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Alex Auswaks: Sherlock Holmes in Russia

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Alex Auswaks Sherlock Holmes in Russia

Sherlock Holmes in Russia: краткое содержание, описание и аннотация

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Thanks to the Sherlockian historian George Piliev and translator Alex Auswaks, this remarkable collection of seven Russian Sherlock Holmes stories is now available in English for the first time. Piliev tells the fascinating story of how these tales came to be written, in the context of the Sherlockian phenomenon in Russia. He explains how Holmes reached an even greater audience when Russian writers decided to transport him and Watson from Baker Street to Russia, on the premise that they traveled widely in the country and became fluent in the language. Sherlock Holmes and Dr. Watson traveled the length of Russia solving the most difficult and unimaginable cases and pursued all the while by an implacable Russian Moriarty. Instead of mainly dealing with murders, these stories are more diverse, covering kidnapping, a strange problem in a shop, theft, and corruption.

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There is no way of telling whether any of this is true and, if so, is this how it all took place? Was it the plot that worked?

Conan Doyle’s literary agent was the exceptional A.P. Watt. It is unlikely he would have allowed this. But whatever it was that occurred, a False Sherlock Holmes appeared up and down Europe, especially in Germany. Dime novels became all the rage in Germany and, very quickly, this example of mass culture spread like a tidal wave to Russia.

This is described by Kornei Chukovsky, the classic Russian children’s writer. He was a great fan of English literature and Conan Doyle. In 1916, he was in London, where he met Sir Arthur and even strolled along Baker Street in his company. (Much, much later, in the war years and their aftermath, when there was little or no detective literature in Russia, together with the Soviet publishing house Children’s Literature, Chukovsky popularized Conan Doyle. In 1959, he introduced Sherlock Holmes anew to a fresh generation of readers. He edited and wrote a new introduction to a 623-page collection, Notes About Sherlock Holmes , still in print to this day.)

The success of mass culture was described by Chukovsky in his book, Nat Pinkerton and Contemporary Literature , (St Petersburg, 1908) as a thoroughly unwelcome phenomenon. ‘This invasion, this wave, this flood…. Our intelligentsia suddenly vanished … for the first time in a century our youth had neither “ideas” nor a “programme” … in art, pornography reigns, and in literature, riff-raff have taken over … some primitive has appeared out of nowhere and has swallowed up, in a year or two, our literature and art.’

Chukovsky referred to mass culture as the literature of a multimillion primitives. In 1907, a new deity appeared, namely the Russian equivalent of the American dime novel, which had appeared in 1860 and became particularly popular with the dawn of a new century. These, known as ‘penny novels’ (from the Russian word for grosh, the equivalent of a penny) had come from Germany. They then began their existence in Warsaw (in Polish, Poland being part of the Russian empire) and then, in the autumn of 1907, penetrated the heart of the Russian empire. It all began in September, early October. In that short interval, the first of several detective series appeared: in Petersburg, Pinkerton, Ace Detective , also in Petersburg, a Russian novel in separate parts by an anonymous author, In the Trap of Crime. The Murder of Countess Zaretzkaya ; in Warsaw, a long, sensational novel based on the notes of the famous German agent of the CID, Gaston Rene and also in Germany, Sherlock Holmes; His Sojourn in Germany or The Secret of the Red Mask And, again in Petersburg, a series of forty-eight stories appeared in booklet form under the general title, From the Secret Documents of the Famous Detective Sherlock Holmes.

This new Sherlock Holmes, as Chukovsky so aptly noted, ‘took away from the [original] Sherlock Holmes his violin, threw off his shoulders the last that was left of Childe Harold’s cloak, took away all human emotions and notions, gave him a revolver and said, “Keep on shooting and let there be lots of blood. If you shoot, shoot them dead … you’ll get paid for your heroism. And no need for your Baker Street, get an office.” Kornei Chukovsky’s bitterness was genuine. The False Sherlock Holmes of anonymous writers did not have an iota of the human feelings for which the real Sherlock Holmes was liked so much. But, points out Leonid Borisoff, who wrote Conan Doyle’s biography in Russian, ‘in contradistinction to Nat Pinkerton, the authors of the Holmes stories, sometimes even educated writers, wrote better’.

