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Raymond Chandler: The Long Goodbye

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Raymond Chandler The Long Goodbye

The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald. Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter. Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill. A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots. A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost. A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines. Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked. In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little." As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there. More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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He would have told me the story of his life if I had asked him. But I never even asked him how he got his face smashed. If I had and he told me, it just possibly might have saved a couple of lives. Just possibly, no more.

4

The last time we had a drink in a bar was in May and it was earlier than usual, just after four o'clock. He looked tired and thinner but he looked around with a slow smile of pleasure.

"I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar-that's wonderful," I agreed with him.

"Alcohol is like love," he said. "The first kiss is magic, the second is intimate, the third is routine. After that you take the girl's dothes off."

"Is that bad?" I asked him.

"It's excitement of a high order, but it's an impure emotion-impure in the aesthetic sense. I'm not sneering at sex. It's necessary and it doesn't have to be ugly. But it always has to be managed. Making it glamorous is a billion-dollar industry and it costs every cent of it."

He looked around and yawned. "I haven't been sleeping well. It's nice in here. But after a while the lushes will fill the place up and talk loud and laugh and the goddain women will start waving their hands and screwing up their faces and tinkling their goddam bracelets and making with the packaged charm which will later on in the evening have a slight but unmistakable odor of sweat."

"Take it easy," I said. "So they're human, they sweat, they get dirty, they have to go to the bathroom. What did you expect-golden butterflies hovering in a rosy mist?"

He emptied his glass. and held it upside down and watched a slow drop form on the rim and then tremble and fall.

"I'm sorry for her," he said slowly. "She's such an absolute bitch. Could be I'm fond of her too in a remote sort of way. Some day she'll need me and I'll be the only guy around not holding a chisel. Likely enough then I'll flunk out."

I just looked at him. "You do a great job of selling yourself," I said after a moment.

"Yeah, I know. I'm a weak character, without guts or ambition. I caught the brass ring and it shocked me to find out it wasn't gold. A guy like me has one big moment in his life, one perfect swing on the high trapeze. Then he spends the rest of his time trying not to fall off the sidewalk into the gutter."

"What's this in favor of?" I got out a pipe and started to fill it.

"She's scared. She's scared stiff."

"What of?"

"I don't know. We don't talk much any more. Maybe of the old man. Harlan Potter is a coldhearted son of a bitch. All Victorian dignity on the outside. Inside he's as ruthless as a Gestapo thug. Sylvia is a tramp. He knows it and he hates it and there's nothing he can do about it. But he waits and he watches and if Sylvia ever gets into a big mess of scandal he'll break her in half and bury the two halves a thousand miles apart."

"You're her husband."

He lifted the empty glass and brought it down hard on the edge of the tablet It smashed with a sharp ping. The barman stared, but didn't say anything.

"Like that, chum. Like that. Oh sure, I'm her husband. That's what the record says. I'm the three white steps and the big green front door and the brass knocker you rap one long and two short and the maid lets you into the hundreddollar whorehouse."

I stood up and dropped some money on the table. "You talk too damn much," I said, "and it's too damn much about you. See you later."

I walked out leaving him sitting there shocked and white-faced as well as I could tell by the kind of light they have in bars. He called something after me, but I kept going.

Ten minutes later I was sorry. But ten minutes later I was somewere else. He didn't come to the office any more, Not at all, not once. I had got to him where it hurt.

I didn't see him again for a month. When I did it was five o'clock in the morning and just beginning to get light. The persistent ringing of the doorbell yanked me out of bed. I plowed down the hall and across the living room and opened up. He stood there looking as if he hadn't slept for a week. He had a light topcoat on with the collar turned up and he seemed to be shivering. A dark felt hat was pulled down over his eyes.

He had a gun in his hand.

5

The gun wasn't pointed at me, he was just holding it. It was a medium-caliber automatic, foreign made, certainly not a Colt or a Savage. With the white tired face and the scars and the turned-up collar and the pulled-down hat and the gun he could have stepped right out of an old fashioned kick-em-in-the-teeth gangster movie.

"You're driving me to Tijuana to get a plane at tenfifteen," he said. "I have a passport and visa and I'm all set except for transportation. For certain reasons I can't take a train or a bus or a plane from L.A. Would five hundred bucks be a reasonable taxi fare?"

I stood in the doorway and didn't move to let him in. "Five hundred plus the gat?" I asked.

He looked down at it rather absently. Then he dropped it into his pocket.

"It might be a protection," he said, "for you. Not for me."

"Come on in then." I stood to one side and he came in with an exhausted lunge and fell into a chair.

The living room was still dark, because of the heavy growth of shrubbery the owner had allowed to mask the windows. I put a lamp on and mooched a cigarette. I lit it. I stared down at him. I rumpled my hair which was already rumpled. I put the old tired grin on my face.

"What the hell's the matter with me sleeping such a lovely morning away? Ten-fifteen, huh? Well, there's plenty of time. Let's go out to the kitchen and I'll brew some coffee."

"I'm in a great deal of trouble, shamus." Shamus, it was the first time he had called me that. But it kind of went with his style of entry, the way he was dressed, the gun and all.

"It's going to be a peach of a day. Light breeze. You can hear those tough old eucalyptus trees across the street whispering to each other. Talking about old times in Australia when the wallabies hopped about underneath the branches and the koala bears rode piggyback on each other. Yes, I got the general idea you were in some trouble. Let's talk about it after I've had a couple of cups of coffee. I'm always a little lightheaded when I first wake up. Let us confer with Mr. Huggins and Mr. Young."

"Look, Marlowe, this is not the time-"

"Fear nothing, old boy. Mr. Huggins and Mr. Young are two of the best. They make Huggins-Young coffee. It's their life work, their pride and joy. One of these days I'm going to see that they get the recognition they deserve. So far all they're making is money. You couldn't expect that to satisfy them."

I left him with that bright chatter and went out to the kitchen at the back. I turned the hot water on and got the coffee maker down off the shelf. I wet the rod and measured the stuff into the top and by that time the water was steaming. I filled the lower half of the dingus and set it on the flame. I set the upper part on top and gave it a twist so it would bind.

By that time he had come in after me. He leaned in the doorway a moment and then edged across to the breakfast nook and slid into the seat. He was still shaking. I got a bottle of Old Grand-Dad off the shelf and poured him a shot in a big glass. I knew he would need a big glass. Even with that he had to use both hands to get it to his mouth, He swallowed, put the glass down with a thud, and hit the back of the seat with a jar.

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