Jonathan Franzen - The Twenty-Seventh City - A Novel

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From Publishers Weekly
From Library Journal Highly gifted first novelist Franzen has devised for himself an arduous proving ground in this ambitious, grand-scale thriller. Literate, sophisticated, funny, fast-paced, it’s a virtuoso performance that does not quite succeed, but it will keep readers engrossed nonetheless. Bombay police commissioner S. Jammu, a member of a revolutionary cell of hazy but violent persuasion, contrives to become police chief of St. Louis. In a matter of months, she is the most powerful political force in the metropolis. Her ostensible agenda is the revival of St. Louis (once the nation’s fourth-ranked city and now its 27th) through the reunification of its depressed inner city and affluent suburban country. But this is merely a front for a scheme to make a killing in real estate on behalf of her millionaire mother, a Bombay slumlord. Jammu identifies 12 influential men whose compliance is vital to achieving her ends and concentrates all the means at her disposal toward securing their cooperation. Eventually, the force of Jammu’s will focuses on Martin Probst, one of St. Louis’s most prominent citizens, and their fates become intertwined. Franzen is an accomplished stylist whose flexible, muscular, often sardonic prose seems spot-on in its rendition of dialogue, internal monologue and observation of the everyday minutiae of American manners. His imagination is prodigious, his scope sweeping; but in the end, he loses control of his material. Introducing an initially confusing superabundance of characters, he then allows some of them to fade out completely and others to become flat. The result is that, despite deft intercutting and some surprising twists at the end, the reader is not wholly satisfied. Any potential for greater resonance is left undeveloped, and this densely written work ends up as merely a bravura exercise. 40,000 copy first printing; $50,000 ad/promo; BOMC and QPBC selections.
Copyright 1988 Reed Business Information, Inc.
In the late 1980s, the city of St. Louis appoints as police chief an enigmatic young Indian woman named Jammu. Unbeknownst to her supporters, she is a dedicated terrorist. Standing alone against her is Martin Probst, builder of the famous Golden Arch of St. Louis. Jammu attempts first to isolate him, then seduce him to her side. This is a quirky novel, composed of wildly disparate elements. Franzen weaves graceful, affecting descriptions of the daily lives of the Probsts around a grotesque melodrama. The descriptive portions are almost lyrical, narrated in a minimalist prose, which contrasts well with the grand style of the melodramatic sections. The blend ultimately palls, however, and the murky plot grows murkier. Franzen takes many risks in his first novel; many, not all, work. Recommended. David Keymer, SUNY Coll. of Technology, Utica
Copyright 1988 Reed Business Information, Inc.

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Pokorny phoned Norris, lisping liberally. “We’ve cracked it, Mythter Norrith. Asha got herthelf engaged to the motht eligible thun of a bitch in every town from Bothton to Theeattle.”

Norris clenched his fist in triumph. So that was it! But the fist came unclenched, his cosmic triumph giving way to injured local pride: if Jammu had been willing to go anywhere, then chance alone had brought her to St. Louis.

16

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Probst was glad to have landed in the thick of the anti-merger crusade, but he wasn’t glad enough to be willing to act as director of Vote No, Inc. Directing a campaign was an endless, thankless job. John Holmes had directed the Prop One fight a few years back, and towards the end he was putting in more than sixty hours a week as he attended to the last-minute minutiae singlehandedly (he did the voice-overs for television ads, personally fetched the Kentucky Fried dinners for phone-a-thon volunteers), because when the heat was on no responsible director could delegate responsibility, or even find anyone to delegate it to. The failure of Prop One had brought Holmes many pats on the back, many dewy-eyed shows of gratitude. (“You deserve a month of R and R in Acapulco, old buddy.”) A week later, his work was utterly forgotten. In the partisan world, dedication earned a man a salary, and success a sinecure. In the nonpartisan world, the world of Municipal Growth and its causes, the sole reward was the opportunity to run the next campaign. This was what happened to John Holmes. Probst made him the executive director of Vote No, Inc.

Even so Probst wasn’t safe. When the campaign grew more demanding and the volunteers quit, he’d still be around and would probably get touched for some particularly odious job, such as recruiting new volunteers. Caution dictated that he determine the boundaries of his role right away. He decided to see himself as a costly and essentially immobile fixture. He saw himself as an elephant.

