Dick Francis: In the Frame

‘And could you tell us what exactly was stolen?’

‘Silver. Paintings.’

‘Who were the paintings by?’

Donald shook his head and began to look even paler.

‘Could you tell us how much they were worth?’

After a pause Don said ‘I don’t know.’

‘Were they insured?’

‘Yes.’

‘How many bedrooms are there in your house?’

‘What?’

‘How many bedrooms?’

Donald looked bewildered. ‘I suppose... five.’

‘Do you think you could tell us anything about your wife? About her character, and about her job? And could you let us have a photograph?’

Donald couldn’t. He shook his head and said ‘I’m sorry,’ and turned and walked steadily away upstairs.

‘That’s all,’ Frost said with finality.

‘It’s not much,’ they grumbled.

‘What do you want? Blood?’ Frost said, opening the front door and encouraging them out. ‘Put yourselves in his position.’

‘Yeah,’ they said cynically; but they went.

‘Did you see their eyes?’ I said. ‘Sucking it all in?’

Frost smiled faintly. ‘They’ll all write long stories from that little lot.’

The interview, however, produced to a great extent the desired results. Most of the cars departed, and the rest, I supposed, would follow as soon as fresher news broke.

‘Why did they ask about the bedrooms?’ I said.

‘To estimate the value of the house.’

‘Good grief.’

‘They’ll all get it different.’ Frost was near to amusement. ‘They always do.’ He looked up the stairs in the direction Donald had taken, and, almost casually, said ‘Is your cousin in financial difficulties?’

I knew his catch-them-off-guard technique by now.

‘I wouldn’t think so,’ I said unhurriedly. ‘You’d better ask him.’

‘I will, sir.’ He switched his gaze sharply to my face and studied my lack of expression. ‘What do you know?’

I said calmly, ‘Only that the police have suspicious minds.’

He disregarded that. ‘Is Mr Stuart worried about his business?’

‘He’s never said so.’

‘A great many middle-sized private companies are going bankrupt these days.’

‘So I believe.’

‘Because of cash flow problems,’ he added.

‘I can’t help you. You’ll have to look at his company’s books.’

‘We will, sir.’

‘And even if the firm turns out to be bust, it doesn’t follow that Donald would fake a robbery.’

‘It’s been done before,’ Frost said dryly.

‘If he needed money he could simply have sold the stuff,’ I pointed out.

‘Maybe he had. Some of it. Most of it, maybe.’

I took a slow breath and said nothing.

‘That wine, sir. As you said yourself, it would have taken a long time to move.’

‘The firm is a limited company,’ I said. ‘If it went bankrupt, Donald’s own house and private money would be unaffected.’

‘You know a good deal about it, don’t you?’

I said neutrally, ‘I live in the world.’

‘I thought artists were supposed to be unworldly.’

‘Some are.’

He peered at me with narrowed eyes as if he were trying to work out a possible way in which I too might have conspired to arrange the theft.

I said mildly, ‘My cousin Donald is an honourable man.’

‘That’s an out of date word.’

‘There’s quite a lot of it about.’

He looked wholly disbelieving. He saw far too much in the way of corruption, day in, day out, all his working life.

Donald came hesitantly down the stairs and Frost took him off immediately to another private session in the kitchen. I thought that if Frost’s questions were to be as barbed as those he’d asked me, poor Don was in for a rough time. While they talked I wandered aimlessly round the house, looking into storage spaces, opening cupboards, seeing the inside details of my cousin’s life.

Either he or Regina had been a hoarder of empty boxes. I came across dozens of them, all shapes and sizes, shoved into odd corners of shelves or drawers: brown cardboard, bright gift-wrap, beribboned chocolate boxes, all too potentially useful or too pretty to be thrown away. The burglars had opened a lot but had thrown more unopened on the floor. They must, I thought, have had a most frustrating time.

They had largely ignored the big sunroom, which held few antiques and no paintings, and I ended up there sitting on a bamboo armchair among sprawling potted plants looking out into the windy garden. Dead leaves blew in scattered showers from the drying trees and a few late roses clung hardily to thorny stems.

I hated autumn. The time of melancholy, the time of death. My spirits fell each year with the soggy leaves and revived only with crisp winter frost. Psychiatric statistics proved that the highest suicide rate occurred in the spring, the time for rebirth and growth and stretching in the sun. I could never understand it. If ever I jumped over a cliff, it would be in the depressing months of decay.

The sunroom was grey and cold. No sun, that Sunday.

I went upstairs, fetched my suitcase, and brought it down. Over years of wandering journeys I had reversed the painter’s traditional luggage: my suitcase now contained the tools of my trade, and my satchel, clothes. The large toughened suitcase, its interior adapted and fitted by me, was in fact a sort of portable studio, containing besides paints and brushes a light collapsible metal easel, unbreakable containers of linseed oil and turpentine, and a rack which would hold four wet paintings safely apart. There were also a dust sheet, a large box of tissues, and generous amounts of white spirit, all designed for preventing mess and keeping things clean. The organisation of the suitcase had saved and made the price of many a sandwich.

I untelescoped the easel and set out my palette, and on a middling-sized canvas laid in the beginnings of a melancholy landscape, a mixture of Donald’s garden as I saw it, against a sweep of bare fields and gloomy woods. Not my usual sort of picture, and not, to be honest, the sort to make headline news a century hence; but it gave me at least something to do. I worked steadily, growing ever colder, until the chillier Frost chose to depart; and he went without seeing me again, the front door closing decisively on his purposeful footsteps.

Donald, in the warm kitchen, looked torn to rags. When I went in he was sitting with his arms folded on the table and his head on his arms, a picture of absolute despair. When he heard me he sat up slowly and wearily, and showed a face suddenly aged and deeply lined.

‘Do you know what he thinks?’ he said.

‘More or less.’

He stared at me sombrely. ‘I couldn’t convince him. He kept on and on. Kept asking the same questions, over and over. Why doesn’t he believe me?’

‘A lot of people lie to the police. I think they grow to expect it.’

‘He wants me to meet him in my office tomorrow. He says he’ll be bringing colleagues. He says they’ll want to see the books.’,

I nodded. ‘Better be grateful he didn’t drag you down there today.’

‘I suppose so.’

I said awkwardly, ‘Don, I’m sorry. I told him the wine was missing. It made him suspicious... It was a good deal my fault that he was so bloody to you.’

He shook his head tiredly. ‘I would have told him myself. I wouldn’t have thought of not telling him.’

‘But... I even pointed out that it must have taken a fair time to move so many bottles.’

‘Mm. Well, he would have worked that out for himself.’

‘How long, in fact, do you think it would have taken?’

‘Depends how many people were doing it,’ he said, rubbing his hand over his face and squeezing his tired eyes. ‘They would have to have had proper wine boxes in any case. That means they had to know in advance that the wine was there, and didn’t just chance on it. And that means... Frost says... that I sold it myself some time ago and am now saying it is stolen so I can claim fraudulent insurance, or, if it was stolen last Friday, that I told the thieves they’d need proper boxes, which means that I set up the whole frightful mess myself.’