Jonathan Franzen - The Twenty-Seventh City - A Novel

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From Publishers Weekly
From Library Journal Highly gifted first novelist Franzen has devised for himself an arduous proving ground in this ambitious, grand-scale thriller. Literate, sophisticated, funny, fast-paced, it’s a virtuoso performance that does not quite succeed, but it will keep readers engrossed nonetheless. Bombay police commissioner S. Jammu, a member of a revolutionary cell of hazy but violent persuasion, contrives to become police chief of St. Louis. In a matter of months, she is the most powerful political force in the metropolis. Her ostensible agenda is the revival of St. Louis (once the nation’s fourth-ranked city and now its 27th) through the reunification of its depressed inner city and affluent suburban country. But this is merely a front for a scheme to make a killing in real estate on behalf of her millionaire mother, a Bombay slumlord. Jammu identifies 12 influential men whose compliance is vital to achieving her ends and concentrates all the means at her disposal toward securing their cooperation. Eventually, the force of Jammu’s will focuses on Martin Probst, one of St. Louis’s most prominent citizens, and their fates become intertwined. Franzen is an accomplished stylist whose flexible, muscular, often sardonic prose seems spot-on in its rendition of dialogue, internal monologue and observation of the everyday minutiae of American manners. His imagination is prodigious, his scope sweeping; but in the end, he loses control of his material. Introducing an initially confusing superabundance of characters, he then allows some of them to fade out completely and others to become flat. The result is that, despite deft intercutting and some surprising twists at the end, the reader is not wholly satisfied. Any potential for greater resonance is left undeveloped, and this densely written work ends up as merely a bravura exercise. 40,000 copy first printing; $50,000 ad/promo; BOMC and QPBC selections.
Copyright 1988 Reed Business Information, Inc.
In the late 1980s, the city of St. Louis appoints as police chief an enigmatic young Indian woman named Jammu. Unbeknownst to her supporters, she is a dedicated terrorist. Standing alone against her is Martin Probst, builder of the famous Golden Arch of St. Louis. Jammu attempts first to isolate him, then seduce him to her side. This is a quirky novel, composed of wildly disparate elements. Franzen weaves graceful, affecting descriptions of the daily lives of the Probsts around a grotesque melodrama. The descriptive portions are almost lyrical, narrated in a minimalist prose, which contrasts well with the grand style of the melodramatic sections. The blend ultimately palls, however, and the murky plot grows murkier. Franzen takes many risks in his first novel; many, not all, work. Recommended. David Keymer, SUNY Coll. of Technology, Utica
Copyright 1988 Reed Business Information, Inc.

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“Were having intercourse, yes. Why did you step into the bathroom?”

“It was an error.”

Interesting. Singh didn’t usually make errors like that. He had bladder control. “I ask again,” Jammu said. “Who’s Thompson?”

“A youth. Unrelated to us, apart from the fact that I got him his photo job.”

“When?”

“The same night they met.”

“Why?”

“When a man wins a million dollars, he kisses the first person he sees.”

“So I take it you weren’t opposed to their liaison.”

Singh smiled. “I wasn’t looking forward to the mechanics. Your dictum, Chief. Nothing fancy. An affair with a local boy was clearly preferable. A matter of verisimilitude. If I take credit for the results, it’s only because I did get her to the bar. And she met him there.”

“If you didn’t know him before that night, how did you know he had pictures to sell the Post?”

“I eavesdropped. Thompson was whining about it. I left, confirmed the story at the Post, and — forged ahead.”

“Amazingly quick thinking. Will she go home again?”

“Judge for yourself. To me it sounded as if she was making plans for an extended stay.”

“Are there precedents for this? Sociologically?”

“Yes and no. No, it isn’t normal for ‘better-class’ girls, or boys, to move out of their homes while they’re still in high school. Certainly Probst thinks it’s abnormal. On the other hand, Barbara is at pains to accept it. Her niece — Ripley’s daughter — moved out at age fifteen. She had a clinical problem, of course,” Singh added, “but there is a precedent in the family.”

“She’ll be homesick. She’ll be back in a week.”

“I agree it’s difficult to imagine her missing the ‘holidays.’ But she may very well hold out until then. She has her pride. She’s been away before, in France. I’d guess a month. Thirty days. That gives us time.”

“Time for what?”

“Well, assuming that the State is developing—”

“You’ve given me no evidence to suggest that it is.”

“Well, naturally, the signs are small. But I assume they’re significant, what with Probst having lost both his dog and his daughter. As early as October twenty-four — but not before, not in the September recordings — I picked up a line like this from Barbara: What’s wrong with you? You haven’t heard a word I’ve said.”

“From Barbara,” Jammu repeated grimly.

