Tana French: The Trespasser

All of which is why Steve was the one ringing his contact for Lucy Riordan’s info. You pick up useful pals along the way, for moments when an official request would take too long, and a few months back I was making nice with this kid who worked for Vodafone; until one day I rang him to find out who owned a mobile number, and he stammered and dodged and tied himself in knots and couldn’t get off the phone fast enough. I didn’t bother asking for explanations. I already knew; not the details, like who had got onto him or what they had threatened him with, but enough. So Steve rings the mobile companies when we need info, and Steve runs interviews when I’m too wired to trust myself. And I keep telling myself those fuckers will never get to me.

My voicemail message is from Breslin, of course; lucky me. ‘Conway. Hi.’ Breslin has a good voice – deep, smooth, the newsreader accent that tells you Mummy and Daddy forked out for school fees to make sure he wouldn’t have to meet people like me and Steve – and does he know it. I think he fantasises about doing movie-trailer voiceovers that start ‘In a world…’ ‘Good to be working with you guys. We need to touch base as soon as possible; give me a bell when you get this. I’ll head down to the crime scene, take a quick look-see at what we’ve got. If we don’t cross paths there, I assume we’ll have talked by the time I’m done. We’ll take it from there.’ Click.

Steve shoots me finger-guns and a wink. ‘Yeahhh, baby. Touch my base.’

I snort before I can stop myself. ‘You know what it feels like? It feels like he’s sticking his tongue right out of the phone down your ear.’

‘And he’s positive it just made your day.’

We’re snickering like a pair of kids. Breslin brings it out in us; he takes himself so seriously you’re never gonna live up to it, so we don’t try. ‘Because before he rang you, he spritzed the good eau de cologne on his magic tongue. Just for you.’

‘I feel all special now,’ Steve says, hand on heart. ‘Don’t you feel special?’

‘I feel like I should’ve brought my ear lube,’ I say. ‘What’ll keep him out of our hair for another while?’

‘Incident room?’ Which isn’t a bad idea all round: someone needs to nab us an incident room, and Breslin will get one of the good ones with an actual whiteboard and enough phone lines, while me and Steve would get dumped with the two-desk shithole that used to be the locker room and still smells like it. ‘But nothing’s going to keep him away for long. In fairness, the interviews are why the gaffer has him on board; he’s going to want to be there for them.’

‘Don’t be giving me “in fairness”. I’m not in the humour to be fair to bloody Breslin.’ Actually, I’m in a better mood; I needed that laugh. ‘Incident room is good. We’ll go with that.’

‘Don’t be biting his head off,’ Steve warns me.

‘I’m not gonna bite his head off. Why shouldn’t I bite his head off, if I feel like it?’ Breslin isn’t one of the worst by a long shot – mostly he ignores the pair of us – but that doesn’t mean I have to like him.

‘Because we’re stuck with him? Because that’ll be a lot harder if he’s in a fouler with us from the start?’

‘You can smooth him down. Stick your tongue in his ear.’

I ring Breslin’s voicemail again – if I have to deal with Breslin, phone tag is the ideal way to do it – and leave him a message back. ‘Breslin, Conway here. Looking forward to working with you.’ I shoot Steve an eyebrow: See, I can do nice . ‘We’re going to pick up the guy who was due at the vic’s house for dinner and bring him back to base for the interview. Could you meet us there? We’d really value your angle on this one.’ Steve mimes a blowjob; I give him the finger. ‘On the way to his place we’re going to have a quick chat with the vic’s best friend, in case there’s anything we should know. Can you use that time to set us up with an incident room, since you’ll be heading back to the squad anyway? Thanks. See you there.’

I hang up. ‘See?’ I say to Steve.

‘That was gorgeous. If you’d put in a kiss at the end, it would’ve been perfect.’

‘Funny guy.’ I want to get going. The bare trees feel lower, closer, like while I was focusing on Breslin they grabbed their chance to move in around us. ‘Let’s find out what kind of crap floaters they’ve dumped on us.’

Steve is already dialling. Bernadette the admin gives him numbers for our floaters – six of them: O’Kelly pulled out all the stops there. A couple of them are good guys, useful; at least one isn’t. If we want more, we’re gonna have to fill out requests in triplicate, explain why we can’t do our own dirty work, and generally sit up and beg like a pair of poodles.

Later on we’ll have the first case meeting: me and Steve and Breslin and all the floaters in the incident room, everyone taking notes while I give a rundown of the case and we assign jobs. There’s stuff that needs doing fast, though, no time to wait. Steve sends two of our lucky floaters to do a preliminary door-to-door on Viking Gardens, find out what everyone knows about Aislinn Murray and what they saw and heard last night, and another two to pull all the local CCTV footage they can get, before anyone records over it. Meanwhile I send the last two off to get Rory Fallon’s address, find out if he’s home, sit on the house if he is, track him if he goes anywhere, and try to be discreet about the whole thing. They could just bring him in straightaway, but my plans don’t include Breslin spotting him in the corridors and deciding to do me and Steve a favour by getting a confession before we even make it back to the squad. Breslin rings me back; I let it go to voicemail.

The chewed-up night-shift look on Steve gives me some idea what I look like, so before we head for Lucy Riordan’s place we do a fast reboot: brush wrinkles out of our jackets and night-food crumbs off our shirts, Steve combs his hair, I take down what’s left of my bun and pull it back smooth and tight again. I don’t do makeup on the job, but the slice of me in the rear-view mirror seems decent enough. On a good day I look good, and on a bad day you’d still notice me. I take after my da, or I assume I do: I got the height from my ma, but not the thick shiny black hair, or the cheekbones, or the skin that’s never gonna need fake tan. I wear good suits, stuff that’s cut right and works with my shape – long and strong – and anyone who thinks I should be schlepping around in a sack to protect him from his own bad thoughts can fuck himself. The stuff people think I should try to hide – being tall, being a woman, being half whatever – is the stuff I keep up front and in their faces. If they can’t handle it, I can use that.

‘Yeah?’ Steve says, pointing at himself.

He looks like his mammy spit-shined him for Mass, but he plays that up on purpose. You use what you’ve got, and what Steve’s got is that your parents would be delighted if you brought him home. ‘Have to do,’ I say, readjusting the mirror. ‘Let’s go.’

I hit the pedal hard and let the Kadett pretend it’s a real car while it gets us out of there. I get a sudden nasty feeling like the trees behind us have snapped together and come down, with a silent roar and a smash of branches, onto the spot where we were parked.

Lucy Riordan lives in one of those tall old terraced houses split into flats. A lot of those are shitholes, but hers looks OK: the front garden’s been weeded, the window-frames have been painted in the last decade, and there are six bells by the door instead of a dozen, meaning the landlord isn’t jamming people into nine-foot-square bedsits and making them all share a jacks.