Маргарет Миллар - Vanish in an Instant

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Virginia Barkeley spoiled child of a wealthy family, sat it a Michigan jail cell and refused to answer even her lawyer’s questions. Her husband knew that she had been intimate with Claude Margolis. Her mother knew that Virginia was capable of killing a man with a knife. Even Meecham, her lawyer, believed that she was guilty, so far as he believed anything at all.
Then Meecham was approached by a young man with a weirdly distorted body and death in his face. His name was Earl Duane Loftus. and he brought with him a signed confession which the police were unable to pick to pieces. If Loftus was lying, his lie seemed as unshakable as truth itself. But if Loftus was telling the truth, he had killed on impulse a man he had never seen before.
Meecham, a doubter by nature, doubted this. He resolved to probe the lives beneath the obvious police case: the ingrown hatreds which flourished subtly behind the social facade which Virginia Barkeley’s family tried to maintain; the side streets and dark alleys of frustration where Earl Loftus had developed his twisted idealism. Somewhere, he suspected. he would find a link between these two lives and the death of Margolis. But the truth he found was unexpected and shocking. In the climax of his search, Meecham caught a flashing glimpse of a tragic reality, redeemed by a love which was literally stronger than death.
Here is a mystery novel in the great tradition. Its author, Margaret Millar, has forged two reputations in the past ten years, one as a brilliant writer of mystery stories, one as a serious novelist. In this book her diverse talents have merged completely to produce a baffling mystery which is also a first-rate novel.

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“That’s what I’m trying to find out,” Cordwink said. “How long has he been with you?”

“Lived here? A year, almost a year.”

“You know him pretty well, then?”

“I... yes. We are friends.”

“He confides in you?”

“Yes, you understand, I’m not like a mother to him, the way I am to some of my boys. No indeed, Earl’s different, more mature. Our conversations are very stimulating. Why, he talks as mature as any man my — my own age.”

“I notice that he has his own telephone and mailbox.”

“Yes, this little apartment is completely separate from the rest of the house.”

“Then you wouldn’t, naturally, be able to keep as close track of him as you would of your regular roomers.”

Mrs. Hearst’s mouth looked pinched. “I don’t have to keep track of anyone.”

“What I meant was...”

“I know what you meant. You meant, do I snoop in on other people’s telephone conversations and examine their mail. No, I don’t. And in Earl’s case it wouldn’t even be necessary. He tells me everything.”

There was a brief silence before Cordwink spoke again, in a quiet, amiable voice: “He seems, on the surface, to be quite an exceptional young man.”

“Not just on the surface. He’s exceptional all through. Very intelligent, Earl is, and very polite and considerate, doesn’t drink or smoke or run around with women.”

“He’s married, isn’t he?”

“Married? Why, of course not. He would certainly have told me, and he’s never mentioned a wife. Just his mother. He’s devoted to his mother. She lives out of town, but she came to see him last summer. A very refined type of woman. She’s ill most of the time, that’s why she doesn’t come to see him oftener. Earl himself isn’t very — very well.”

“Yes, I know that.” Cordwink went over to the studio couch and lifted the lid of the suitcase. “I suppose you’re familiar with Loftus’ clothes?”

“His clothes? That’s a funny question. I don’t understand.”

Cordwink picked up the wrinkled bloodstained trench coat, quite naturally and casually, as if it was an ordinary piece of clothing. There was no indication, in his movements or expression, of his extreme distaste for the sight of blood, the feelings it gave him, of loss, futility, vulnerability. The blood on this worn and dirty coat had been the end of a man and might be the end of another.

He said calmly, “Do you, for instance, recognize this coat, Mrs. Hearst?”

“I... don’t know. It’s so wrinkled. I can’t... What are those marks?”

“Blood.”

She drew in her breath suddenly, gaspingly, like an exhausted swimmer. “I don’t like this. I don’t like it, I say. Where’s Earl? Where is he? You’ve got no right prying into his things like this! How do I know you’re policemen? How do I know you’re not a pair...?”

