Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"Why?"

"She pulled one faint already tonight."

He shook his head slightly. "Eileen never faints."

"Then it was a phony."

He didn't like that either.

"What did you mean-a good man died for you?" I asked.

He frowned, thinking about it. "Just rubbish. I told you I had a dream-"

"I'm talking about that gaff you typed out."

He looked at me now, turning his head on the pillow as if it had enormous weight. "Another dream."

"I'll try again. What's Candy got on you?"

"Shove it, Jack," he said, and dosed his eyes.

I got up and dosed the door. "You can't run forever, Wade. Candy could be a blackmailer, sure. Easy. He could even be nice about it-like you and lift your dough at the same time. What is it-a woman?"

"You believe that fool, Loring," he said with his eyes closed.

"Not exactly. What about the sister-the one that's dead?"

It was a wild pitch in a sense but it happened to split the plate. His eyes snapped wide open. A bubble of saliva showed on his lips.

"Is that-why you're here?" he asked slowly, and in a whispering voice.

"You know better. I was invited. You invited me."

His head rolled back and forth on the pillow. In spite of the seconal he was eaten up by his nerves. His face was covered with sweat.

"I'm not the first loving husband who has been an adulterer. Leave me alone, damn you. Leave me alone."

I went into the bathroom and got a face towel and wiped his face off. I grinned at him sneeringly. I was the heel to end all heels. Wait until the man is down, then kick him and kick him again. He's weak. He can't resist or kick back.

"One of these days we'll get together on it," I said.

"I'm not crazy," he said.

"You just hope you're not crazy."

"I've been living in hell."

"Oh sure. That's obvious. The interesting point is why. Here-take this." I had another seconal out of the night table and another glass of water. He got up on one elbow and grabbed for the glass and missed it by a good four inches. I put it in his hand. He managed to drink and swallow his pill. Then he lay back flat and deflated, his face drained of emotion. His nose had that pinched look. He could almost have been a dead man. He wasn't throwing anybody down any stairs tonight. Most likely not any night.

When his eyelids got heavy I went out of the room. The weight of the Webley was against my hip, dragging at my pocket. I started back downstairs again. Eileen's door was open. Her room was dark but there was enough light from the moon to frame her standing just inside the door. She called out something that sounded like a name, but it wasn't mine. I stepped dose to her.

"Keep your voice down," I said. "He's gone back to sleep."

"I always knew you would come back," she said softly. "Even after ten years."

I peered at her. One of us was goofy.

"Shut the door," she said in the same caressing voice. "All these years I have kept myself for you."

I turned and shut the door. It seemed like a good idea at the moment. When I faced her she was already falling towards me. So I caught her. I damn well had to. She pressed herself hard against me and her hair brushed my face. Her mouth came up to be kissed. She was trembling. Her lips opened and her teeth opened and her tongue darted. Then her hands dropped and jerked at something and the robe she was wearing came open and underneath it she was as naked as September Morn but a darn sight less coy.

"Put me on the bed," she breathed.

I did that. Putting my arms around her I touched bare skin, soft skin, soft yielding flesh. I lifted her and carried her the few steps to the bed and lowered her. She kept her arms around my neck. She was making some kind of a whistling noise in her throat. Then she thrashed about and moaned. This was murder. I was as erotic as a stallion. I was losing control. You don't get that sort of invitation from that sort of woman very often anywhere.

Candy saved me. There was a thin squeak and I swudg around to see the doorknob moving. I jerked loose and jumted for the door. I got it open and barged out through it and the Mex was tearing along the hall and down the stairs. Halfway down he stopped and turned and leered at me. Then he was gone

I went back to the door and shut it-from the outside this time. Some kind of weird noises were coming from the woman on the bed, but that's all they were now. Weird noises. The spell was broken.

I went down the stairs fast and crossed into the study and grabbed the bottle of Scotch and tilted it; When I couldn't swallow any more I leaned against the wall and panted and let the stuff burn in me until the fumes reached my brain.

It was a long time since dinner. It was a long time since anything that was normal. The whiskey hit me hard and fast and I kept guzzling it until the room started to get hazy and the furniture was all in the wrong places and the lamplight was like widlfire or summer lightning. Then I was flat out on the leather couch, trying to balance the bottle on my chest. It seemed to be empty. It rolled away and thumped on the floor.

That was the last incident of which I took any precise notice.

30

A shaft of sunlight tickled one of my ankles. I opened my eyes and saw the crown of a tree moving gently against a hazed blue sky. I rolled over and leather touched my cheek. An axe split my head. I sat up. There was a rug over me. I threw that off and got my feet on the floor. I scowled at a dock. The dock said a minute short of six-thirty.

I got up on my feet and it took character. It took will power. It took a lot out of me, and there wasn't as much to spare as there once had been. The hard heavy years had worked me over.

I plowed across to the half bath and stripped off my tie and shirt and sloshed cold water in my face with both hands and sloshed it on my head. When I was dripping wet I toweled myself off savagely. I put my shirt and tie back on and reached for my jacket and the gun in the pocket banged against the wall. I took it out and swung the cylinder away from the frame and tipped the cartridges into my hand, five full, one just a blackened shell. Then I thought, what's the use, there- are always more of them. So I put them back where they had been before and carried the gun into the study and put it away in one of the drawers of the desk.

When I looked up Candy was standing in the doorway, spick and span in his white coat, his hair brushed back and shining black, his eyes bitter.

"You want some coffee?"

"Thanks."

"I put the lamps out. The boss is okay. Asleep. I shut his door. Why you get drunk?"

"I had to."

He sneered at me. "Didn't make her, huh? Got tossed out on your can, shamus."

"Have it your own way."

"You ain't tough this morning, shamus. You ain't tough at all."

"Get the goddain coffee," I yelled at him.

"Hijo de Ia puta!"

In one jump I had him by the arm. He didn't move. He just looked at me contemptuously. I laughed and let go of his arm.

"You're right, Candy. I'm not tough at all."

He turned and went out. In no time at all he was back with a silver tray and a imall silver pot of coffee on it and sugar and cream and a neat triangular napkin. He set it down on the cocktail table and removed the empty bottle and the rest of the drinking materials. He picked another bottle off the floor.

"Fresh. Just made," he said, and went out.

I drank two cups black. Then I tried a cigarette. It was all right. I still belonged to the human race. Then Candy was back in the room again.

"You want breakfast?" he asked morosely.

"No, thanks."

"Okay, scram out of here. We don't want you around."

"Who's we?"

He lifted the lid of a box and helped himself to a cigarette. He lit it and blew smoke at me insolently.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x