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Raymond Chandler: The Long Goodbye

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Raymond Chandler The Long Goodbye

The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald. Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter. Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill. A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots. A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost. A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines. Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked. In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little." As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there. More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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"There's always space on that flight. Nobody from L.A. wants to ride a DC-5 over mountains when he can take a Connie and make it in seven hours to Mexico City. And the Connies don't stop where I want to go."

I stood up and leaned against the sink. "Now let's add it up and don't interrupt me. You came to me this morning in a highly emotional condition and wanted to be driven to Tijuana to catch an early plane. You had a gun in your pocket, but I needn't have seen it. You told me you had stood things as long as you could but last night you blew up. You found your wife dead drunk and a man had been with her. You gdt out and went to a Turkish bath to pass the time until morning and you phoned your wife's two dosest relatives and told them what you were doing. Where you went was none of my business. You had the necessary documents to enter Mexico. How you went was none of my business either. We are friends and I did what you asked me without much thought. Why wouldn't I? You're not paying me anything. You had your car but you felt too upset to drive yourself. That's your business too. You're an emotional guy and you got yourself a bad wound in the war. I think I ought to pick up your car and shove it in a garage somewhere for storage."

He reached into his clothes and pushed a leather keyholder across the table.

"How does it sound?" he asked.

"Depends who's listening. I haven't finished. You took nothing but the clothes you stood up in and some money you had from your father-in-law, You left everything she had given you, including that beautiful piece of machinery you parked at La Brea and Fountain. You wanted to go away as clean as it was possible for you to go and still go. All right. I'll buy it. Now I shave and get dressed."

"Why are you doing it, Marlowe?"

"Buy yourself a drink while I shave."

I walked out and left him sitting there hunched in the corner of the nook. He still had his hat and light topcoat on. But he looked a lot more alive.

I went into the bathroom and shaved. I was back in the bedroom knotting my tie when he came and stood in the doorway. "I washed the cups just in case," he said. "But I got thinking. Maybe it would be better if you called the police."

"Call them yourself. I haven't anything to tell them."

"You want me to?"

I turned around sharply and gave him a hard stare. "God damn it!" I almost yelled at him. "Can't you for Chrissake just leave it lay?"

"I'm sorry."

"Sure you're sorry. Guys like you are always sorry, and always too late."

He turned and walked back along the hall to the living room.

I finished dressing and locked up the back part of the house. When I got to the living room he had fallen asleep in a chair, his head on one side, his face drained of color, his whole body slack with exhaustion. He looked pitiful. When I touched his shoulder he came awake slowly as if it was a long way from where he was to where I was.

When I had his attention I said, "What about a suitcase? I still got that white pigskin job on the top shelf in my closet."

"It's empty," he said without interest. "Also it's too conspicuous."

"You'd be more conspicuous without any baggage."

I walked back to the bedroom and stood up on the steps in the dothes closet and pulled the white pigskin job down off the high shelf. The square ceiling trap was right over my head, so I pushed that up and reached in as far as I could and dropped his leather keyholder behind one of the dusty tie beams or whatever they were.

I climbed down with the suitcase, dusted it off, and shoved some things into it, a pair of pajamas never worn, toothpaste, an extra toothbrush, a couple of cheap towels and washcloths, a package of cotton handkerchiefs, a fifteen-cent tube of shaving cream, and one of the razors they give away with a package of blades. Nothing used, nothing marked, nothing conspicuous, except that his own stuff would be better. I added a pint of bourbon still in its wrapping paper. I locked the suitcase and left the key in one of the locks and carried it up front. He had gone to sleep again. I opened the door without waking him and carried the suitcase down to the garage and put it in the convertible behind the front seat. I got the car out and locked the garage and went back up the steps to wake him. I finished locking up and we left.

I drove fast but not fast enough to get tagged. We hardly spoke on the way down. We didn't stop to eat either, There wasn't that much time.

The border people had nothing to say to us. Up on the windy mesa where the Tijuana Airport is I parked dose to the office and just sat while Terry got his ticket. The propellers of the DC-3 were already turning over slowly, just enough to keep warm. A tall dreamboat of a pilot in a gray uniform was chatting with a group of four people. One was about six feet four and carried a gun case. There was a girl in slacks beside him, and a smallish middle-aged man and a gray-haired woman so tall that she made him look puny. Three or four obvious Mexicans were standing around as well. That seemed to be the load. The steps were at the door but nobody seemed anxious to get in. Then a Mexican flight steward came down the steps and stood waiting. There didn't seem to be any loudspeaker equipment. The Mexicans climbed into the plane but the pilot was still chatting with the Americans.

There was a big Packard parked next to me. I got out and took a gander at the license on the post. Maybe someday I'll learn to mind my own business. As I pulled my head out I saw the tall woman staring in my direction.

Then Terry came across the dusty gravel.

"I'm all set," he said. "This is where I say goodbye."

He put his hand out. I shook it. He looked pretty good now, just tired, just tired as all hell.

I lifted the pigskin suitcase out of the Olds and put it down on the gravel. He stared at it angrily.

"I told you I didn't want it," he said snappishly.

"There's a nice pint of hooch in it, Terry. Also some pajamas and stuff. And it's all anonymous. If you don't want it, check it. Or throw it away,"

"I have reasons," he said stiffly.

"So have I."

He smiled suddenly. He picked up the suitcase and squeezed my arm with his free hand. "Okay, pal. You're the boss. And remember, if things get tough, you have a blank check. You don't owe me a thing. We had a few drinks together and got to be friendly and I talked too much about me. I left five C notes in your coffee can. Don't be sore at me."

"I'd rather you hadn't?"

"I'll never spend half of what I have."

"Good luck, Terry."

The two Americans were going up the steps into the plane. A squatty guy with a wide dark face came out of the door of the office building and waved and pointed.

"Climb aboard," I said. "I know you didn't kill her. That's why I'm here."

He braced himself. His whole body got stiff. He turned slowly, then looked back.

"I'm sorry," he said quietly. "But you're wrong about that. Fm going to walk quite slowly to the plane. You have plenty of time to stop me."

He walked. I watched him, The guy in the doorway of the office was waiting, but not too impatient. Mexicans seldom are. He reached down and patted the pigskin suitcase and grinned at Terry. Then he stood aside and Terry went through the door. In a little while Terry came out through the door on the other side,- where the customs people are when you're coming in. He walked, still slowly, across the gravel to the steps. He stopped there and looked towards me. He didn't signal or wave. Neither did I. Then he went up into the plane, and the steps were pulled back.

I got into the Olds and started it and backed and turned and moved halfway across the parking space. The tall woman and the short man were still out on the field. The woman had a handkerchief out to wive. The plane began to taxi down to the end of the field raising plenty of dust. It turned at 'the far end and the motors revved up in a thundering roar. It began to move forward picking up speed slowly.

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