“Here’s my identification.” Cordwink took his badge out of his pocket and showed it to her. “Mr. Meecham isn’t a policeman, he’s a lawyer. As for prying into Loftus’ things, I’m doing it with his consent. Here are his own keys. He gave them to me.”

The woman sat down, suddenly and heavily. “What... what did Earl do?”

“He says he killed a man.”

She stared, round-eyed, glassy-eyed, into the corner of the room. “Here? Here in this house?”

“No.”

“Earl didn’t... couldn’t... it’s impossible.”

“He says he did.”

“But you can’t believe him. I’ve often thought, time and time again I’ve thought, that someday that terrible disease would affect his mind, would...”

“His mind seems clear enough,” Cordwink said.

“But you don’t know Earl. He could never harm anyone. He hated to kill anything. Why... why, once there was a mouse in his room — last fall — I wanted to set a trap but he wouldn’t let me. He said the mouse was so tiny and harmless...”

“Mrs. Hearst.”

“I’m telling you, Earl wouldn’t .”

“This is his coat, isn’t it?”

She turned her head away and stared at the wall. “Yes.”

“And this suit? The shoes? Please look at them, Mrs. Hearst. You can’t identify something without looking at it.”

She glanced briefly at the suit and shoes and then away again. “They’re Earl’s.”

“No question about it?”

“I said they’re Earl’s. Now can I go? I’ve had a great shock, a terrible shock.”

“In a minute,” Cordwink said. “The trench coat, and the serge suit — were these the clothes Loftus usually wore when he was going out in the evening, say?’

“Why?” she said bitterly. “Don’t you think they were good enough to go out in? Well, maybe they weren’t! But they were the only ones he had. He couldn’t afford any more.”

“When I saw him an hour ago he was wearing a new topcoat, new suit, new shoes. All of them looked expensive.”

“I don’t care! I don’t know what you’re implying, and I don’t care !”

“Did you ever lend him money, Mrs. Hearst?”

“I... no! Never! He’d never have taken it, never have borrowed money from a woman, never!”

“All right,” Cordwink said. Privately he wondered how much, and when. “Then you didn’t lend him any money, say, this morning?”

“No!”

“Did you see him this morning?”

“Yes.”

“When?”

“When I was shoveling off the walk, about seven-thirty.”

“What exactly did you say to him?”

“I said... I said, ‘Earl you can’t go like that, in just a sweater and slacks, it’s winter, you’ll catch cold.’”

“And he said?”

“That he’d sent his coat to the cleaner’s and that anyway he wasn’t cold. I asked him where he was off to, so early. And he said he was going downtown to see about selling his car. He said it wasn’t working so well, it was just a nuisance in the winter, so he thought he’d sell it, and then, in the spring, maybe he’d — he’d be feeling better and could work more and buy a... a new car. I said, just joking, how about a Cadillac, then you can take me for a ride. And he said there — wasn’t anyone he’d rather take for a ride in a Cadillac than... than me.”

She looked toward the window as if she was trying to see, not the dark of a winter night, but a morning in spring, with Earl well again and at the wheel of his new car.

“As you know now,” Cordwink said, “he didn’t send his coat to the cleaner’s. It was here all the time, locked inside the wardrobe. He had approximately forty hours to dispose of it, but he apparently made no attempt to. That’s curious, don’t you think, Mrs. Hearst?”

“Curious,” she repeated dully. “Yes. It’s curious. Everything’s curious.”

“Do you clean Loftus’ roo— apartment?”

“Go on, call it a room. It’s not an apartment, it’s just a room. I know it’s just a room, and Earl knows it and everyone...” She stopped, holding the back of her hand to her mouth. “I clean it twice a week, Tuesday and Saturday. I don’t have to do it, it’s not included in his rent. I do it for — because I like to,” she added defiantly. “I like to clean.”

“Take another look around now, Mrs. Hearst. Is this the way his room usually looked?”

“No.”

“What’s different about it?”

“A lot of his things are gone.”

“Clothes?”

“Not clothes. Personal little things, like his desk set, for instance. He had a very nice desk set, onyx, quite expensive. His mother gave it to him. His mother’s picture is gone too, it was in a silver frame. And his radio — he used to keep his radio on the table over there.”

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