Shirley Murphy - Cat Cross Their Graves

"Nor will I speak of them, to anyone," Genelle assured her, peering after her into the bushes. "I promise that. But I have enjoyed observing from afar the adventures I imagine for you three. From bits of news, my dear. From glimpsing you in the village, very busy and intent. From news clips about the crimes that have occurred in the village, and from the anonymous tips the police often receive. I know a couple of officers in the department, Dulcie. And I know a reporter or two. I hear things, things no one else would put together." The old woman laughed and winked. "And more power to you, my dear. The three of you are remarkable."

This was too much. Crouching deeper among the bushes, Dulcie was filled with feelings of chagrin, of betrayal.

She had no reason to feel that way. Indeed, she felt she could trust Genelle Yardley. But for a stranger to know about them, to have known all this time, to have been watching them… To Dulcie, the implications were immense and terrifying.

Stepping away from the walker but still holding on to it, Genelle knelt at the edge of the bushes, an exercise that took a great effort. "Please come out, please indulge an old woman. Mavity won't be here for another hour. Please come out so we can talk? And help me decide what to do about Lori?"

And Dulcie could do nothing else. She came out at last, her ears back, her tail switching.

"I don't mean to tell anyone about Lori," Genelle said. "It's very clear that she's afraid. But it seems to me that the child must go to the police on her own. Before her father knows she has the billfold." She looked hard at Dulcie. "Have you thought about what that billfold could mean?" Genelle rose, the effort so tiring that Dulcie longed to help balance her. Clutching at her walker, she turned away, making for her chair. Dulcie came out from the bushes then and leaped into the chair opposite, eyeing the last crumbs of bacon; crumbs were all that Lori had left.

Pushing the plate across to her, Genelle said, "It would be far safer for Lori if she'd go to the police now, of her own volition. Before Jack Reed knows what the child suspects, and that she has what could be damning evidence."

As the sun lifted above the eastern hills, and Dallas Garza hurried away from Otter Pine Inn to meet Max Harper, Joe Grey leaped into the bougainvillea vine, heading up to the kit's window. He wanted some answers. He halted halfway up, as, below him, Lucinda and Pedric emerged from the stairs into the gardens. Looking down, he watched the kit race ahead of them, all fizz and ginger and switching tail. The old couple, in the first cold light of dawn, was headed for the dining patio. Quickly Joe dropped down again to the bricks and followed.

No one else was out there at the garden tables; it was too early and too cold. Bundled in fleece coats and sheepskin boots and caps as if they were at the north pole, the Greenlaws seemed fixed on indulging their young runaway with a welcome-home patio breakfast. Even beneath the patio heaters, and seated beside the fire pit where flames danced, they had to be freezing. The moment they were seated beside the warming blaze, Joe trotted over and, before Kit could leap into a chair, he pressed against her, nosing her toward the far end of the garden, away where nosy waiters wouldn't overhear.

She followed him, scowling, but wide eyed with questions, glancing back at Lucinda and Pedric with a be-back-in-a-minute look. Lucinda and Pedric, watching the little drama, could say nothing, observed by an approaching waiter.

Deep beneath a pyracantha bush whose branches hung heavy with red berries, Joe stood looking at the kit. "I see you got home."

She hung her head, ashamed that she had worried everyone, but then smiled with smug delight. "I found him, Joe, I found the man who killed Patty and I went in his old dirty cottage and watched him and saw his car, too, and all the garbage like he's been there awhile and I-"

"Will you slow down, Kit? Tell me where. Does Harper know? Did you…?"

"I called Captain Harper just now from upstairs and told him it was an old gray Honda two-door all dented and the license number and told him where to find the newspaper clippings and the pictures of Patty and I put them where he can get them without a warrant like you told me and I told him about the gun but I don't know where that is except he might have it on him and I-"

"Kit!"

She tried to slow down, tried to be coherent. She told Joe what she had found and where, and the names of the four men in the clipping, and where she had hidden the envelopes. "Captain Harper said he was on his way."

Joe nodded. "So is Garza, he just left the tearoom." He was about to race away, when she raised a paw.

"The worst thing was the little girl…"

Joe stiffened.

"I chewed her ropes through like in that fairy tale and we got out all right and she ran and-"

"What little girl!"

"I don't know, Joe. I don't know her name, I couldn't talk to her. She got out with me, she opened the door, I couldn't, and we both ran in different directions."

"How old was she?"

Kit thought about this. "Maybe eleven or twelve, I guess. Brown hair."

"Lori?" Had this guy gone into the library and found Lori? Was this the guy she was hiding from? Patty Rose's killer, and not her own father? He didn't know what to think; this wasn't making sense. He nosed the kit's ear by way of thanks, and glanced toward the patio and the Greenlaws' table. "Your breakfast's getting cold," he said softly. And as Kit raced away to her eggs Benedict, Joe scorched out of the patio fast, his own stomach as empty as a drum. Taking to the rooftops, he headed across the village. His own breakfast seemed eons ago. Well before dawn, Clyde had fixed him a memorable omelet, tossing in some leftover salami and a slice of goat cheese, a delicacy to which Ryan had introduced their household-one of the benefits of a new woman in Clyde's life.

Joe was beyond suggesting that Clyde marry his current romantic interest. He'd done that with Charlie, and Charlie ended up with Max, though they were all three still the best of friends. But Joe was through with matchmaking, Clyde and Ryan would have to work out their own scenario. Which was at present more platonic than wildly romantic, but he guessed they had their moments. Just in case, Joe was careful about returning home late at night through his rooftop cat door.

He came down from the roofs just up the block from the brown-shingled cottage Kit had described. It stood back from the street behind the two-story house and some crowding pine and cypress trees. Joe had wondered about that house; who would let even a rental look so decrepit in this high-priced market? The place had a lurking, secretive air, as unappealing as the set for an old horror film. Max Harper's Chevy pickup was parked at the curb. Across the street, facing the other direction, was Dallas Garza's Ford. Joe paused beneath a tangle of overgrown oleander bushes, observing a scene that made him smile.

Joe approached the cottage behind the old house, concealed beneath overgrown bushes, padding through a morass of rotting leaves. The whole yard smelled of rot and mildew. Keeping out of sight, he watched Max Harper, standing on the cottage porch talking with a hefty woman in a red muumuu. Landlady. She was rattling off a list of complaints about her tenant. On the gravelly parking space before the cottage stood a black Ford sedan and a blue Plymouth. He could smell the faintest whiff of exhaust, as if a car had left within the past hour. The front door stood open. The landlady was so frowsy she matched the cottage exactly, and matched what Joe could see of the grim interior. He'd seen her around the village. Had Harper gotten a search warrant, just on Kit's phone tip? That would be unusual.