Lionel Shriver - We Need to Talk About Kevin

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That neither nature nor nurture bears exclusive responsibility for a child’s character is self-evident. But generalizations about genes are likely to provide cold comfort if it’s your own child who just opened fire on his fellow algebra students and whose class photograph—with its unseemly grin—is shown on the evening news coast-to-coast.
If the question of who’s to blame for teenage atrocity intrigues news-watching voyeurs, it tortures our narrator, Eva Khatchadourian. Two years before the opening of the novel, her son, Kevin, murdered seven of his fellow high school students, a cafeteria worker, and the much-beloved teacher who had tried to befriend him. Because his sixteenth birthday arrived two days after the killings, he received a lenient sentence and is currently in a prison for young offenders in upstate New York.
In relating the story of Kevin’s upbringing, Eva addresses her estranged husband, Frank, through a series of startingly direct letters. Fearing that her own shortcomings may have shaped what her son became, she confesses to a deep, long-standing ambivalence about both motherhood in general—and Kevin in particular. How much is her fault?
We Need To Talk About Kevin

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We’ve talked about all this on visits of course—exhaustively, since, overfed and forty minutes from the nearest cinema, we’d resort to dissecting your parents for entertainment. The point is, when Kevin— Thursday —well, they weren’t prepared. They hadn’t bought the right machine, like their German-made raspberry de-seeder, that would process this turn of events and make sense of it. What Kevin did wasn’t rational. It didn’t make a motor run more quietly, a pulley more efficient; it didn’t brew beer or smoke salmon. It did not compute; it was physically idiotic .

The irony is, though your parents always deplored his absence of Protestant industry, those two have more in common with Kevin than anyone I know. If they don’t know what life is for, what to do with it, Kevin doesn’t, either; interestingly, both your parents and your firstborn abhor leisure time . Your son always attacked this antipathy head-on, which involves a certain bravery if you think about it; he was never one to deceive himself that, by merely filling it, he was putting his time to productive use. Oh, no—you’ll remember he would sit by the hour stewing and glowering and doing nothing but reviling every second of every minute of his Saturday afternoon.

For your parents, of course, the prospect of being unoccupied is frightening. They don’t have the character, like Kevin, to face the void. Your father was forever puttering, greasing the machinery of daily life, although the additional convenience, once he was finished, burdened him with only more odious leisure time . What’s more, by installing a water softener or a garden irrigation system he had no idea whatsoever what it was he was trying to improve. Hard water had offered the happy prospect of regular, industrious de-lime-scaling of the drain board by the kitchen sink, and he rather liked sprinkling the garden by hand. The difference is that your father would wittingly install the water softener for no good reason and Kevin would not. Pointlessness has never bothered your father. Life is a collection of cells and electrical pulses to him, it is material, which is why materials are everything . And this prosaic vision contents him—or it did. So herein lies the contrast: Kevin, too, suspects that materials are everything. He just doesn’t happen to care about materials.

I’ll never forget the first time I visited your parents after Thursday . I confess I’d put it off, and that was weak. I’m sure it would have been colossally difficult even if you’d been able to come with me, but of course irretrievable breakdown prevented that. Alone, without the cartilage of their son, I was presented with the stark fact that we were no longer organically joined, and I think they both felt the same disconnect. When your mother opened the door, her face turned ashen, but when she asked me to come in she might have been politely ushering in a salesman for Hoover uprights.

To call your mother stiff would be unjust, but she is a great one for social form. She likes to know what to do now and what comes next. That’s why she’s such a fan of elaborate meals. She finds repose in set courses, the soup before the fish, and she doesn’t resist, as I would have done, the numbing way in which preparing, serving, and cleaning up after three meals a day can stitch up a cook’s time from morning to night. She does not, as I do, struggle against convention as a constraint; she is a hazily well-meaning but unimaginative person, and she is grateful for rules. Alas, there doesn’t appear to be recorded—yet—an etiquette for afternoon tea with your former daughter-in-law after your grandson has committed mass murder.

