Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"You haven't exactly wasted your time, have you?" she said at last. "How convenient that this publisher should have thought of employing you! So Terry named no names to you! Not a name. But it really didn't matter, did it, Mr. Marlowe? Your instinct was unerring. May I ask what you propose to do next?"

"Nothing."

"Why, what a waste of talent! How can you reconcile it with your obligation to your portrait of Madison? Surely there must be something you can do."

"Just between the two of us," I said, "you're getting pretty corny. So Wade knew your sister. Thanks for telling me, however indirectly. I already guessed it. So what? He's just one of what was most likely a fairly rich collection. Let's leave it there. And let's get around to -why you wanted, to see me. That kind of got lost in the shuffle didn't it?"

She stood up. She glanced at her watch once more. "I have a car downstairs. Could I prevail upon you to- drive home with me and drink a cup of tea?"

"Go on," I said. "Let's have it."

"Do I sound so suspicious? I have a guest who would like to make your acquaintance."

"The old man?"

"I don't call him that," she said evenly, I stood up and leaned across the desk. "Honey, you're awful cute sometimes. You really are. Is it all right if I carry a gun?"

"Surely you're not afraid of an oh! man." She wrinkled her lip at me.

"Why not? I'll bet you are-plenty."

She sighed. "Yes, I'm afraid I am. I always have been. He can be rather terrifying."

"Maybe I'd better take two guns," I said, then wished I hadn't.

32

It was the damndest-looking house I ever saw. It was a square gray box three stories high, with a mansard roof, steeply sloped and broken by twenty or thirty double dormer windows with a lot of wedding cake decoration around them and between them. The entrance had double stone pillars on each side but the cream of the joint was an outside spiral staircase with a stone railing, topped by a tower room from which there must have been a view the whole length of the lake.

The motor yard was paved with stone. What the place really seemed to need was a half mile of poplar-lined' driveway and a deer park and a wild garden and a terrace on three levels and a few hundred roses outside the library window and a long green vista from every window ending in forest and silence and quiet emptiness. What it had was a wall of fieldstone around' a comfortable ten or fifteen acres, which is a fair hunk of real estate in our crowded little country. The driveway was lined with a cypress hedge trimthed round. There were all sorts of ornamental trees in dumps here and there and they didn't look like California trees. Imported stuff. Whoever built that place was trying to drag the Atlantic seaboard over the Rockies. He was trying hard, but he hadn't made it.

Añios, the middle-aged colored chauffeur, stopped the Caddy gently in front of the pillared entrance, hopped out, and came around to hold the open door for Mrs. Loving. I got out first and helped him hold it. I helped her get out. She had hardly spoken to me since we got into the car in front of my building. She looked tired and nervous. Maybe this idiotic hunk of architecture depressed her. It would have depressed a laughing jackass and made it coo like a mourning dove.

"Who built this placer' I asked her. "And who was he mad at?"

She finally smiled. "Hadn't you seen it before?"

"Never been this far into the valley."

She walked me over to the other side of 'the driveway and pointed up. "The-man who built it jumped out of that tower room and landed about where you are standing. He was a French count named La Tourelle and unlike most French counts he had a lot of money. His wife was Ramona Desborough, who was not exactly threadbare herself. In the silent-picture days she made thirty thousand a week. La Tourelle built this place for their home. It's supposed to be a miniature of the Château de Blois You know that, of course."

"Like the back of my hand," I said. "I remember now. It was one of those Sunday paper stories once. She left him and he killed himself. There was some kind of queer will too, wasn't there?"

She nodded. "He left his ex-wife a few millions for carfare and tied the rest up in a trust. The estate was to be kept on just as it was. Nothing was to be changed, the dining table was to be laid in style every night, and nobody was to be allowed inside the grounds except the servants and the lawyers. The will was broken, of course. Eventually the estate was carved up to some extent and when I married Dr. Loving my father gave it to me for a wedding present. It must have cost him a fortune merely to make it fit to live in again. I loathe it. I always have."

"You don't have to stay here, do you?"

She shrugged in a tired sort of way. "Part of the time, at least. One of his daughters has to show him some sign of stability. Dr. Loving likes it here."

"He would. Any guy who could make the kind of scene he made at Wade's house ought to wear spats with his pajamas."

She arched her eyebrows. "Why, thank you for taking such an interest, Mr. Marlowe. But I think enough has been said on that subject. Shall we go in? My father doesn't like tq be kept waiting."

We crossed the driveway again and went up the stone steps and half of the big double doors swung open noiselessly and an expensive and very snooty looking character stood aside for us to enter. The hallway was bigger than all the floor space in the house I was living in. It had a tesselated floor and there seemed to be stained-glass windows at the back and if there had been any light coming through them I might have been able 'to see what else was there. From the hallway we went through some more double carved doors into a dim room that couldn't have been less than 'seventy feet long. A man was sitting there waiting, silent. He stared at us coldly.

"Am I late, Father?" Mrs. Loring asked hurriedly. "This is Mr. Philip Marlowe. Mr. Harlan Potter."

The man just looked at me and moved his chin down about half an inch.

"Ring for tea," he said. "Sit down, Mr. Marlowe."

I sat down and looked at him. He looked at me like an entomologist looking at a beetle. Nobody said anything. There was complete silence until the tea came. It was put down on a huge silver tray on a Chinese table. Linda sat at a table and poured.

"Two cups," Harlan Potter said. "You can have your tea in another room, Linda."

"Yes, Father. How do you like your tea, Mr. Marlowe?"

"Any way at all," I said. My voice seemed to echo off into the distance and get small and lonely.

She gave the old man a cup and then gave me a cup. Then she stood up silently and went out of the room. I watched her go. I took a sip of tea and got a cigarette out.

"Don't smoke, please. I am subject to asthma."

I put the cigarette back in the pack. I stared at him. I don't know how it feels to be worth a hundred million or so, but he didn't look as if he was having any fun. He was an enormous man, all of six feet five and built to scale. He wore a gray tweed suit with no padding. His shoulders didn't need any. He wore a white shirt and a dark tie and no display handkerchief. A spectade case showed in the outside breast pocket. It was black, like his shoes. His hair was black too, no gray at all. It 'was brushed sideways across his skull in a MacArthur sweep. And I had a hunch there was nothing under it but bare skull. His eyebrows were thick and black. His voice seemed to come from a long way off. He drank his tea as if he hated it.

"It will save time, Mr. Marlowe, if I put my position before you. I believe you are interfering in my affairs. If I am correct, I propose to stop it."

"I don't know enough about your affairs to interfere in them, Mr. Potter."

"I disagree."

He drank some more tea and put the cup aside. He leaned back in the big chair he was sitting in and took me to pieces with his hard gray eyes.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x