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Raymond Chandler: The Long Goodbye

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Raymond Chandler The Long Goodbye

The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald. Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter. Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill. A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots. A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost. A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines. Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked. In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little." As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there. More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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It was five o'clock of a wet March evening when he walked into my down-at-heels brain emporium. He looked changed. Older, very sober and severe and beautifully calm. He looked like a guy who had learned to roll with a punch. He wore an oyster-white raincoat and gloves and no hat and his white hair was as smooth as a bird's breast.

"Let's go to some quiet bar and have a drink," he said, as if he had been in ten minutes before. "If you have the time, that is."

We didn't shake hands. We never did. Englishmen don't shake hands all the time like Americans and although he wasn't English he had some of the mannerisms.

I said: "Let's go by my place and pick up your fancy suitcase. It kind of worries me."

He shook his head. "It would be kind of you to keep it for me."

"Why?"

"I just feel that way. Do you mind? It's a sort of link with a time when I wasn't a no-good waster."

"Nuts to that," I said. "But it's your business."

"If it bothers you because you think it might be stolen-"

"That's your business too. Let's go get that drink."

We went to Victor's. He drove me in a rust-colored Jupiter-Jowett with a flimsy canvas rain top under which there was only just room for the two of us. It had pale leather upholstery and what looked like silver fittings. I'm not too fussy about cars, but the damn thing did make my mouth water a little. He said it would do sixty-five in second. It had a squatty little gear shift that barely came up to his knee.

"Four speeds," he said. "They haven't invented an automatic shift that will work for one of these jobs yet. You don't really need one. You can start it in third even uphill and that's as high as you can shift in traffic anyway."

"Wedding present?"

"Just a casual 'I happened to see this gadget in a window' sort of present. I'm a very pampered guy."

"Nice," I said. "If there's no price tag."

He glanced at me quickly and then put his eyes back on the wet pavement. Double wipers swished gently over the little windscreen. "Price tag? There's always a price tag, chum. You think I'm not happy maybe?"

"Sorry. I was out of line."

"I'm rich. Who the hell wants to be happy?" There was a bitterness in his voice that was new to me.

"How's your drinking?"

"Perfectly elegant, old top. For some strange reason I seem to be able to handle the stuff. But you never know, do you?"

"Perhaps you were never really a drunk."

We sat in a corner of the bar at Victor's and drank gimlets. "They. don't know how to make them here," he said. "What they call a gimlet is just some lime or lemon juice and gin with a dash of sugar and bitters. A real gimlet is half gin and half Rose's Lime Juice and nothing else. It beats martinis hollow."

"I was never fussy about drinks. How did you get on with Randy Starr? Down my street he's called a tough number."

He leaned back and looked thoughtful. "I guess he is. I guess they all are. But it doesn't show on him. I could name you a couple of lads in the same racket in Hollywood that act the part. Randy doesn't bother. In Las Vegas he's a legitimate businessman. You look him up next time you're there. He'll be your pal."

"Not too likely. I don't like hoodlums."

"That's just a word, Marlowe. We have that kind of world. Two wars gave it to us and we are going to keep it. Randy and I and another fellow were in a jam once. It made a sort of bond between us."

"Then why didn't you ask him for help when. you needed it?"

He drank up his drink and signaled the waiter. "Because he couldn't refuse."

The waiter brought fresh drinks and I said: "That's just talk to me. If by any chance the guy owed you something, think of his end. He'd like a chance to pay something back."

He shook his head slowly. "I know you're right, Of course I did ask him for a job. But I worked at it while I had it. As for asking favors or handouts, no,"

"But you'll take them from a stranger."

He looked me straight in the eye. "The stranger can keep going and pretend not to hear."

We had three gimlets, not doubles, and it didn't do a thing to him. That much would just get a real souse started. So I guess maybe he was cured at that.

Then he drove me back to the office.

"We have dinner at eight-fifteen," he said. "Only millionaires can afford it. Only millionaires' servants will stand for it nowadays. Lots of lovely people coming."

From then on it got to be a sort of habit with him to drop in around five o'clock. We didn't always go to the same bar, but oftener to Victor's than anywhere else. It may have had some association for him that I didn't know about. He never drank too much, and that surprised him.

"It must be something like the tertian ague," he said. "When it hits you it's bad. When you don't have it, it's as though you never did have it."

"What I don't get is why a guy with your privileges would want to drink with a private eye."

"Are you being modest?"

"Nope. I'm just puzzled. I'm a reasonably friendly type but we don't live in the same world. I don't even know where you bang out except that it's Encino. I should guess your home life is adequate."

"I don't have any borne life."

We were drinking gimlets again. The place was almost empty. There was the usual light scattering of compulsive drinkers getting tuned up at the bar on the stools, the kind that reach very slowly for the first one and watch their hands so they won't knock anything over.

"I don't get that. Am I supposed to?"

"Big production, no story, as they say around the movie lots. I guess Sylvia is happy enough, though not necessarily with me. In our cirde that's not too important. There's always something to do if you don't have to work or consider the cost. It's no real fun but the rich don't know that. They never had any. They never want anything very hard except maybe somebody else's wife and that's a pretty pale desire compared with the way a plumber's wife wants new curtains for the living room."

I didn't say anything. I let him carry the ball.

"Mostly I just kill time," he said, "and it dies hard. A little tennis, a little golf, a little swimming and horseback riding, and the exquisite pleasure of watching Sylvia's friends trying to hold out to lupch time before they start killing their hangovers."

"The night you went to Vegas she said she didn't like drunks."

He grinned crookedly. I was getting so used to his scarred face that I only noticed it when some change of expression emphasized its one-sided woodenness.

"She meant drunks without money. With money they are just heavy drinkers. If they vomit in the lanai, that's for the butler to handle."

"You didn't have to have it the way it is."

He finished his drink at a gulp and stood up. "I've got to run, Marlowe. Besides I'm boring you and God knows I'm boring myself."

"You're not boring me. I'm a trained listener. Sooner or later I may figure out why you like being a kept poodle."

He touched his scars gently with a fingertip. He had a remote little smile. "You should, wonder why she wants me around, not why I want to be there, waiting patiently on my satin cushion to have my head patted."

"You like satin cushions," I said, as I stood up to leave with him. "You like silk sheets and bells to ring and the butler to come with his deferential smile."

"Could be. I was raised in an orphanage in Salt Lake City."

We went out into the tired evening and he said he wanted to walk. We had come in my car, and for once I had been fast enough to grab the check. I watched him out of sight. The light from a store window caught the gleam of his white hair for a moment as he faded into the light mist.

I liked him better drunk, down and out, hungry and beaten and proud. Or did I? Maybe I just liked being top man. His reasons for things were hard to figure. In my business there's a time to ask questions and a time to let your man simmer until he boils over. Every good cop knows that. It's a good deal like chess or boxing: Some people you have to crowd and keep off balance. Some you just box and they will end up beating themselves.

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