Elizabeth George - Careless in Red

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You can’t keep a good detective down. George has put longtime series hero Detective Superintendent Thomas Lynley of New Scotland Yard through quite a bit lately: in her last novel, With No One as Witness (2005), Lynley’s much-loved wife was shot to death on the street, reducing him to a grief-stricken shell and leading to his resignation from the Yard. How to resurrect him? George uses a pretty klunky (but familiar to all mystery fans) deus ex machina device. Lynley has embarked on a walk along the coastal path in Cornwall; his rationale is that if he doesn’t keep moving, despair will overtake him. Sure enough, on day 43 of his walk, he spots, far below, what seems to his trained eye to be the vivid red and crumpled shape of a man who has plunged to his death. The machine creaks into place, with Lynley (whose walk has made him appear like a homeless man) being treated as a suspect, then with grudging respect from the local, bumbling constabulary, and finally as someone his old associate Barbara Havers of New Scotland Yard seeks to restore to his post. Despite the obvious restoration device, George delivers, once again, a mystery imbued with psychological suspense and in-depth characterization.

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She said to the detective, “I believe one can know someone by sight-actually have a conversation with him, if it comes down to it-without ever knowing that person’s identity. Their name, their details, anything. I expect your sergeant here can say the same and he’s a local man.”

Collins was caught, teacup halfway to his mouth. He shrugged. Agreeing or discounting. It was impossible to tell.

“Takes a bit of exertion, that, wouldn’t you say?” Hannaford asked Daidre shrewdly.

“I’ve found the exertion worth it.”

“So you knew Alexander Kerne by sight?”

“I may have done. But as I said earlier and as I’ve told the other policeman, Sergeant Collins here, and you as well, I didn’t get a good look at the boy when I first saw the body.”

Thomas Lynley returned to them then, sparing Daidre any further questions as well as any further exposure to DI Hannaford’s penetrating stare. He handed over the clothing the DI had asked for. It was absurd, Dairdre thought. He was going to catch his death if he wandered round like that: no jacket, no shoes, and just a thin white boiler suit of the type worn at crime scenes to ensure that the official investigators did not leave trace evidence behind. It was ridiculous.

DI Hannaford spoke to him. “I’m going to want to see your identification as well, Mr. Lynley. It’s form, and I’m sorry, but there’s no way round it. Can you get your hands on it?”

He nodded. “I’ll phone-”

“Good. Have it sent. You’re not going anywhere for a few days, anyway. This looks like a straightforward accident, but till we know for certain…Well, I expect you know the drill. I’ll want you where I can find you.”

“Yes.”

“You’ll need clothing.”

“Yes.” He sounded as if he didn’t care one way or the other. He was something windblown, not flesh, bone, and determination, but rather an insubstantial substance, desiccated and helpless against the forces of nature.

The detective looked round the cottage sitting room, as if assessing its potential to produce a set of clothes for the man as well as to house him. Daidre said hastily, “He’ll be able to get clothing in Casvelyn. Not tonight, of course. Everything’ll be closed. But tomorrow. He can stay there as well. Or at the Salthouse Inn. They’ve rooms. Not many. Nothing special. But they’re adequate. And it’s closer than Casvelyn.”

“Good,” Hannaford said. And to Lynley, “I’ll want you there at the inn, then. I’ll have more questions. Sergeant Collins can drive you.”

“I’ll drive him,” Daidre said. “I expect you’ll want everyone you can get your hands on to do whatever it is you do at the scene when someone dies. I know where the Salthouse Inn is, and if they’ve no rooms, he’ll need to be taken to Casvelyn.”

“Don’t trouble-” Lynley began.

“It’s no trouble,” Daidre said. What it was was a need to get Sergeant Collins and DI Hannaford out of her cottage, something that she could effect only if she had a reason to get out of the cottage herself.

