Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Ryan Flannery, cop's kid, excellent carpenter, crack shot, was not intimidated by a sassy fourteen-year-old. She had thrown Dillon's challenge back in her face, told Dillon to straighten up. And Ryan had offered her a job.

Dillon had sneered at the suggestion of working for Ryan, but a month later she was doing just that, as carpenter's apprentice. Working over Christmas vacation. She had dropped the truant, thieving girls she was running with and was getting her act together.

Dillon's sea change was, however, not entirely Ryan's doing. Dillon had straightened up quickly, too, when her mother began to put her own life back together after a more-than-foolish affair. Now, finishing her coffee cake and wishing for more but not taking it, Charlie rose. Rinsing her plate and cup, she headed back to work. Her mind was too full this morning, full of fear and death. She needed to drown her thoughts in the simple routine of sanding Sheetrock, put life to rest for an hour or two and get herself centered.

Lori left Genelle Yardley's with Cora Lee, her stomach full of pancakes and bacon, and her mind in a turmoil of questions. Had she done right to tell Ms. Yardley about Uncle Hal's billfold? She was certain the old lady would keep her secret, but what if she didn't? What if Genelle Yardley went straight to the police after all and they arrested Pa because Uncle Hal was gone? Arrested Pa for murder} She didn't want to think that word, Pa wouldn't do that. There had to be another explanation. Uncle Hal was his brother.

Genelle Yardley said there might be any number of reasons that Pa had Uncle Hal's billfold and belt and ring. But Lori could tell that she really didn't believe that. And why, when Genelle first read the newspaper about the little graves, did she glance at Lori and go so quiet?

Sitting in the car beside Cora Lee, they were halfway down the hill, almost to the first shops, when she thought she saw the little man, but he was turned away, she couldn't be sure; he was standing in the doorway of the village grocery. She glanced at Cora Lee, but said nothing, just looked straight ahead watching the streets, praying she was wrong. Cora Lee turned toward the library looking for a parking place, and let out a little yip of pleasure.

"All right!" Cora Lee said, pulling into a twenty-minute green zone just in front of the library. "The parking gods are with us." Cora Lee laughed, and winked at her, and they got out. "I'm going to take you inside," Cora Lee said softly. "You can get your things."

Lori's anger flared. "You said-"

"I didn't say I'd bring you back to stay." Cora Lee took her hand. "I won't leave you here, Lori. It's dangerous. Do you understand that I can't leave you with no one to help you, that I'd be sick with fear, and so would Genelle?"

"But you-"

"I did not promise to leave you here. Think back to what I said-only that I'd bring you down."

Lori stared, scowling. But Cora Lee was right, she spoke truly. That was all she had said.

"Come on, then, let's get your things."

Lori didn't like standing out in the open, and she did feel safer with Cora Lee as they hurried up the stone walk through the library garden. Together they slipped in through the big double doors, and headed down the stairs to the lower floor. They had turned toward the basement workroom when Lori glanced behind her, up to the main floor, and saw him.

He stood just at the top of the half flight of stairs, near the circulation desk. Catching her breath, she drew back into the stacks pulling Cora Lee with her. Cora Lee looked at him, and her eyes widened. "You're afraid, Lori. Of that man."

Lori nodded.

"Go into the ladies' room. Quick. You have your card? Wait for me." Cora Lee's dark eyes were steady on hers. "Whatever this is, I'll get rid of him. Wait there for me, and don't unlock the door. Promise me!"

Lori nodded. "I promise."

Cora Lee gave her a gentle shove toward the door of the ladies' room, and watched while Lori fished her card from her pocket; she didn't start up the stairs until Lori had slipped into the ladies' room. Lori peered out as Cora Lee moved away, then locked the door and leaned against it, listening.

She could hear little through the thick door and walls. What would Cora Lee do? She waited for a long time. She washed her face, then brushed her hair with her fingers. She brushed her teeth with soap and her finger. There was no soft knock to say that Cora Lee was back. She put down the toilet lid and sat on it. She thought about Mama, and about Pa. Thought about Genelle all alone in that big house. Where was Cora Lee? She had to get her things, she didn't want to leave Uncle Hal's billfold in the basement, in her pack. She drank water from her cupped hands, and then at last she unlocked the door and cracked it open.

Peering out, she heard Cora Lee talking to someone, heard the end of Cora Lee's words, but couldn't see her, up beyond the steps. "… must be there, I can't stay. Oh, this is dreadful. Where is Wilma? Where is Ms. Getz?"

"She comes in late today. Noon. Sometimes she comes in earlier to do some things on her own time, but…" It was that Ms. Wahl, a dumpy, bossy little woman who was always hushing everyone and thought that children should be allowed to read only stupid baby books.

"Please, Nora. Please… There's a little girl in the ladies' room. Lori. Please, before you do anything else, go get her, keep her with you. Don't let her leave the library; I'll be back for her." Cora Lee sounded like she was holding the woman by the shoulders, trying to get her full attention. "Lori could be in danger, do you understand? Tell Wilma, the minute she comes in. See that Lori stays with her." They were moving away now; the woman said something Lori couldn't make out, her voice soft and faint; they were beyond the steps, among other voices. When Lori slipped farther out to look, she saw Cora Lee hurrying away out the door.

What was wrong? Something was very wrong. Was it Genelle? Was she worse? Oh, it mustn't be Genelle, and she hoped it was nothing bad for Cora Lee. She wondered what time it was. If it was coffee-break time, maybe the workroom would be empty, maybe she could slip in before that Ms. Wahl started looking for her. What had happened, to take Cora Lee away like that? She didn't like that Ms. Wahl, she didn't like being passed around, either, from one grown-up to another. She was headed along beside the stacks, for the workroom door, when she saw him again, up on the main floor. As if he had been waiting for Cora Lee to leave?

Ducking between the stacks, she saw Ms. Wahl turn away from the stairs and walk right past him. Trembling, Lori looked around her. Would he dare grab her in here? She could yell, or run to Ms. Wahl. But what could that rabbity little woman do? And now Ms. Wahl was gone again, and he was coming down. The soft sound of his shoes and a little squeak every few steps, rubber against the hard steps. Lori knew she could make a scene, bring everyone running.

Right. And someone would call the cops. And the cops would call Pa. She turned and fled, racing through the stacks and up the back stairs, her heart pounding hard. Stay here in the library, she thought, don't go out! But she was too afraid to stay. Racing past the circulation desk to the front door, she burst out across the garden and dodged across the street between cars. Slipping into a narrow walkway between two shops, she fled down the little lane and around the back into a courtyard. Then through a shop of model trains and out its front door to the next street. Across that, across another street, another courtyard, running, running until she was among the cottages on the south side of the village. Ducking through the bushes along the side of a tall stucco house, she fled into its backyard praying there wasn't a fence.

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