Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Then he seated himself in a satin-upholstered armchair by the window and folded his arms expectantly just below his silver watch chain.

‘Impossible!’ cried Renate, clutching involuntarily at her belly.

Lieutenant Renier leapt to his feet.

The ginger baronet began chortling and applauding demonstratively.

Professor Sweetchild gulped convulsively and removed his glasses.

Clarissa Stamp froze with her fingers pressed against the agate brooch on her soft collar.

Not a single muscle twitched in the face of the Japanese, but the polite smile instantly disappeared.

The doctor grabbed his wife by the elbow forgetting to translate the most important thing of all, but to judge from the frightened expression in her staring eyes, Mrs Truffo had guessed for herself.

The Russian diplomat asked quietly:

“What reasons do you have for this assertion?’

‘My presence here,’ the commissioner replied imperturbably, ‘is explanation enough. There are other considerations, but there is no need for you to know about them … Well then’ there was a clear note of disappointment in the policeman’s voice - ‘I see that no one is about to swoon and cry out: “Arrest me, I killed them!” But of course, I was not really counting on that. So listen to me.’ He raised a stubby finger in warning. ‘None of the other passengers must be told about this.

And it is not in your interests to tell them - the rumour would spread instantly and people would start treating you like lepers.

Do not attempt to transfer to a different saloon - that will merely increase my suspicion. And you will not be able to do it; I have an arrangement with the captain.’

Renate began babbling in a trembling voice.

‘Darling M. Gauche, can you not at least spare me this nightmare?

I am afraid to sit at the same table as a murderer. What if he sprinkles poison in my food? I shan’t be able to swallow a single morsel now. You know it’s dangerous for me to be worried.

I won’t tell anyone, anyone at all, honestly!’

‘My regrets, Mme Kleber,’ the sleuth replied coolly, ‘but there can be no exceptions. I have grounds to suspect every person here, and not least of all you.’

Renate threw herself against the back of her chair with a weak moan and Lieutenant Renier stamped his foot angrily.

‘You take too many liberties, monsieur … Investigator for Especially Important Cases! I shall report everything to Captain Cliff immediately.’

‘Go right ahead,’ said Gauche indifferently. ‘But not just at this moment, a bit later. I haven’t quite finished my little speech.

So, as yet I do not know for certain which of you is my client, but I am close, very close, to my goal.’

Renate expected these words to be followed by an eloquent glance and she strained her entire body forward in anticipation, but no, the policeman was looking at his stupid pipe. He was probably lying and didn’t have his eye on anyone in particular.

‘You suspect a woman, it’s obvious!’ exclaimed Miss Stamp with a nervous flutter of her hands. ‘Otherwise why would you be carrying around a newspaper article about some Marie Sanfon? Who is this Marie Sanfon? And anyway, it doesn’t matter who she is. It’s plain stupid to suspect a woman! How could a woman ever be capable of such brutality!’

Mrs Truffo rose abruptly to her feet, ready to rally to the banner of female solidarity.

‘We shall speak of Mile Sanfon on some other occasion,’ the detective replied, looking Clarissa Stamp up and down. ‘I have plenty of these little articles and each of them contains its own version of events.’ He opened his file and rustled the newspaper clippings. There must have been several dozen of them. ‘Very well, mesdames et messieurs, I ask you please not to interrupt me any more!’ The policeman’s voice had turned to iron. ‘Yes, there is a dangerous criminal among us. Possibly a psychopath.’

(Renate noticed the professor quietly shift his chair away from Sir Reginald.) ‘Therefore I ask you all to be careful. If you notice something out of the ordinary, even the very slightest thing, come to me immediately. And it would be best, of course, if the murderer were to make a full and frank confession. There is no escape from here in any case. That is all I have to say.’

Mrs Truffo put her hand up like a pupil in school.

‘In fact I have seen something extraordinary only yesterday! A charcoal-black face, it was definitely not human, looked in at me from outside while I was in our cabin! I was so scared!’ She turned to her other half and jabbed him with her elbow: ‘I told you, but you paid no attention!’

‘Oh,’ said Renate with a start, ‘and yesterday a mirror in a genuine tortoiseshell frame disappeared from my toiletry set.’

Monsieur the Lunatic apparently also had something to report, but before he had a chance the commissioner slammed his file shut.

‘Do not try to make a fool of me! I am an old bloodhound.

You won’t throw Gustave Gauche off the scent. If necessary I shall have every one of you put ashore and we will deal with each of you separately. Ten people have been killed, this is not a joke. Think, mesdames et messieurs, think!’

He left the saloon, slamming the door loudly behind him.

‘Gentlemen, I am not feeling well,’ Renate declared in a weak voice. ‘I shall go to my cabin.’

‘I shall accompany you, Mme Kleber,’ said Charles Renier, immediately leaping to her side. ‘This is simply intolerable! Such incredible insolence!’

Renate pushed him away.

‘No thank you. I shall manage quite well on my own.’

She walked unsteadily across the room and leaned against the wall by the door for a moment. In the corridor, which was empty, her stride quickened. Renate opened her cabin and went inside, took a travelling bag out from under the bed and thrust a trembling hand in under its silk lining. Her face was pale but determined. In an instant her fingers had located a small metal box.

Inside the box, glittering with cold glass and steel, lay a syringe.

Clarissa Stamp

Things had begun to go wrong first thing in the morning, when Clarissa quite distinctly spotted two new wrinkles in the mirror - two fine, barely visible lines running from the corners of her eyes to her temples. It was all the sun’s fault. It was so bright here that no parasol or hat could save you. Clarissa spent a long time inspecting herself in that pitiless polished surface and stretching her skin with her fingers, hoping it might be the way she’d slept and it would smooth out. Just as she finished her inspection, she turned her neck and spotted a grey hair behind her ear. That really made her feel glum. Might that perhaps be the sun’s fault too? Did hairs fade? Oh no, Miss Stamp, no point in deceiving yourself. As the poet said:

November’s chill breath trimmed her braids with silver,
Whispering that youth and love were lost forever.

She took greater pains than usual with her appearance. That grey hair was mercilessly plucked out. It was stupid, of course.

Wasn’t it John Donne who said the secret of female happiness was knowing when to make the transition from one age to the next, and there were three ages of woman: daughter, wife and mother? But how could she progress from the second state to the third, when she had never been married?

The best cure for thoughts like that was a walk in the fresh air, and Clarissa set out to take a turn round the deck.

Huge as Leviathan was, it had long since been measured out in her leisurely, even paces - at least the upper deck, which was intended for the first-class passengers. The distance round the perimeter was 355 paces. Seven and a half minutes, if she didn’t pause to admire the sea or chat with casual acquaintances.

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