The success of these penny dreadfuls was phenomenal. For an entire generation of Russian boys, these cheap booklets were the brightest events of their childhood and boyhood. Unsurprisingly, the demand grew to become a phenomenon on a national scale. In 1908, these Russian equivalents of penny dreadfuls increased to unprecedented numbers. Entertainment, the Petersburg publisher, alone issued 3,334,000 copies. It ranked third in the number of publications amongst 140 publishers. In 1908, a book exhibition in St Petersburg maintained that in that year Russia published 12,000,000 of these ‘grosh’ (i.e. penny) booklets. Individual booklets had print runs of 75,000 and even 200,000. And this at a time when the average print run for a book was not above 3,000 copies. Following the first Pinkertons and Sherlock Holmes, there appeared immediately in Russia Nick Carter (the American Sherlock Holmes), Lord Lister (the Police Terror), Jean Lecoq (the first living international detective), Bill Cannon (the famous American Police Inspector), Vidocq (the famous French detective), Harriet Bolton-Wright (woman detective), Treff (Russia’s top detective), Count Stagart (German detective), Ethel King (female Sherlock Holmes), Avno Azeff (anarchist detective), the nameless detective of the Black Hundreds (the notorious anti-Semitic gangs) and many, many others. Their name is legion. Smart publishers and smart writers all used famous detectives and non-detectives, literary heroes and real people, turning them into the heroes of their penny dreadfuls, trying to turn a penny out of a big name. Of course, one of the most popular ‘victims’ of their trade was Sherlock Holmes.

Today, major Russian libraries haven’t a hundredth of all such literature published in Russia. This is why it is impossible to account for the number of Sherlock Holmes series. But from what we know now, of major series (i.e. five or more issues) in 1907–1910 there were more than a score. The most famous, with the greatest number, was N. Alexandroff’s publishing house Entertainment, which was in the vanguard of mass literature and the main supplier of penny dreadfuls. From 5 April 1908 to 3 April 1910, Entertainment published twenty-eight Sherlock Holmes stories, whose combined print run came to 2,261,000 copies.

Some stories were translated or home-made, but whether the authors were Russian or foreign, the action was always abroad. But very soon Russian authors began to display a new method of ‘borrowing’ someone else’s hero. They ‘sent off’ the great Baker Street detective (or was it his ‘double?’) to far-away Russia! What could be simpler! Now Sherlock Holmes speaks Russian fluently and conducts his investigations in different corners of Russia!

It all began on 19 January 1908, when the Petersburg newspaper Stock Exchange News began to publish Sherlock Holmes in Petersburg by an anonymous author. This was followed by three more Holmes’ stories. Their success was to come when they were reprinted as a supplement to Stock Exchange News , being part of the magazine Ogoniok. The first issue (of 23 March) contained Sherlock Holmes in Moscow . The introduction read, in part, ‘The manuscript arrived under somewhat mysterious circumstances. “I am sending Sherlock Holmes in Moscow , a narrative of his Moscow adventures, by registered post”, read the unsigned telegram.’ A later issue carried an indignant letter from Sherlock Holmes to the editorial board of Ogoniok . In it, he demanded that the anonymous author must be stopped. The success of the hoax was palpable. There even arose a case, Sherlock Holmes vs. the Magazine Ogoniok , which many readers accepted as genuine. But S. Propper, the publisher of the magazine, achieved his aim. The popularity of the magazine grew. It also set a precedent. Now it became permissible to ‘transplant’ Sherlock Holmes to Russia and for his services to be commissioned by Russian clients. And so it went on and on….

The poor devil from Baker Street, against his will, covered the length and breadth of Russia! Russian authors ‘despatched’ him to Petersburg, Moscow, Odessa, Baku, Simbirsk, Penza, Novorossiisk, Tomsk, to small provincial towns and even the villages of the vast Russian empire. But, unlike the penny dreadfuls, these nearly always carried the author’s name, sometimes only a pseudonym. And another distinction, now these were not short stories but longer works, novels and even plays. The literary level of these creations was not high, but there were some examples of quality. One example of the latter was Sherlock Holmes in Penza , in the April–May, 1908 issue of Penza News. Another example was From the Memoirs of a Resident of Petersburg , about Sherlock Holmes, containing The Three Emeralds of Countess V.-D ., by someone called N. Mihailovitch. This deals with the unknown circumstances following the epic struggle between Sherlock Holmes and Moriarty, when Holmes disappeared over the waterfall. Mihailovitch tells us, for most of that time, Holmes was in Russia, where he lived as William Mitchell. The plot deals with the mysterious murder which took place in Petersburg. The story was not without a curious addition. It includes the presence of the daughter of Arsene Lupin! This sort of thing did happen frequently enough when the character of one detective novel could become simultaneously Sherlock Holmes and Nat Pinkerton and Nick Carter and Arsene Lupin.

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