Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Dorothy finished her coffee. "I don't know, Detective Garza. I seem to be going on about this and I'm not sure I'm helping. I don't know if those cases are connected to Patty's murder. I just…" She snatched a tissue from the pack, a fit of weeping silencing her.

When Dorothy's crying had subsided, Garza rose. She stood up and was pulling on her jacket when Garza's cell phone rang.

He answered, and talked for a moment, growing very still. A slow smile touched his dark eyes. "Hold a minute, Max."

He shook hands with Dorothy and hastily thanked her for her time. "Will you let me know when you're leaving and how I can get in touch?"

"I will." She gave him a watery smile and left the tearoom.

"Okay, Max. I'm in the tearoom, Dorothy just left." Garza sat down at the table and, listening, poured the last of the coffee into his cup and picked up the last cinnamon roll. Above him atop the china cabinet, Joe Grey peered over, his silver ears sharp with interest, his claws silently flexing, every nerve in his tomcat body on alert. Harper had something, something was happening. He wished he could hear Harper's side of the conversation.

Garza smiled. "Yes, I know the cottage, I'll be right there. It takes two of us to collect evidence?" He listened again and shook his head. "Our woman snitch this time. Well, maybe she had a cold. How far in from the vent, did she say? Some of these old foundations-"

He was quiet, then, "I have tools in the car. I'll be there ASAP." Rising, he gulped the last of his coffee, wolfed the cinnamon roll, wiped some sticky sugar from his lips, and headed out. Joe didn't know where Harper was going, but he didn't intend to be far behind. There was no question, Harper's caller had to be either Dulcie or Kit. Very likely the kit, who had just rushed home in such a swivet. He stared across the patio to her third-floor window, but he didn't see her. As he leaped from the china cupboard to the table, he heard Garza's car start, out front. Hitting the cold tile floor, Joe was out of there, pushing open the tearoom door, heading across the patio for the bougainvillea vine that would take him, faster than any stairs, up to the Greenlaw penthouse. Where was Garza headed? Under what house? If Dallas Garza and Max Harper were about to crawl under someone's house, presumably without a search warrant, he sure didn't mean to miss the entertainment.

Dulcie watched Lori leave the garden with Cora Lee, the child slipping through the gate as warily as if she expected that any minute someone would snatch her up. Dulcie looked after her, frowning. If Lori was in danger from more than a bad-tempered father, why hadn't she told Genelle and Cora Lee what more was wrong? Probably, Dulcie thought, because the stubborn little kid didn't want anything to do with the police. When they'd gone, Dulcie approached the terrace, watching Genelle Yardley with interest.

Genelle, pushing back the breakfast dishes, had spread out the front page and was reading about the little graves. Something drew Dulcie to the old woman, something about the way Genelle kept looking up the garden at her. Such a knowing look, so secretly amused. Shivering, Dulcie padded nearer, but she stayed beneath the bushes. This woman couldn't know what she was, that wasn't possible. But yet… Why that secret smile? Too many people knew already. Though those who shared the cats' secret in friendship would never tell, the more who knew, the more chance there was of some unintended slip.

Genelle looked up from the paper, her faded blue eyes widening. Dulcie remained very still as the old woman studied her where she crouched in the bushes, looking straight into her eyes.

"Good morning," Genelle said in much the same way she had greeted Lori.

Dulcie's heart dropped. Warily she trotted across the bricks and smiled up at Genelle, as friendly as any neighborhood cat, waving her tail as if longing for a nice gentle pet and a bit of breakfast.

"You are Wilma's cat, the library cat. I think your name is Dulcie?"

Dulcie purred and rolled over, waving her tail, pretending that she was used to people talking to her, carrying on one-sided conversations.

"You can speak to me, Dulcie. I know who you are." The old woman smiled gently. "And I know what you are. You live with Wilma Getz. Oh, Wilma doesn't know that I know the whole story. Wilma took you home from this garden, Dulcie, when you were very small."

Dulcie tried not to stare at her.

"She had no idea what she was getting when she took one of our litter of kittens. Nor did I, I wasn't sure. I only knew that my own dear Melody, your mother, was a very unusual cat, that she could speak," Genelle said softly.

"Melody and I had many talks here in this garden, many long and fascinating discussions in this house. She was with me until she died," Genelle said sadly.

Dulcie looked at the old woman as blankly as she could manage, dropping her ears as if she were shy or frightened. Genelle paid no attention; she kept talking.

"I didn't know how her one litter of kittens would turn out, nor did Melody herself. She said that none of her six brothers and sisters could speak." Genelle reached out to stroke Dulcie, but Dulcie backed away.

"This morning," Genelle said, "you came here following the child. I gather you've been watching her." She put out her hand, toward Dulcie. "I am terminal, my dear. In a few months, I'll be dead. Your secret will be dead with me. I will tell no one."

Dulcie could only watch her. Her heart skipped, as if it had lost all sense of timing.

"Melody had five kittens, three orange, one calico, and you, a dark, striped tabby. You were the tiniest. The others kept pushing you out. They didn't seem to like you, didn't want you to eat. I guess all young animals are that way with the runt, it's the way of nature. But something about you…" Genelle shook her head. "Melody would carry you up onto an easy chair and feed you alone, so you did indeed thrive. But she worried over you."

Genelle looked at Dulcie. "I kept the other four kittens. Neither I nor Melody knew-there was no way to guess-if you would be the most likely to speak. We thought you would, but we didn't know. And I… I thought even then that I wasn't well. We found the best home for you, where we could keep an eye on you. We chose Wilma with great care, but I told Wilma nothing.

"Your calico sister died when she was just six weeks old, a twisted intestine, the vet said. But you grew healthy, a wild, strong kitten. It was not until you began to steal your neighbors' lingerie, when you were little, that I felt sure you were more than you appeared to be. Melody did that when she was small; she so loved beautiful things."

Dulcie dared not speak. She couldn't stop shivering.

"Melody was not a young cat. She seemed determined to have that one litter. She died four months later." Genelle's voice shook. "It was… it was as if she knew. She wanted to produce at least one kitten like herself.

"And you were the only one." Genelle smiled and reached down to touch the peach-toned markings on Dulcie's nose and ears. "A bit of the Irish orange," she said with a fond, faraway look. "The other three cats are with me, orange tabbies, you've surely seen them around the village; they are dear, sweet cats, but they are normal, ordinary cats, not like you and Melody." Genelle rose, gripped her walker, and slowly crossed the terrace to the edge of the garden.

"It has taken a lot of self-control not to speak to you until now, my dear, nor to speak about you with Wilma. I thought that best. You have both guarded your secret as well as you are able, considering your busy life-you and your two friends," Genelle said softly.

Dulcie swallowed and backed away, slipping into the bushes again. That Genelle was aware of her ability was one thing. That Genelle knew about Joe Grey and Kit deeply alarmed her.

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