Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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At this early hour there were none of her acquaintances on deck, and Clarissa completed her promenade along the starboard side of the ship unhindered, all the way to the stern. The ship was ploughing a smooth path through the brownish surface of the Red Sea and a lazy grey furrow extended from its powerful propeller right out to the horizon. Oh, but it was hot!

Clarissa looked enviously at the sailors polishing up the copper fittings one level below. Lucky beasts, in nothing but their linen trousers - no bodice, no bloomers, no stockings with tight garters, no long dress. You couldn’t help envying that outrageous Mr Aono, swanning about the ship in his Japanese dressing gown, and no one in the least bit surprised because he was an Oriental.

She imagined herself lying in a canvas deckchair with absolutely nothing on. No, she could be in a light tunic, like a woman in Ancient Greece. And it was perfectly normal. In a hundred years or so, when the human race finally rid itself of prejudice, it would be absolutely natural.

There was Mr Fandorin riding towards her with a squeak of rubber tyres on his American tricycle. They did say that kind of exercise was excellent for developing the elasticity of the muscles and strengthening the heart. The diplomat was dressed in a light sports outfit: check pantaloons, gutta-percha shoes with gaiters, a short jacket and a white shirt with the collar unbuttoned.

His bronze-tanned face lit up in a friendly smile of greet ing. Mr Fandorin politely raised his cork helmet and went rustling by. He did not stop.

Clarissa sighed. The idea of a stroll had been a failure, all she had succeeded in doing was to soak her underwear with perspiration. She had to go back to her cabin and change.

Breakfast had been spoiled for Clarissa by that poseuse Mme Kleber. What an incredible ability to transform her own weakness into a means of exploiting others! At the precise moment when the coffee in Clarissa’s cup had cooled to the required temperature, that unbearable Swiss woman had complained that she felt stifled and asked for someone to loosen the bodice of her dress. Clarissa usually pretended not to hear Renate Kleber’s whinges and some male volunteer was always found, but a man was clearly not suitable for such a delicate task, and as luck would have it Mrs Truffo was not there - she was helping her husband attend to some lady who had fallen ill. Apparently the tedious creature had previously worked as a nurse. What remarkable social climbing, straight up to the wife of the senior doctor and dining in first class! And she tried to act like a real British lady, but overdid it rather.

Anyway, Clarissa had been forced to fiddle with Mme Kleber’s lacing, and in the meantime her coffee had gone completely cold. It was a trivial matter, of course, but it was that Kleber woman to an absolute T.

After breakfast she went out for a walk, did ten circuits and began feeling tired. Taking advantage of the fact that there was no one nearby she peeped cautiously in at the window of cabin No. 18. Mr Fandorin was sitting at the secretaire, wearing a white shirt with red, white and blue braces, a cigar clenched in the corner of his mouth. He was tapping terribly loudly with his fingers on a bizarre black apparatus made of iron, with a round roller and a large number of keys. Clarissa was so intrigued that she let her guard down and was caught red-handed. The diplomat jumped to his feet, bowed, threw on his jacket and came across to the open window.

‘It’s a Remington t-typewriter,’ he explained. ‘The very latest model, only just on sale. A most c-convenient device, Miss Stamp, and quite light. Two porters can carry it with no difficulty.

Quite indispensable on a journey. You see, i am p-practising my stenography by copying out a piece of Hobbes.’

Still red with embarrassment, Clarissa nodded slightly and walked away, then sat down under a striped awning close by.

There was a fresh breeze blowing. She opened La Chartreuse de Panne and began reading about the selfless love of the beautiful but ageing duchess Sanseverina for the youthful Fabrice del Dongo. Moved to shed a sentimental tear, she wiped it away with her handkerchief, and as if by design, at that very moment, Mr Fandorin emerged onto the deck, wearing a white suit with a broad-brimmed panama hat and carrying a cane. He looked exceptionally handsome.

Clarissa called to him. He approached, bowed and sat down beside her. Glancing at the cover of her book, he said: ‘I am willing to b-bet that you skipped the description of the Battle of Waterloo. A pity - it is the finest passage in the whole of Stendhal. I have never read a more accurate description of war.’

Strangely enough, Clarissa was indeed reading La Chartreuse de Parme for the second time and both times she had simply leafed through the battle scene.

‘How could you tell?’ she asked curiously. ‘Are you a clairvoyant?’

‘Women always miss out the battle episodes,’ said Fandorin with a shrug. ‘At least women of your temperament.’

‘And just what is my temperament?’ Clarissa asked in a wheedling voice, feeling that she cut a poor figure as a coquette.

‘An inclination to view yourself sceptically and the world around you romantically.’ He looked at her, his head inclined slightly to one side. ‘And specifically concerning yourself I can say that recently there has been some kind of sudden change for the b-better in your life and that you have suffered some k-kind of shock.’

Clarissa started and glanced at her companion in frank alarm.

‘Don’t be frightened,’ the astonishing diplomat reassured her.

‘I know absolutely nothing about you. It is simply that I have developed my powers of observation and analysis with the help of special exercises. Usually a single insignificant detail is enough for me to recreate the entire p-picture. Show me a charming button like that (he pointed delicately to a large, ornamental pink button on her jacket) and I will tell you immediately who lost it - a very big pig or a very small elephant.’

Clarissa smiled and asked:

‘And can you see right through absolutely everybody?’

‘Not right through, but I do see a lot. For instance, what can you tell me about that gentleman over there?’

Fandorin pointed to a thickset man with a large moustache observing the shoreline through a pair of binoculars.

‘That’s Mr Babble, he’s …’

‘Stop there!’ said Fandorin, interrupting her. ‘I’ll try to guess myself.’

He looked at Mr Babble for about 30 seconds, then said: ‘He is travelling to the East for the first time. He married recently. A factory owner. Business is not going well, there is a whiff of imminent bankruptcy about this gentleman. He spends almost all his time in the billiard room, but he plays badly.’

Clarissa had always prided herself on being observant and she began inspecting Mr Babble, the Manchester industrialist, more closely.

A factory owner? Well, that was possible to guess. If he was travelling first class, he must be rich. It was clear from his face that he was no aristocrat. And he didn’t look like a businessman either, in that baggy frock coat, and his features lacked animation.

All right then.

Recently married? Well, that was simple enough - the ring on his third finger gleamed so brightly it was obvious straightaway that it was brand new.

Plays billiards a lot? Why was that? Aha, his jacket was smeared all over with chalk.

‘What makes you think that Mr Babble is travelling to the East for the first time?’ she asked. ‘Why is there a whiff of bankruptcy about him? And what is the basis for your assertion that he is a poor billiards player? Perhaps you have been there and seen him play?’

‘No, I have not been in the b-billiard room, because I cannot stand pastimes that involve gambling, and I have never laid eyes on this gentleman before,’ Fandorin replied. ‘It is evident that he is travelling this way for the first time from the stubborn persistence with which he is studying the empty shoreline. Otherwise Mr Babble would be aware that he will not see anything of interest on that side until we reach the Strait of Mandeb. That is one. This gentleman’s business affairs must be going very badly, otherwise he would never have embarked on such a long journey, especially so soon after his wedding. A badger like that might leave his set if the end of the world is nigh, but certainly not before. That is two.’

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