t want to leave her at all, but that was another matter), its weakening, terminal shudder providing a soundtrack for his wife’s lapse into another of her periodic depressions.

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