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Raymond Chandler: The Long Goodbye

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Raymond Chandler The Long Goodbye

The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald. Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter. Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill. A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots. A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost. A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines. Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked. In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little." As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there. More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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"Almost passed out," he muttered. "Seems like I've been up for a week; Didn't sleep at all last night."

The coffee maker was almost ready to bubble. I turned the flame low and watched the water rise. It hung a little at the bottom of the glass tube. I turned the flame up just enough to get it over the hump and then turned it low again quickly. I stirred the coffee and covered it. I set my tinier for three minutes. Very methodical guy, Marlowe. Nothing must interfere with his coffee technique. Not even a gun in the hand of a desperate character.

I poured him another slug. "Just sit there," I said. "Don't say a word. Just sit."

He handled the second slug with one hand. I did a fast wash-up in the bathroom and the bell of the timer went just as I got back. I cut the flame and set the coffee maker on a straw mat on the table. Why did I go into such detail? Because the charged atmosphere made every little thing stand out as a performance, a movement distinct and vastly important. It was one of those hypersensitive moments when all your automatic movements, however long estab. lished, however habitual, become separate acts of will. You are like a man learning to walk after polio. You take nothing for granted, absolutely nothing at all.

The coffee was all down and the air rushed in with its usual fuss and the coffee bubbled and then became quiet. I removed the top of the maker and set it on the drainboard in the socket of the cover.

I poured two cups and added a slug to his. "Black for you, Terry." I added two lumps of sugar and some cream to mine. I was coming out of it by now. I wasn't conscious of how I opened the Frig and got the cream carton.

I sat down across from him. He hadn't moved. He was propped in the corner of the nook, rigid. Then without warning his head came down on the table and he was sobbing.

He didn't pay any attention when I reached across and dug the gun out of his pocket. It was a Mauser 7.65, a beauty. I sniffed it. I sprang the magazine loose. It was full. Nothing in the breach.

He lifted his head and saw the coffee and drank some slowly, not looking at me. "I didn't shoot anybody," he said.

"Well-not recently anyhow. And the gun would have had to be cleaned. I hardly think you shot anybody with this."

"I'll tell you about it," he said.

"Wait just a minute." I drank my coffee as quickly as the heat would let me. I refilled my cup. "It's like this," I said. "Be very careful what you tell me. If you really want me to ride you down to Tijuana, there are two things I must not be told. One-are you listening?"

He nodded very slightly. He was looking blank-eyed at the wall over my head. The scars were very livid this morning. His skin was almost dead white but the scars seemed to shine out of it just the same.

"One," I repeated slowly, "if you have committed a crime or anything the law calls a crime-a serious crime, I mean-I can't be told about it. Two, if you have essential knowledge that such a crime has been committed, I can't be told about that either. Not if you want me to drive you to Tijuana. That clear?"

He looked me in the eye. His eyes focused, but they were lifeless. He had the coffee inside him. He had no color, but he was steady. I poured him some more and loaded it the same way.

"I told you I was in a jam," he said.

"I heard you. I don't want to know what kind of jam. I have a living to earn, a license to protect."

"I could hold the gun on you," he said.

I grinned and pushed the gun across the table. He looked down at it but didn't touch it.

"Not to Tijuana you couldn't hold it on me, Terry. Not across the border, not up the steps into a plane. I'm a man who occasionally has business with guns. We'll forget about the gun. I'd look great telling the cops I was so scared I just had to do what you told me to. Supposing, of course, which I don't know, that there was anything to tell the cops."

"Listen," he said, "it will be noon or even later before anybody knocks at the door. The help knows better than to disturb her when she sleeps late. But by about noon her maid would knock and go in. She wouldn't be in her room."

I sipped my coffee and said nothing.

"The maid would see that her bed hadn't been slept In," he went on. "Then she would think of another place to look. There's a big guest house pretty far back from the main house. It has its own driveway and garage and so on. Sylvia spent the night there. The maid would eventually find her there."

I frowned. "I've got to be very careful what questions I ask you, Terry. Couldn't she have spent the night away from home?"

"Her clothes would be thrown all over her room. She never hangs anything up. The maid would know she had put a robe over her pajamas and gone out that way. So it would only be to the guest house."

"Not necessarily," I said.

"It would be to the guest house. Hell, do you think they don't know what goes on in the guest house? Servants always know."

"Pass it," I said.

He ran a finger down the side of his good cheek hard enough to leave a red streak. "And in the guest house," he went on slowly, "the maid would find-"

"Sylvia dead drunk, paralyzed, spifflicated, iced to the eyebrows," I said harshly.

"Oh." He thought about it. Big think. "Of course," he added, "that's how it would be. Sylvia is not a souse. When she does get over the edge it's pretty drastic."

"That's the end of the story," I said. "Or almost. Let me improvise. The last time we drank together I was a bit rough with you, walked out if you recall. You irritated the hell out of me. Thinking it over afterwards I could see that you were just trying to sneer yourself out of a feeling of disaster. You say you have a passport and a visa. It takes a little time to get a visa to Mexico. They don't let just anybody in. So you've been planning to blow for some time. I was wondering how long you would stick."

"I guess I felt some vague kind of obligation to be around, some idea she might need me for something more than a front to keep the old man from nosing around too hard. By the way, I tried to call you in the middle of the night."

"I sleep hard. I didn't hear."

"Then I went to a Turkish bath place. I stayed a couple of hours, had a steam bath, a plunge, a needle shower, a rubdown and made a couple of phone calls from there. I left the car at La Brea and Fountain. I walked from there. Nobody saw me turn into your street."

"Do these phone calls concern me?"

"One was to Harlan Potter. The old man flew down to Pasadena yesterday, some business. He hadn't been to the house. I had a lot of trouble getting him. But he finally talked to me. I told him I was sorry, but I was leaving." He was looking a little sideways when he said this, towards the window over the sink and the tecoma bush that fretted against the screen.

"How did he take it?"

"He was sorry. He wished me luck. Asked if I needed any money." Terry laughed harshly. "Money. Those are the first five letters of his alphabet. I said I had plenty. Then I called Sylvia's sister. Much the same story there, That's all."

"I want to ask this," I said. "Did you ever find her with a man in that guest house?"

He shook his head. "I never tried. It would not have been difficult. It never has been."

"Your coffee's getting cold."

"I don't want any more."

"Lots of men, huh? But you went back and married her again. I realize that she's quite a dish, but all the same-"

"I told you I was no good. Hell, why did I leave her the first time? Why after that did I get stinking every time I saw her? Why did I roll in the gutter rather than ask her for money? She's been. married five times, not including me. Any one of them would go back at the crook of her finger. And not just for a million bucks."

"She's quite a dish," I said. I looked at my watch. "Just why does it have to be the ten-fifteen at Tijuana?"

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