She seated me in the formal sitting room instead of the den, which was a mistake; the rigidity of the high-backed wing chairs only served to emphasize that by contrast The Rules were in free fall. The colors of the velveteen, sea green and dusty rose, were at such variance with the glistening, livid subtext of my visit as to seem musty or faintly nauseous; these were the colors of mold. Your mother fled to the kitchen. I was about to cry after her not to bother because I really couldn’t eat a thing when I realized that to deny her this one busywork delay for which she was so thankful would be cruel. I even forced myself to eat one of her Gruyère twists later, though it made me a little sick.

Gladys is such a nervous, high-strung woman that her brittleness—and I don’t mean she couldn’t be warm or kind—her bodily brittleness had kept her looking much the same. True, the lines in her forehead had rippled into an expression of permanent perplexity; her eyes darted every which way even more frenetically than usual, and there was, especially when she wasn’t aware I was watching, a quality of lostness in her face that reminded me what she must have looked like as a little girl. The overall effect was of a woman who was stricken, but the contributing elements of this effect were so subtle that a camera might not have captured it on film.

When your father came up from the basement (I could hear his tread on the stairs, and fought dread; though seventy-five, he’d always been a vigorous man, and the steps were too slow and heavy), the change wasn’t subtle at all. His cotton work clothes sloughed off him in great drooping folds. It had only been six weeks, a period during which I was shocked that it was possible to lose so much weight. All the flesh in his weathered face had dropped: the lower eyelids sagged to expose a red rim; his cheeks slung loose like a bloodhound’s. I felt guilty, infected by Mary Woolford’s consuming conviction that someone must be to blame. Then, that was your father’s conviction as well. He is not a vengeful person, but a retired electronics machinetoolmaker (too perfect, that he’d made machines that made machines) took matters of corporate responsibility and better business practices with the utmost seriousness. Kevin had proven defective, and I was the manufacturer.

Rattling my fluted teacup in its gilt saucer, I felt clumsy. I asked your father how his garden was doing. He looked confused, as if he’d forgotten he had a garden. “The blueberry bushes,” he remembered mournfully, “are just beginning to bear.” The word bear hung in the air. Bushes maybe, but your father had not begun to bear anything.

“And the peas? You’ve always grown such lovely sugar snaps.”

He blinked. The chimes struck four. He never explained about the peas, and there was a horrible nakedness in our silence. We had exposed that all those other times I’d asked I hadn’t cared about his peas, and that all those other times he’d answered he hadn’t cared about telling me.

I lowered my eyes. I apologized for not visiting sooner. They didn’t make any noises about that’s all right we understand. They didn’t make any noises, like say something, so I just kept talking.

I said that I had wanted to go to all the funerals if I was welcome. Your parents didn’t look baffled at the non sequitur; we had been effectively talking about Thursday from the moment your mother opened the door. I said that I hadn’t wanted to be insensitive, so I rang the parents beforehand; a couple of them had simply hung up. Others implored me to stay away; my presence would be indecent , said Mary Woolford.

Then I told them about Thelma Corbitt—you remember, her son Denny was the lanky red-haired boy, the budding thespian—who was so gracious that I was abashed. I hazarded to your mother that tragedy seems to bring out all varieties of unexpected qualities in people. I said it was as if some folks (I was thinking of Mary) got dunked in plastic, vacuum-sealed like backpacking dinners, and could do nothing but sweat in their private hell. And others seemed to have just the opposite problem, as if disaster had dipped them in acid instead, stripping off the outside layer of skin that once protected them from the slings and arrows of other people’s outrageous fortunes. For these sorts, just walking down the street in the wake of every stranger’s ill wind became an agony, an aching slog through this man’s fresh divorce and that woman’s terminal throat cancer. They were in hell, too, but it was everybody’s hell, this big, shoreless, sloshing sea of toxic waste.

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