Elephants weren’t very articulate. Probst did not participate in strategy sessions at Vote No, Inc. Elephants didn’t zip around, didn’t retrieve shotgunned ducks; Probst would not run errands for Holmes. Elephants were heavy, however, and Probst agreed to trample whatever influential needed trampling. When practicable, he did this by telephone, in the evenings, from his choice desk at Vote No headquarters on Bonhomme Avenue in Clayton. Often, though, he would rise majestically from his desk, nod across the room to Holmes (if Holmes wondered where he was going, he had to stand up and follow and ask, because Probst would not stop) and drive, at low speeds, to the home of the mayor of Richmond Heights, or the chancellor of Washington University, or the president of Seven-Up.

Since the night in January when Municipal Growth decided to fight it, Probst had become much more convinced of the wrongness of the merger. The driving economic force behind it — speculation — offended him profoundly. The North Side boom was built on paper, on being in the middle, on buying low and hoping, later, to sell high. The spirit of the renaissance was the spirit of the eighties: office space , luxury space , parking space , planned not by master builders but by financial analysts. Probst knew the kind of thing. And now that Westhaven had failed he could criticize.

He’d always spoken well when facing microphones, and he was at his best when he was angry. He alone, of all the faces on television, dared to mention the party aspects of the referendum. He alone employed elementary arguments. He described in calm detail the syndicate in which he’d chosen not to participate. (Grudgingly, the day after his statement, Mayor Wesley confirmed Urban Hope’s existence.) He stated that the referendum had been drafted far too hastily to allow a realistic assessment of its consequences. What was the rush? Why not postpone the election until a thorough study had been conducted? He stated that countyites should not trust the word of popular political figures. Did they believe that Jammu and Wesley cared personally about the quality of their lives? If so, where was the evidence? It was the Deplorable Question, the charm that silenced politics. There was nothing the reporters could do but change the subject.

Afterwards, while showering or eating, Probst would feel his heart leap a little: he was an anarchist!

John Holmes didn’t complain about his approach. The phone polls revealed a steady swing of public opinion towards the Vote No camp, and since it was too early for anything besides Probst’s appearances to have made an impact, too early for massive advertising and door-to-dooring to have begun, the swing could be attributed only to Probst. Still, Probst did not feel loved. He was something apart, the self-styled elephant. He didn’t fraternize with the volunteers as he once might have done, never made late-evening doughnut runs. He sat at his choice desk and read Time and Engineering News-Record and the city papers. The polls had proved his value and he was learning — it was never too late to learn — to ask for what he wanted (a choice desk and no responsibilities), to claim the rewards of his unique position and not feel so damn guilty about it.

He was glad to have two full-time concerns. His days he spent at his office, his dinners he ate at Miss Hulling’s or First National Frank & Crust, often with his vice president Cal Markham, and his evenings he spent in the rented space on Bonhomme Avenue. The Sherwood Drive house — he thought of it as the Sherwood Drive house now, as if he’d lost custody of it and only visited to sleep — was nearly always empty. His days were full. Barbara had judged rightly. He didn’t really miss her, not after the first week. When people asked about her, he said she was on vacation in New York and let them wonder. It was in her absence that he’d learned to follow her example and say no to what he didn’t want and to wear his crown unabashedly. He could have done without her weekly phone calls.

SHE: You’re home.

HE:???

SHE: I called earlier and there was no answer.

HE: I wasn’t home.

SHE: That’s what I said. You weren’t home.

HE: No.

SHE: You’re still angry, aren’t you?

HE: What’s to be angry about?

SHE: Well, I mean is there any point in my calling?

HE: I wonder that myself. But it’s pretty quiet around here.

SHE: Do you see Luisa?

HE: We ate dinner on Thursday. She’s healthy. She’s into Stanford.

SHE: I know. It’s funny to think. Have you spoken with Audrey?

HE: They’re incommunicado, or whatever the expression. Rolf. gets to her first. It’s very complicated.

SHE: So he’s still trying to screw you? Well of course why wouldn’t he be.

HE: It’s very complicated.

SHE: This is strange, Martin.

HE: It’s very strange.

SHE: I mean talking like this. Isn’t it strange?

HE: Strange is the word all right.

Transcontinental hiss

SHE: Are you in the middle of something? It sounds like I’m interrupting—

HE: No. No. Very quiet around here.

But it was less quiet when he’d hung up, when he could talk to himself again. It was Saturday. Noon shadows cupped the potted plants on the kitchen windowsill. They were dying from the roots up. He’d directed Emerald to take care of them and she appeared to have overwatered.

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