Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

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Крестный отец, часть 1. Английский язык с Марио Пьюзо.: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Крестный отец, часть 1. Английский язык с Марио Пьюзо.»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Английский язык с с Крестным Отцом Текст адаптирован (без упрощения текста оригинала) по методу Ильи Франка: текст разбит на небольшие отрывки, каждый и который повторяется дважды: сначала идет английский текст с «подсказками» — с вкрапленным в него дословным русским переводом и лексико-грамматическим комментарием (то есть адаптированный), а затем — тот же текст, но уже неадаптированный, без подсказок.
Начинающие осваивать английский язык могут при этом читать сначала отрывок текста с подсказками, а затем тот же отрывок — без подсказок. Вы как бы учитесь плавать: сначала плывете с доской, потом без доски. Совершенствующие свой английский могут поступать наоборот: читать текст без подсказок, по мере необходимости подглядывая в подсказки.
Запоминание слов и выражений происходит при этом за счет их повторяемости, без зубрежки.
Кроме того, читатель привыкает к логике английского языка, начинает его «чувствовать».
Этот метод избавляет вас от стресса первого этапа освоения языка — от механического поиска каждого слова в словаре и от бесплодного гадания, что же все-таки значит фраза, все слова из которой вы уже нашли.
Пособие способствует эффективному освоению языка, может служить дополнением к учебникам по грамматике или к основным занятиям. Предназначено для студентов, для изучающих английский язык самостоятельно, а также для всех интересующихся английской культурой.
Мультиязыковой проект Ильи Франка: От редактора fb2. Есть два способа оформления транскрипции: UTF-LATIN и ASCII-IPA. Для корректного отображения UTF-LATIN необходимы полноценные юникодные шрифты, например, DejaVu или Arial Unicode MS. Если по каким либо причинам вас это не устраивает, то воспользуйтесь ASCII-IPA версией той же самой книги (отличается только кодированием транскрипции). Но это сопряженно с небольшими трудностями восприятия на начальном этапе. Более подробно об ASCII-IPA читайте в Интернете:
http://alt-usage-english.org/ipa/ascii_ipa_combined.shtml http://en.wikipedia.org/wiki/Kirshenbaum 1.0 - создание файла

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It was very important for Captain McCluskey to decode the slips because he didn't want to get cheated when he sold the slips back to the bookmaker. If there was fifty grand worth of action, then maybe he could sell it back for five grand. But if there were a lot of heavy bets and the slips represented a hundred grand or maybe even two hundred grand, then the price should be considerably higher. McCluskey fiddled (вертел в руках; fiddle – вертеть; to fiddle – играть на скрипке) with the envelopes and then decided to let the bookie sweat a little bit and make the first offer. That might tip off (может подсказать) what the real price should be.

McCluskey looked at the station house clock on the wall of his office. It was time for him to pick up that greasy (сальный, грязный) Turk, Sollozzo, and take him to wherever he was going to meet the Corleone Family. McCluskey went over to his wall locker (запирающийся шкафчик) and started to change into his civilian clothes. When he was finished he called his wife and told her he would not be home for supper that night, that he would be out on the job. He never confided (to confide – доверять/ся/; вверять /тайну/) in his wife on anything. She thought they lived the way they did on his policeman's salary (зарплата). McCluskey grunted with amusement. His mother had thought the same thing but he had learned early. His father had shown him the ropes (методы работы; rope – веревка, канат; петля).

His father had been a police sergeant, and every week father and son had walked through the precinct and McCluskey Senior had introduced his six-year-old son to the storekeepers (владельцы магазинов), saying, "And this is my little boy."

The storekeepers would shake his hand and compliment him extravagantly and ring open their cash registers to give the little boy a gift of five or ten dollars. At the end of the day, little Mark McCluskey would have all the pockets of his suit stuffed with paper money, would feel so proud that his father's friends liked him well enough to give him a present every month they saw him. Of course his father put the money in the bank for him, for his college education, and little Mark got at most a fifty-cent piece for himself.

Then when Mark got home and his policemen uncles asked him what he wanted to be when he grew up and he would lisp childishly, "A policeman," they would all laugh uproariously. And of course later on, though his father wanted him to go to college first, he went right from high school to studying for the police force.

