Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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She shook her head.

He told Mabel, "If Hyden or Anderson calls, put them through."

Juana went down the hall, brought back her pot of fresh coffee. Pouring three mugs, she settled across from the chief in one of Dallas's two worn leather chairs. Reaching to Dallas's desk for the news clippings, she began to read them as Dallas set in motion retrieval of the files from L.A.

Searching for Dulcie, Joe found not the smallest scent of his tabby lady, no hint of a trail until, giving up and heading for the seniors' backyard, he stopped suddenly, sniffing the black iron grill work of a wrought-iron gate.

Yes, Dulcie had gone in there, sometime early this morning; had leaped through the gate into Genelle Yardley's garden. And a child had gone in, too, a little girl. He caught Cora Lee's scent, and then he found Dulcie's second trail, very fresh, coming out again. He followed it up the street toward the seniors' house, and it vanished up a jasmine vine two doors away. When, staring up at the rooftops, he didn't see her, he trotted into the seniors' garden, down the cracked driveway, and around the house. Looking around for her, he approached the tent that had been erected over the dig; he preferred thinking of this crime scene as a dig. He'd never before felt this revulsion at a scene of human death. He didn't see Dulcie. Approaching the tent, he could hear the two scientists inside, softly digging. And a faint swishing sound that told him they were brushing earth from the buried bones.

The first child had been taken away, so he guessed they were still working on the second. Sticking his nose under the canvas, hunched low beneath its heavy folds, he peered at Dr. Anderson's thin, denim-clad posterior where the scientist knelt brushing away earth with a small paintbrush. Joe tried to see around him. Looked like they'd found a third grave. Slipping out and moving farther to the side, peering under again, he could see that two little skeletons lay there. The one that was still here from last night, after the first body was taken away, and now a new victim. Most of the child's side had been uncovered. Anderson was brushing soil from the leg and the little foot. Hyden crouched just a few feet away also using a small paintbrush, removing loose soil from the child's shoulder. This body was smaller than the others. Compared to the heft of the two grown men, it seemed as frail as a baby mouse.

Joe had seldom seen a baby mouse clearly before he gulped it-until recently. The last nest of baby mice he'd encountered, he had turned away, leaving them. Leaving them to grow big, he told himself. Sensible game management, more for later. He did not acknowledge the more compassionate, human side of his nature, except to snarl at his own foolishness and tell himself he was getting soft. Now, when suddenly something pressed against his flank, he went rigid.

A breath tickled his ear.

He turned his head slowly, so not to attract the doctors' attention. Even though he was crouched behind them, he still felt as conspicuous as an elephant in a fishbowl; and these guys were not fond of cats. As he turned, Dulcie's green eyes met his so intently that he had a sharp memory flash of the first time he'd ever seen her. Her green gaze was just as wide then, and intent. That moment when they'd first met, the gleam in her eyes had turned him giddy; it was at that instant that he fell head over paws in love.

Now her little pink mouth curved up in the same secret smile, that smile that still turned him helpless. She nuzzled his shoulder, but then gave him a very businesslike stare, and backed out from under the tent.

He followed her toward the far bushes where they wouldn't be heard. Beneath a bottlebrush bush, they crouched together in the chill shadows. Her voice was faint, but tense with excitement. "Did you check at the PD? Are the reports in yet on those old cases? Any fix on when these children died?"

"You're in a hell of a swivet. What…?"

She didn't answer him, but plunged on, her tail lashing, her paws shifting, her ears and whiskers rigid. "What about the old case files? Surely by this time they-"

"What, Dulcie?"

Her eyes blazed.

"The reports are coming in," Joe said patiently. "I don't think these forensics guys'll have any kind of fix on the dates until they do the lab work. What, Dulcie? What do you have?"

"Were there missing cases, say, around six to eight years ago?"

"Yes. Quite a few." He stared hard at her. "What?"

She was dancing from paw to paw, her green eyes like searchlights, nearly exploding with excitement. "Children from the Pacific Northwest? Seattle? Tacoma?" She was so wired that her tail lashed against the twiggy bushes like a high-powered weed eater.

"Yes, that area."

"Did he kill those children, and then run?"

"Did who kill them? Slow down." He glared at her until she calmed, slowed her lashing tail, and turned away to wash.

Sitting with her back to him, she had a thorough wash before she was cool again, before she turned to look at him once more. "Lori has been to visit Genelle Yardley," she said. "To the old lady's house."

"I know that. I caught your scent, coming up the hill. And a little girl's scent."

"Lori. She went up there to find out about her pa. Find out why he was so mean to her, why he locked her in."

"You're saying her pa killed those children?"

"No. Let me finish."

"And what could an old woman-"

"Genelle Yardley worked for him, Joe. For years and years. She was his office manager. She didn't know why he'd turned so strange. But she and Lori hit it off right away."

Impatiently, Joe chewed at his left-front claws, pulling off the loose sheaths, leaving the claws bright and knife-sharp.

"Joe, they were so… Genelle said Lori's pa turned peculiar after his brother went away." She looked at him smugly. "Hal Reed went away suddenly, six years ago. Never came back. Story was, Hal moved to Seattle, to spend his time fishing."

"You're saying Lori's uncle killed those children, then left? Come on, Dulcie. Why-"

She hissed at him, her ears back, her tail lashing. "Just listen, Joe. Lori found his billfold, Hal's billfold with his driver's license and credit cards. And with it, his favorite belt and a gold ring that Lori says he always wore. Found them in her pa's garage, in a box of old clothes. She has them," Dulcie said, "in the library basement, in her backpack. Why would he go away and leave his billfold and driver's license and credit cards?"

"Why, indeed," Joe said, licking her ear. "Very nice, Dulcie. You had an interesting morning. And what else might be found hidden in Jack Reed's house?"

"Exactly," she said softly, and gave him a sly smile. And the cats rose together and slipped out of the bushes. They were galloping up the cracked drive, their minds on tossing Jack Reed's house, when a startled "Whoa!" from down inside the tent stopped them as if they'd been snatched back by their tails. Alan Hyden's voice was so excited, the cats nearly fell over each other racing back to the tent.

"Hand me the camera," Hyden said. "Get Harper or Garza on the phone."

Dulcie, because she had no white on her face, slid under first to look. She was there for only an instant, just her striped haunches visible, her striped tail twitching. She backed out suddenly from under the canvas, whirled around wild eyed, and fled for the bushes. Alarmed, Joe raced close beside her.

Peering out, they didn't breathe. Joe wanted to scorch away, but Dulcie remained frozen, watching as Hyden stepped out the tent door and began to circle the big canvas shelter, studying the ground and the surrounding bushes. As Hyden approached their hiding place, his footsteps squished though the wet leaves, his trouser legs rattling the branches as he knelt to examine Joe's paw print in the mud. Leave it to a forensics detective. At his approach, they backed deeper in, pressing hard against the heavy branches. Crouched to run, both cats told themselves, So what? What if he sees us? We're cats! Cats creep around under bushes all the time. What's the big deal? We're hunting. So we looked under the tent, so we're nosy. So cats are nosy!

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