After a pause, DI Hannaford said, “Fine,” and handing over her card to Lynley, “Phone me when you’re established somewhere. I’ll want to know where to find you, and I’ll be along directly we have matters sorted out here. It’ll be some time.”

“I know,” he said.

“Yes. I expect you do.” She nodded and left them, taking with her their clothing stuffed into bags. Sergeant Collins followed her. Police cars were blocking Daidre’s access to her own Vauxhall. They would have to be moved if she was to be able to get Thomas Lynley to the Salthouse Inn.

Silence swept into the cottage with the departure of the police. Daidre could feel Thomas Lynley looking at her, but she was finished with being looked at. She went from the sitting room into the entry, saying over her shoulder, “You can’t go out in your stocking feet like that. I have wellies out here.”

“I doubt they’ll fit,” he said. “It doesn’t matter. I’ll take the socks off for now. Put them back on when I get to the inn.”

She stopped. “That’s sensible of you. I hadn’t thought of it. If you’re ready, then, we can go. Unless you’d like something…? A sandwich? Soup? Brian does meals at the inn, but if you’d rather not have to eat in the dining area…” She didn’t want to make the man a meal, but it seemed the proper thing to do. They were somehow bound together in this matter: partners in suspicion, perhaps. It felt that way to her, because she had secrets and he certainly seemed to have them, too.

“I expect I can have something sent up to my room,” Lynley said, “providing they have rooms available tonight.”

“Let’s be off then,” Daidre said.

They made their second drive to the Salthouse Inn more slowly as there was no rush, and they encountered two more police vehicles and an ambulance on the way. They didn’t speak and when Daidre glanced over at her companion, she saw that his eyes were closed and his hands rested easily on his thighs. He looked asleep, and she didn’t doubt that he was. He’d seemed exhausted. She wondered how long he’d been hiking along the coastal path.

At the Salthouse Inn, she stopped the Vauxhall in the car park, but Lynley didn’t move. She touched him gently on the shoulder.

He opened his eyes and blinked slowly, as if clearing his head of a dream. He said, “Thank you. It was kind-”

“I didn’t want to leave you in the clutches of the police,” she cut in. Then, “Sorry. I forget you’re one of them.”

“After a fashion, yes, I am.”

“Well, anyway…I thought you might like a respite from them. Although from what she said…the inspector…it doesn’t appear you’ve escaped them for long.”

“No. They’ll want to talk to me at length tonight. The first person on the scene is always suspect. They’ll be intent on gathering as much information as possible as quickly as possible. That’s the way it’s done.”

They were silent then. A gust of wind-stronger than any other so far-hit the car and rocked it. It stirred Daidre to words once more. She said, “I’ll come round for you tomorrow, then.” She made the declaration without thinking through all the ramifications of what it meant, what it could mean, and what it would look like. This wasn’t like her, and she shook herself mentally. But the words were out there, and she let them lie. “You’ll need to get things from Casvelyn, I mean. I don’t expect you want to walk round in that boiler suit for long. You’ll want shoes as well. And other things. Casvelyn’s the closest place to get them.”

“That’s good of you,” Lynley told her. “But I don’t want to trouble you.”

“You said that earlier. But it isn’t and you’re not. It’s very strange, but I feel that we’re in this together although I don’t quite know what this is.”

“I’ve caused you a problem,” he said. “More than one. The window in your cottage. Now the police. I’m sorry about it.”

“What else were you to do? You could hardly walk on once you’d found him.”

“No. I couldn’t walk on, could I?”

He sat for a moment. He seemed to be watching the wind play with the sign hanging above the inn’s front door.

He finally said, “May I ask you something?”

She said, “Certainly.”

“Why did you lie?”

She heard an unexpected buzzing in her ears. She repeated the last word, as if she’d misheard him when she’d heard him only too clearly.

He said, “The first time we came here, you told the publican that the boy in the cove was Santo Kerne. You said his name. Santo Kerne. But when the police asked you…” He gestured, a movement saying finish the rest for yourself .

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