Steven Saylor - Catilina's riddle

I considered for a moment, then relented with a nod.

'Thank you, Master,' he said, relieved. 'It's really for the best. Bring Aratus into this, and I'll never hear the end of it. He gets in my way enough as it is.'

'And in my way as well,' I muttered under my breath.

First had come the respite and then the storm, or so I thought, believing that the burning of the hay was disaster enough for one season.

The next morning I rose early, in a good mood despite my troubles. I grabbed a handful of bread and my wax tablet and stylus, and headed for the site of my imaginary water mill. I sketched for a while, but as the day became warmer I grew drowsy. I lay back amid the high grass on the sloping bank. The water rushed and gurgled. Birds twittered overhead. Dappled sunlight played across my closed eyelids, and the same play of cool shadow and warm light delicately caressed my hands and face. Despite the bothers of running a farm, despite having to deal with squabbling slaves, despite the ill will of the Claudii, life was quite good, very good. What had I to complain of really? Other men had lived much harder lives than I had, and had nothing to show for it.

Others had more to show, but to what ends had they gone to acquire it? I was an honest man at peace with the gods, I told myself and as much at peace with other men as a free man could expect to be in such times.

The late-morning warmth was delicious. I felt utterly relaxed, as if my body glowed contentment from within. My thoughts drifted to Bethesda. Three nights of lovemaking in a row! We had not had such an appetite for each other in years. Perhaps it was another benefit of country living. In my new surroundings I had certainly never been tempted to stray from her. There was not even a pretty slave girl on the farm — Bethesda had quietly seen to that — and my neighbours offered no distractions in that vein. What sort of erotic life did Claudia lead, I idly wondered, and then killed the thought stillborn, as I did not really care to know. Ah, Bethesda…

I recalled a particular instant of our lovemaking, a specific sensation, and smiled, doting on the memory. What had set off the sparks between us? Ah, yes, the visit from young Marcus Caelius with his stylish beard and his elegant tongue. I found myself contemplating his face, and found the image not unpleasant. He was quite handsome, after all, if in a wily sort of way. Too wily for such a young man. Catilina liked to surround himself with good-looking young men, as everyone knew; a lascivious mind might well imagine just how young Caelius had managed to insinuate himself so firmly into Catilina's confidence. What would happen if I allowed Catilina himself to visit the farm, as Caelius desired? What sort of effect would that have on Bethesda? Catilina was well into his forties, barely younger than I, but he was famous for having the energy of a man half his age. And for all the insults that had been hurled at him, no one had ever called him ugly. In his own way he was as good-looking as Marcus Caelius, or had been once, for I had not seen him close at hand in many years. Beauty is beauty no matter what the gender. Beauty brings universal pleasure to the eye…

These thoughts unfurled and my imagination drifted into a worid of pure flesh, as I find often happens just before sleep. All the words poured from my head like water through open fingers. I lay upon the grass, content to be an animal warmed by the sun, my head full of animal thoughts.

And then I heard my daughter calling me.

I sat up — with a start, because there was no plafulness in her voice, but instead an unfamiliar urgency.

She called to me again, from quite near, and then she appeared over the verge of the hill and came running down to me, her tiny sandals slipping on the lush grass. I blinked and shook my head, not quite fully awake.

'Diana, what is it?'

She slid onto her bottom beside me, gasping for breath. 'Papa, you must come!'

'What is it? What's wrong?'

'A man, Papa!'

‘A man? Where?'

'He's in the stable.'

'Oh, not another visitor!' I groaned.

'No, not a visitor,' she said, sucking in a deep breath and then frowning thoughtfully. Later I would wonder how she stayed so calm, so serious. Why did she run to me and not to her mother? How did she keep from screaming after what she had seen? It was my blood in her, I decided, the blood of the ever-curious, ever-deliberating, dispassionate Finder.

'Well, then, who is this man?'

'I don't know, Papa!'

'A stranger?'

She shrugged elaborately and stuck out her arms. 'I'm not sure.' ‘What do you mean? Either you know the man or you don't' 'But, Papa. I can't tell whether I know him or not!' 'And why not?' I said, exasperated. 'Because, Papa, the poor man has no head!'

The body lay upon its back in an empty horse stall How it had arrived there — dropped, dragged, or rolled — could not be told, because the straw all around it had been deliberately disturbed and then patted down; this I could tell from the fact that bits of straw had been littered onto the body itself indicating that the disturbance of the straw had occurred after the arrival of the corpse. Nor were there any footprints or other signs to indicate how the body had come to be in the stable. For all I could tell, it might have grown out of the earth like a mushroom.

It had, as Diana had observed, no head, but all its limbs and digits were intact, as were its private parts. This I could tell at a glance, for the body was naked.

I looked down at Diana, who stared at the corpse with her mouth slightly open. I think she might have seen a dead body before, perhaps in a funeral procession in Rome, but she had never seen a headless one. I put my hand on her head and gently turned her around to face me. I squatted down and held her by her shoulders. She trembled slightly.

'How did you come to find him, Diana?' I said, keeping my voice low and even.

'I was hiding from Meto. Only Meto wouldn't play with me, so I took one of his silly little soldiers and went to hide it'

'Little soldiers?'

She turned and ran to a corner of the stall. She reached down for something in the straw, darted a wary glance at the corpse, then hurried back. She held out her hand, which cradled a little bronze figure of a Carthaginian warrior with a bow and arrow. It was from the board game called Elephants and Archers. After he was elected consul, Cicero had handed out specially minted sets of the game to dozens of guests at one of his celebrations. I had passed the gift along to Meto, who treasured it.

'I might have taken one of the little elephants, but I knew that would make him even: angrier,' she said, as if the distinction were important for her defence.

I took the bronze archer from Diana and nervously fingered it. 'You came to the stable alone, then?'

'Yes, Papa.’

'Was no one else here?' 'No, Papa.'

The stablehands, I recalled, were up at the northern end of the farm helping Aratus repair a broken section of the wall. Aratus had asked me the night before for specific permission to take them away from their usual tasks. They had fed and watered the horses at daybreak and then gone off to work before the day became too hot. If they had seen the body, they certainly would have informed me. The body had appeared after daybreak, then — but that seemed impossible. Who could have smuggled a body into the stable in daylight? Perhaps, lying low as it did amid the straw in an empty stall, it had simply been overlooked.

But I was getting ahead of myself. I didn't even know who the man was, or had been, or how he had died.

'Whom else did you tell, Diana?'

'I ran straight to you, Papa.'

'Good. Here, let's step away, back towards the door.' 'Shouldn't we cover him up?' said Diana, looking over her shoulder.