Raymond Chandler - The Long Goodbye

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The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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"Somebody's got to tike care of him," he said. "I go change my clothes."

"Get some sleep. I'll take care of him. I can call you if I need you."

He faced me. "You better take care of him good," he said in a quiet voice. "Very good."

He went out of the room. I went into the bathroom and got a wet washdoth and a heavy towel. I turned Wade over a little and spread the towel on the pillow and washed the blood off his head gently so as not to start the bleeding again. Then I could see a sharp shallow cut about two inches long. It was nothing. Dr. Loring had been right that much. It wouldn't have hurt to stitch it but it probably was not really necessary. I found a pair of scissors and cut the hair away enough so that I could put on a strip of adhesive. Then I turned him on his back and washed his face. I guess that was a mistake.

He opened his eyes. They were vague and unfocused at first, then they cleared and he saw me standing beside the bed. His hand moved and went up to his head and felt the adhesive. His lips mumbled something, then his voice cleared up also.

"Who hit me? You?" His hand felt for the adhesive.

"Nobody hit you. You took a fall."

"Took a fall? When? Where?"

"Wherever you telephoned from. You called me. I heard you fall. Over the wire."

"I called you?" He grinned slowly. "Always available, aren't you, fella? What time is it?"

"After one A.M."

"Where's Eileen?"

"Gone to bed. She had it rough."

He thought that over silently. His eyes were full of pain. "Did I-" He stopped and winced.

"You didn't touch her as far as I know. If that's what you mean. You just wandered outdoors and passed out near the fence, Quit talking. Go to sleep."

"Sleep," he said quietly and slowly, like a child reciting its lesson. "What would that be?"

"Maybe a pill would help. Got any?"

"In the drawer. Night table."

I opened it and found a plastic bottle with red capsules in it. Seconal, 1.5 grains. Prescription by Dr. Loring. That nice Dr. Loring. Mrs. Roger Wade's prescription.

I shook two of them loose and put the bottle back and poured a glass of water from a thermos jug on the night table. He said one capsule would be enough. He took it and drank some water and lay back and stared at the ceiling again. Time passed. I sat in a chair and watched him. He didn't seem to get sleepy, Then he said slowly:

"I remember something. Do me a favor, Marlowe. I wrote some crazy stuff I don't want Eileen to see. It's on top of the typewriter under the cover. Tear it up, for me,

"Sure. That all you remember?"

"Eileen is all right? Positive about that?"

"Yes. She's just tired. Let it ride, Wade. Stop thinking. I shouldn't have asked you."

"Stop thinking, the man says." His voice was a little drowsy now. He was talking as if to himself. "Stop thinking, stop dreaming, stop loving, stop hating. Goodnight, sweet prince. I'll take that other pill."

I gave it to him with some more water. He lay back again, this time with his head turned so that he could see me. "Look, Marlowe, I wrote some stuff I don't want Eileen-"

"You told me already. I'll attend to it when you go to sleep."

"Oh. Thanks. Nice to have you around. Very nice."

Another longish pause. His eyelids were getting heavy.

"Ever kill a man, Marlowe?"

"Yes."

"Nasty feeling, isn't it?"

"Some people like it."

His eyes went shut all the way. Then they opened again, but they looked vague. "How could they?"

I didn't answer. The eyelids came down again, very gradually, like a slow curtain in the theater. He began to snore. I waited a little longer. Then I dimmed the light in. the room and went out.

27

I stopped outside Eileen's door and listened. I didn't hear any sound of movement inside, so I didni knock. If she wanted to know how he was, it was up to her. Downstairs the living room looked bright and empty. I put out some of the lights. From over near the front door I looked up at the balcony. The middle part of the living room rose to the full height of the house walls and was crossed by open beams that also supported the balcony. The balcony was wide and edged on two sides by a solid railing which looked to be about three and a half feet high. The top and the uprights were cut square to match the cross beams. The dining room was through a square arch dosed off by double louvered doors. Above it I guessed there were servants' quarters. This part of the second floor was walled off so there would be another stairway reaching it from the kitchen part of the house. Wade's room was in the corner over his study. I could see the light from his open door reflected against the high ceiling and I could see the top foot of his doorway.

I cut all the lights except in one standing lamp and crossed to the study. The door was shut but two lamps were lit, a standing lamp at the end of the leather couch and a cowled desk lamp. The- typewriter was on a heavy stand under this and beside it on the desk there was a disorderly mess of yellow paper. I sat in a padded chair and studied the layout. What I wanted to know was how he had cut his head. I sat in his desk chair with the phone at my left hand. The spring was set very weak. If I tilted back and went over, my head might have caught the corner of the desk. I moistened my handkerchief and rubbed the wood. No blood, nothing there. There was a lot of stuff on the desk, including a row of books between bronze elephants, and an old-fashioned square glass inkwell. I tried that without result. Not much point to it anyway, because if someone else had slugged him, the weapon didn't have to be in the room. And there wasn't anyone else to do it. I stood up and switched on the cornice lights. They reached into the shadowy corner5 and of course the answer was simple enough after all. A square metal wastebasket was lying on its side over against the wall, with paper spilled. It couldn't have walked there, so it had been thrown or kicked. I tried its sharp corners with my moistened handkerchief. I got the red-brown smear of blood this time. No mystery at all. Wade -had fallen over and struck his head on the sharp corner of the wastebasket-a glancing blow most likely-picked himself up and booted the damn thing across the room. Easy.

Then he would have another quick drink. The drinking liquor was on the cocktail table in front of the couch. An empty bottle, another three quarters full, a thermos jug of water and a silver bowl containing water which had -been ice cubes. There was only one glass and it was the large economy size.

Having taken his drink he felt a little better. He noticed the phone off the hook in a bleary sort of way and very likely didn't remember any more what he had been doing with it. So he just walked across and put it back in its cradle. The time had been just about right. There is something compulsive about a telephone. The gadgetridden man of our age loves it, loathes it, and is afraid of it. But he always treats it with respect, even when he is drunk. The telephone is a fetish.

Any normal man would have said hello into the mouthpiece before hanging up, just to be sure. But not necessarily a man who was bleary with drink and had just taken a fall. It didn't matter anyhow. His wife might have done it, she might have heard the fall and the bang as the wastebas. ket bounced against the wall and come into the study. About that time the last drink would kick him in the face and he would stagger out of the house and across the front lawn and pass out where I had found him. Somebody was coming for him. By this time he didn't know who it was. Maybe the good Dr. Verringer.

So far, so good. So what would his wife do? She couldn't handle him or reason with him and she might well be afraid to try. So she would call somebody to come and help. The servants were out, so it would have to be by the telephone. Well, she had called somebody. She had called that nice Dr. Loring. I'd just assumed she called him after I got there. She hadn't said so.

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