He had been a good cop, a brave cop. The tough young punks terrorizing street corners fled when he approached and finally vanished from his beat altogether. He was a very tough cop and a very fair one. He never took his son around to the storekeepers to collect his money presents for ignoring garbage violations (нарушения по выбросу мусора ['gα:bıdG]) and parking violations; he took the money directly into his own hand, direct because he felt he earned it. He never ducked into a movie house or goofed (to goof – лодырничать, слоняться без дела) off into restaurants when he was on foot patrol as some of the other cops did, especially on winter nights. He always made his rounds. He gave his stores a lot of protection, a lot of service. When winos (алкаши) and drunks filtered up from the Bowery to panhandle on his beat (попрошайничать на патрулируемом им участке; panhandle – ручка кастрюли) he got rid of them so roughly that they never came back. The tradespeople in his precinct appreciated (to appreciate [∂ ‘prı:∫ıeıt] – ценить) it. And they showed their appreciation.

He also obeyed the system. The bookies in his precinct knew he would never make trouble to get an extra payoff for himself, that he was content for his share of the station house bag (своей долей из общего котла; station house – полицейский участок; bag – сумка; кошелек). His name was on the list with the others and he never tried to make extras. He was a fair cop who took only clean graft (работа, профессия; взятка) and his rise in the police department was steady if not spectacular (эффектный).

During this time he was raising a large family of four sons, none of whom became policemen. They all went to Fordham University and since by that time Mark McCluskey was rising from sergeant to lieutenant and finally to captain, they lacked for nothing. It was at this time that McCluskey got the reputation for being a hard bargainer (to bargain [‘bα:gın] – торговаться, заключать сделку). The bookmakers in his district paid more protection money than the bookmakers in any other part of the city, but maybe that was because of the expense of putting four boys through college.

McCluskey himself felt there was nothing wrong with clean graft. Why the hell should his kids go to CCNY or a cheap Southern college just because the Police Department didn't pay its people enough money to live on and take care of their families properly with? He protected all these people with his life and his record showed his citations (вызовы в суд; упоминания в списках об отличившихся) for gun duels with stickup (грабеж) men on his beat, strong-arm protection guys, would-be (претендующий, с претензией на то, чтобы быть кем-то) pimps (сутенеры). He had hammered them into the ground. He had kept his little corner of the city safe for ordinary people and he sure as hell was entitled (имеющий право, уполномоченный) to more than his lousy one C note (стодолларовая купюра) a week. But he wasn't indignant (возмущен) about his low pay, he understood that everybody had to take care of themselves.

Bruno Tattaglia was an old friend of his. Bruno had gone to Fordham with one of his sons and then Bruno had opened his nightclub and whenever the McCluskey family spent an infrequent (нечастый) night on the town, they could enjoy the cabaret with liquor and dinner – on the house. On New Year's Eve they received engraved invitations to be guests of the management and always received one of the best tables. Bruno always made sure they were introduced to the celebrities (знаменитости) who performed in his club, some of them famous singers and Hollywood stars. Of course sometimes he asked a little favor, like getting an employee with a record cleared for a cabaret work license, usually a pretty girl with a police dossier as a hustler or roller (вор-карманник). McCluskey would be glad to oblige (сделать одолжение, угодить [∂b'laıdG]).

McCluskey made it a policy never to show that he understood what other people were up to. When Sollozzo had approached him with the proposition to leave old man Corleone uncovered in the hospital, McCluskey didn't ask why. He asked price. When Sollozzo said ten grand, McCluskey knew why. He did not hesitate. Corleone was one of the biggest Mafia men in the country with more political connections than Capone had ever had. Whoever knocked him off would be doing the country a big favor. McCluskey took the money in advance (заранее, задатком; advance [∂d'vα:ns] – движение вперед; аванс) and did the job. When he received a call from Sollozzo that there were still two of Corleone's men in front of the hospital he had flown into a rage. He had locked up all of Tessio's men, he had pulled the detective guards off the door of Corleone's hospital room. And now, being a man of principle, he would have to give back the ten grand, money he had already earmarked (earmark – клеймо /на ухе/, тавро; to earmark – клеймить; откладывать деньги /на что-либо/) to insure the education of his grandchildren. It was in that rage that he had gone to the hospital and struck Michael Corleone.

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