Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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“Why do you start back like that, sir?’ she babbled in a quavering voice. ‘Don’t be afraid, pregnancy is not infectious.’ Then she concluded, no longer quavering: ‘At least not for men.’

The Lunatic cast her a glance of withering scorn that shattered against the serenely radiant glance opposed to it. Lieutenant Renier concealed a smile behind his hand, the rentier chuckled. Even the Japanese raised a smile at Renate’s prank.

Of course, this M. Aono was always smiling, even when there was absolutely no reason for it. Perhaps for the Japanese a smile was not an expression of merriment at all, but indicated something quite different. Boredom, perhaps, or repugnance.

When he had finished smiling, M. Aono disgusted his neighbours at table by playing his usual trick: he took a paper napkin out of his pocket, blew his nose into it loudly, crumpled it up and deposited it neatly on the edge of his dirty plate. A fine ikebana arrangement for them to contemplate. Renate had read about ikebana in one of Pierre Loti’s novels and the aura of the word had stuck in her memory. It was an interesting idea - composing bouquets of flowers not simply to look nice, but with a philosophical meaning. She would have to try it some time.

‘What flowers do you like?’ she asked Dr Truffo.

He translated the question to his English jade, then replied: ‘Pansies.’

Then he translated his reply into English as well.

“I just adore flowers!’ exclaimed Miss Stamp (what an impossible ingenue!). ‘But only live ones. I love to walk across a flowering meadow! My heart simply breaks when I see poor cut flowers wither and drop their petals! That’s why I never allow anyone to give me bouquets.’ And she cast a languid glance at the handsome young Russian.

What a shame, otherwise absolutely everyone would be tossing bouquets at you, thought Renate, but aloud she said: ‘I believe that flowers are the crowning glories of God’s creation and I think trampling a flowering meadow is a crime.’

‘In the parks of Paris it is indeed considered a crime,’ M. Gauche pronounced solemnly. ‘The penalty is ten francs. And if the ladies will permit an old boor to light up his pipe, I will tell you an amusing little story on the subject.’

‘O, ladies, pray do indulge us!’ cried the owlish Indologist Sweetchild, wagging his beard a la Disraeli. ‘M. Gauche is such a wonderful raconteur!’

Everyone turned to look at the pregnant Renate, on whom the decision depended, and she rubbed her temple as a hint. Of course, she did not have the slightest trace of a headache - she was simply savouring the sweetness of the moment. However, she too was curious to hear this ‘little story’, and so she nodded her head with a pained expression and said:

‘Very well, smoke. But then someone must fan me.’

Since bitchy Clarissa, the owner of a luxurious ostrich-feather fan, pretended this remark did not apply to her, the Japanese had to fill the breach. Gintaro Aono seated himself beside Renate and set to work, flapping his bright fan with the butterfly design in front of the long-suffering woman’s nose so zealously that the bright kaleidoscope rapidly make her feel genuinely giddy. The Japanese received a reprimand for his excessive fervour.

Meanwhile the rentier drew on his pipe with relish, puffed out a cloud of aromatic smoke and embarked on his story: ‘Believe it or not as you wish, but this is a true story. There was once a gardener who worked in the Luxembourg Gardens, little papa Picard. For forty years he had watered the flowers and pruned the shrubs, and now he had only three years to go until he retired and drew his pension. Then one morning, when little papa Picard went out with his watering can, he saw a swell dolled up in a white shirt and tails sprawling in the tulip bed. He was stretched out full length, basking in the morning sunshine, obviously straight from his nocturnal revels - after carousing until dawn, he had dozed off on the way home.’

Gauche screwed up his eyes and surveyed his audience with a sly glance. ‘Picard, of course, was furious - his tulips were crushed - and he said: “Get up, monsieur, in our park lying in the flower beds is not allowed! We fine people for it, ten francs.”

The reveller opened one eye and took a gold coin out of his pocket. “There you are, old man,” he said, “now leave me in peace. I haven’t had such a wonderful rest in ages.” Well, the gardener took the coin, but he did not go away. “You have paid the fine, but I have no right to leave you here, monsieur. Be so good as to get up.” At this the gentleman in the tails opened both eyes, but he seemed in no haste to rise. “How much do I have to pay you to get out of my sun? I’ll pay any amount you like if you’ll just stop pestering me and let me doze for an hour.”

Old papa Picard scratched his head and moved his lips while he figured something out. “Well then, sir,” he said eventually, “if you wish to purchase an hour’s rest lying in a flower bed in the Luxembourg Gardens, it will cost you eighty-four thousand francs and not a single sou less.” ‘ Gauche chuckled merrily into his grey moustache and shook his head, as if in admiration of the gardener’s impudence. ‘ “And not a single sou less,” he said, so there! And let me tell you that this tipsy gentleman was no ordinary man, but the banker Laffitte himself, the richest man in the whole of Paris. Laffitte was not in the habit of making idle promises: he had said “any amount” and now he was stuck with it. As a banker it would have been shameful for him to back down and break his word. Of course, he didn’t want to give away that kind of money to the first impudent rogue he met for a mere how-d’ye-do. But what could he do about it?’

Gauche shrugged, mimicking a state of total perplexity. ‘Then suddenly Laffitte ups and says: “Right, you old scoundrel, you’ll get your eighty-four thousand, but only on one condition. You prove to me that lying for an hour in your rotten flower bed is really worth the money. And if you can’t prove it, I’ll get up this very moment and give your sides a good drubbing with my cane, and that act of petty hooliganism will cost me a forty franc administrative fine.” ‘ Crazy Milford-Stokes laughed loudly and ruffled up his ginger mane in approval, but Gauche raised a yellow-stained finger, as if to say: don’t be so hasty with your laughter, it’s not the end yet. ‘And what do you think happened, ladies and gentlemen? Old papa Picard, not put out in the slightest, began drawing up the balance: “In half an hour, at precisely eight o’clock, monsieur le directeur of the park will arrive, see you in the flower bed and start yelling at me to get you out of there. I shall not be able to do that, because you will have paid for a full hour, not half an hour. I shall get into an argument with monsieur le directeur, and he will kick me out of my job with no pension and no severance pay. I still have three years to go before I retire and take the pension due to me, which is set at one thousand two hundred francs a year. I intend to live at my ease for twenty years, so altogether that makes twenty-four thousand francs already. Now for the matter of accommodation.

They will throw me and my lady wife out of our municipal apartment. And then the question is - where are we going to live? We shall have to buy a house. Any modest little house somewhere in the Loire region will run to twenty thousand at least. Now, sir, consider my reputation. Forty years I’ve slaved away loyally in this park and anyone will tell you that old papa Picard is an honest man. Then suddenly an incident like this brings shame on my old grey head. This is bribery, this is graft! I think a thousand francs for each year of irreproachable service would hardly be too much by way of moral compensation. So altogether it comes out at exactly eighty-four thousand.” Laffitte laughed, stretched himself out a bit more comfortably in the flower bed and closed his eyes again. “Come back in an hour, you old monkey,” he said, “and you’ll be paid.” And that is my wonderful little story, ladies and gentlemen.’

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