“And he’s begun to sermonize with Luisa. It sounds a bit mad when he does it — speaks of ‘opportunity’ and ‘self-discipline.’ Masterpieces of irrelevance. He isn’t paying attention. Other men talk about him — they even set him up in opposition to you, as if already there are, de facto, two camps, yours and his. And I listen to him every day, I listen for an awareness of what you’re doing to the city, for a leaning one way or the other, any glimmering of historical consciousness — and there’s nothing. Zero. This could be last year, or the year before that. Your name simply isn’t spoken, except to tell someone else to forget about you. It isn’t unreasonable to believe we’re getting results.”

Jammu gave Singh a long, hard look. “And how, exactly, are you planning to get him to start working for us? What is the next step you plan to take?”

“We should go for the kill right away,” Singh replied. “Someone from your syndicate should approach him. Mayor Wesley, for example. Sometime before Luisa gets homesick — sometime in the next month — Wesley should hit Probst hard. To begin with, Probst is in trouble with Westhaven. Wesley can play on this, if you think he’s capable. He should press urban rejuvenation, the forces that lead to new growth, new solidarity. But keep your name out of it, and nothing explicit about the city-county merger either. Let Probst draw that conclusion himself.”

“So basically you’re saying that Probst is in the State and will be susceptible to our suggestions.”

“Basically, yes. It’s a situation waiting for him to walk into. He’s been sleeping on a train. You wake him up, tell him he’s in Warsaw. He’ll start speaking Polish.”

“Assuming he knows the language.” Jammu twisted in her chair to see the wall clock. It was noon. “Prepare an abstract,” she said. “I’m seeing Wesley at three so I’ll need it by two. Not that I’m certain your plan is even close to being acceptable.” She fed some notes to her shredder, by way of illustration. “You say Probst hardly knows my name. What do you expect me to do, congratulate you for that? You say he’s vague and irrelevant when he talks to his daughter. To me it sounds like he’s an ordinary father. You say that killing his dog and making his daughter run away from home hasn’t bothered him. Well? Perhaps he’s a thick-skinned individual. You say he lacks historical consciousness. May I ask what St. Louisan doesn’t? What you have painted, Singh, is a portrait of a man in excellent mental health .”

Singh had assumed an expression of dignified deafness that was reminiscent of Karam Bhandari. Jammu went on.

“You say Probst isn’t on good terms with Barbara. But maybe that’s only on the surface. She sounds like she still must be a force. Maybe she pays attention for him. She sounds like a bad person for him to rely on. I want him hearing my voice, the voice of what I’m doing. Not hers.”

“Go see him.”

“No time. Not yet. I’d need a pretext.”

“Well.” From his shirt pocket Singh produced an unusually fat-looking clove cigarette. He inspected it and put it back. “If Probst is by some chance not yet in the State, there’s more that can be done. I can step in and get Barbara any time. The groundwork is laid. But I’d prefer to hold off until we’ve seen how Probst reacts to Wesley. I recommend that you brief Wesley soon, in case Probst comes to see him of his own accord. Then if he hasn’t by the fourteenth, you can ask Wesley to approach him after Municipal Growth.”

“All right.” Jammu rose from her chair. “Bring me an abstract at home, by two.”

* * *

Barbara returned to pulling tendons with the pliers. In the stumps of the turkey’s legs there were tiny white eyes. She pressed down on the pink tissue surrounding one of them, worked the pliers into an acceptable grip, and began to tug. The phone rang. She lost her grip.

“You son of a bitch.”

She took hold of the tendon again and tugged hard as the phone rang a second and third time.

“If that’s Audrey…”

Abruptly the tendon ripped loose and slithered out, lavender and rigid like a hard-on, and trailing a maroon feather of flesh. She grabbed a dishtowel, a clean one, and rubbed the grease off her hands. She took the phone.

“Hello,” she said.

There was a silence, and she knew right away who it was.

“Oh baby, hi,” she said. “Where are you?”

“I’m at Duane’s.” The voice was very small.

“Are you all right?”

“Yes.” The volume surged, as if the line had cleared. “YES. HOW ARE YOU?”

“We’re fine. Daddy just left for the football game. I’m putting together the turkey. It’s a big one. You and Duane want to come over?”

After a silence, Luisa said, “No.” Her throat clicked.

“That’s OK, you don’t have to. I just thought — was I that horrible to you?”

“Doe.” There was a long sniff. “Yes.”

“I’m sorry, then. I’m truly sorry. Will you forgive me sometime?” Barbara listened to her daughter cry. “Oh baby, what ? Do you want me to come over? I can come right over.”

“Doe.”

“No, OK. You know I worry about you.”

The turkey, which had been propped against the faucet, slid with a slap to the bottom of the sink.

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