Elizabeth George - Missing Joseph

She knew all the governing principles behind a child’s progression from infant to autonomous adult. She’d read the books, determined to be the best possible mother. But how to deal with this? How to develop a delicate balancing act between fact and fi ction to give Maggie the father she wanted and at the same time set her own mind at rest? And even if she was able to do that much for her daughter and herself — which she could not do and would not even consider doing, no matter the cost — what would Maggie have learned from her mother’s capitulation: that sex is not an expression of love between two people but a powerful ploy.

Maggie and sex. Juliet didn’t want to think about it. Over the years she’d grown more and more adept at the art of repression, refusing to dwell upon anything that evoked unhappiness or turmoil. She moved forward, she moved on, she kept her attention on the distant horizon where existed the promise of exploration in the form of new places and new experiences, where existed the promise of peace and sanctuary in the form of people who, through centuries of habit and custom, kept their distance from taciturn strangers. And until last August, Maggie had always been perfectly happy to keep her eyes on this horizon as well.

Juliet let the cat out and watched him disappear into the shadows cast by Cotes Hall. She went upstairs. Maggie’s door was closed, but she didn’t tap on it as she otherwise might on another sort of night, going in to sit on her daughter’s bed, smoothing back her hair, allowing her fingertips to graze against that peach-soft skin. Instead, she went to her own room across the landing and took off the rest of her clothes in the darkness. In doing so on another sort of night, she might have thought about the pressure and warmth of Colin’s hands on her body, allowing herself just fi ve minutes to relive their lovemaking and recall the sight of him etched above her in the semidarkness of his room. But tonight, she moved like an automaton, grabbing up her woollen dressing gown and making her way to the bathroom to draw a bath.

You smell of it, too .

How could she in conscience counsel her daughter against a behaviour she engaged in — looked forward to, longed for — herself? The only way to do it was to give him up and then to move on as they had done in the past, no looking back, cutting every tie. It was the only answer. If the vicar’s death had not been enough to bring her to her senses about what was and was not possible in her life — had she actually believed even for an instant that she might make a go of it as the loving wife of the local constable? — Maggie’s relationship with Nick Ware would.

Mrs. Spence, my name is Robin Sage. I’ve come to talk to you about Maggie .

And she’d poisoned him. This compassionate man who had meant only good to her and her daughter. What kind of life could she hope to have in Winslough now when every heart doubted her, every whisper condemned her, and no one save the coroner himself had had the courage openly to ask how she had come to make such a fatal mistake.

She bathed slowly, permitting herself only the immediate physical sensations attendant to the act: the flannel on her skin, the steam rising round her, the water in rivulets between her breasts. The soap smelled of roses, and she breathed its fragrance to obliterate all others. She wanted the bathing to wash away memory and to free her of passion. She looked to it for answers. She asked it for equanimity.

I want to know about Daddy .

What can I tell you, my dearest love? That running his fingers through your downy hair meant nothing. That the sight of your eyelashes lying like feathery shadows against your cheeks when you slept did not make him want to hold you close. That your grubby hand clutching a dripping ice lolly would never have made him laugh with delight and dismay. That your place in his life was quiet and sleeping in the rear seat of a car with no muss and no fuss and no demands, please. That you were never as real to him as he was to himself. You were not the centre of his world. How can I tell you that, Maggie? How can I be the one to destroy your dream?

Her limbs felt heavy as she towelled herself off. Her arm seemed weighted as she brushed her hair. The bathroom mirror wore a thin skin of steam, and she watched the movements of her silhouette in it, a faceless image whose only definition was dusky hair fast going to grey. The rest of her body she could not see in refl ection, but she knew it well enough. It was strong and durable, firm of flesh and unafraid of hard work. It was a peasant’s body, made for the easy delivery of children. And there should have been many. They should have tumbled round her feet and cluttered the house with their mates and belongings. They should have played, learned to read, skinned their knees, broken windows, and wept their confusion at life’s inconsistencies in her arms.

But there had been only one life given into her care and one chance to mould that life into maturity.

Had it been her failure, she wondered not for the first time. Had she let parental vigilance lapse in the cause of her own desires?

She set her hairbrush on the edge of the basin and went across the landing to the closed door of her daughter’s room. She listened. No light shone from beneath the door, so she turned the knob quietly and entered.

Maggie was asleep, and she did not awaken when the dim oblong of light from the landing fell across her bed. As she so often did, she’d kicked off the blankets, and she was curled on her side, her knees drawn up, a child-woman wearing pink pyjamas with the top two buttons of the jacket missing so that the crescent of a full breast showed, the nipple an aureole flushed against her white skin. She’d taken her stuffed elephant from the bookcase on which he’d resided since their coming to Winslough. He lay in a lump bunched into her stomach, his legs sticking straight out like a soldier’s at attention and his old mangled trunk prehensile no longer, but loved down to a stub from years of wear and tear.

Juliet eased the blankets back over her daughter and stood gazing down at her. The first steps, she thought, that odd, teetering baby walk of hers as she discovered what it was to be upright, clutching onto a handful of Mummy’s trousers and grinning at the miracle of her own awkward gait. And then the run, hair flapping and flying and chubby arms extended, full of confidence that Mummy would be there with her own arms outstretched to catch and to hold. That way of sitting, legs splayed out stiffly with the feet pointing northeast and northwest. That utterly unconscious posture of squatting, scooting her compact little body closer to the ground to pick a wildflower or examine a bug.

My child. My daughter. I don’t have all the answers for you, Margaret. Most of the time I feel that I’m merely an older version of a child myself. I’m afraid, but I cannot show you my fear. I despair, but I cannot share my sorrow. You see me as strong — the master of my life and my fate — while all the time I feel as though at any moment the unmasking will occur and the world will see me — and you will see me— as I really am, weak and riven by doubt. You want me to be understanding. You want me to tell you how things are going to be. You want me to make things right — life right — by waving the wand of my indignation over injustice and over your hurts, and I can’t do that. I don’t even know how.

Mothering isn’t something one learns, Maggie. It’s something one does. It doesn’t come naturally to any woman because there is nothing natural about having a life completely dependent upon one’s own. It’s the only kind of employment that exists in which one can feel so utterly necessary and at the same moment so entirely alone. And in moments of crisis — like this one, Maggie — there is no sagacious volume in which one looks up answers and thus discovers how to prevent a child from harming herself.