Carol O’Connell - Stone Angel

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Stone Angel: краткое содержание, описание и аннотация

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The past comes back to haunt, in the new novel featuring Kathleen Mallory – “the strongest new detective of the decade” (Kirkus Reviews).
Carol O’Connell’s novels continue to draw extraordinary praise for her “unforgettable protagonist” (The Miami Herald), “thoroughly original characters” (People), “gifted storytelling” (Milwaukee Journal Sentinel), and “prose so stunning it takes your breath away” (Mostly Murder), all combining to produce some of the “most stylishly innovative and witty mysteries in years” (San Francisco Chronicle).
At their heart is NYPD sergeant Kathleen Mallory, a wild child turned policewoman possessed of a ferocious intelligence and a unique inner compass of right and wrong – which has drawn her now to a place far from home.
In a small town in Louisiana, Mallory steps off a train. Within an hour, one man has been assaulted, another has had a heart attack, a third has been murdered, and Mallory is in jail, although she has had nothing to do with any of these events. She is there for an entirely different purpose.
Seventeen years ago, Mallory’s mother died in this town, stoned to death by a mob, and the six-year-old Mallory vanished, to reappear later on the streets of New York. Now she has returned to find out who killed her mother, and what happened to the body, vanished as well, its only trace a winged angel in the local cemetery. Her search will take her through a dark and murky past, and into the company of people who have much to warn her about and even more to hide, but for Mallory there is no stopping – even if what she discovers is something better left buried in the grave.
Filled with the rich prose, resonant characters, and knife-edge suspense that have won her so many admirers, Stone Angel is Carol O’Connell’s most remarkable novel yet.
Carol O’Connell is also the author of Mallory’s Oracle, The Man Who Cast Two Shadows, and Killing Critics. She lives in New York City.

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“Well, not a big one,” said Charles. “Jane might have overheard something, but nothing important.”

“That’s the worst possible case,” said Augusta. “She’ll make up what she doesn’t know. So the word is out. Count on it.”

Then why would Riker get rid of Charles? “Tell me what was going on right before you left him.”

“Nothing. It was very quiet. The phone didn’t even ring the whole time I was there. So it’s over.”

The hell it was. But Charles believed it. He wasn’t holding out; he didn’t know anything. Mallory turned to Augusta. “Did Riker know you drugged me?”

Augusta’s smile said it all. So Riker had not sent Charles back as a baby-sitter. Why then?

“The only mystery left is what happened to your mother’s body,” said Charles. He was speaking to Mallory but looking at Augusta. “That must have driven the mob crazy, not knowing where the body was.”

Mallory nodded, though her mind was elsewhere, fighting back the fog of too much sleep.

“I thought the mob made off with the body.”

Augusta pushed the bowl closer to Mallory’s hand. “It’s safe. Trust me.”

Yeah, right.

Augusta read her mind and laughed out loud. But Charles was not even smiling. Something was definitely wrong. What was going on here? And what did Riker -

Charles touched her arm to get her attention. “Is that the way you see it, Mallory? The mob took the body away?”

“No.” Mallory shook her head and decided to risk a cup of coffee – Augusta’s cup. The old woman gave it up with no protest. “That would only make sense if there was some attempt to cover up the crime, and there wasn’t. All the evidence of a murder was lying around in plain sight.”

She was more curious about Riker than her mother’s missing body. When she looked up, Augusta had vanished and Charles was walking out of the kitchen.

Mallory looked into the pot on the stove. It held enough food for several meals. The old woman was obviously cooking in bulk. So she wouldn’t have tampered with the whole pot. Mallory bent over the garbage disposal, scraping her plate of Augusta’s serving. She picked up the pot ladle.

Something was wrong.

Her head was clearing now. She dropped the ladle into the pot and walked back to the other room where Augusta kept her telephone. The door at the top of the stairs was just closing behind Charles.

The yellow cat circled around her as she dialed the number for the sheriff’s office. She listened for four rings.

Riker, pick up the phone.

The cat jumped up on the table and sent the telephone crashing to the floor. Mallory and the cat stared at one another. The receiver in her hand was dead, and its frayed, broken wire dangled to the floor. The cat vanished. Very wise.

Charles trailed Augusta through the rooms of the house and up the stairs to the top floor. The bats had flown, and there were no malingerers in sight when he passed through the midsection of the attic, holding his nose and guided by the electric light from the room behind him. More light streamed through the cracks in the wall ahead. He passed through the door to the last segment of the attic, where she kept her telescope. A cool breeze was rushing through the holes in the roof, and the air was almost fresh.

A bat lay in a cardboard box stuffed with shreds of newspaper. One wing was extended and sporting a large bandage. Augusta was kneeling on the floor, lifting the creature in her hands, and now Charles saw the red metal band that marked this animal as the old man of the colony. Augusta unwound the gauze covering most of the wing. The bat screeched, and she paused to feed him liquid from an eyedropper. He went limp, and she worked over the exposed wound with no further distractions.

Augusta could not help but be aware of him standing only a few feet away, yet she didn’t look up. The silence was stringing out like a taut wire. How to begin?

“It must have driven them crazy, not knowing where the body was.”

“You’re repeating yourself, Charles.” She kept her eyes on the delicate membrane of the bat wing.

He sat down in the dust beside her. “They could never be sure Cass was dead. They’d never feel safe. And a missing corpse would keep the mystery alive.”

Augusta nodded. “Everybody loves a good mystery. It’s been a boon to the tourist trade. So you figure Betty Hale stole the body? She does have a good head for business.”

Charles was silent until she met his eyes. “Don’t you think it would comfort Mallory to know where her mother was buried?”

“No, Charles, I don’t. She’s a wonderfully compact creature. Not an ounce of sentiment to carry around with her and weigh her down. It’s enough for her to know that her mother is dead. I’m sure she does know that much. Kathy would never have left Cass while the woman was still breathing.”

She ran one light finger across the mending tear in the wing.

“And you’re not at all curious about the body, Augusta?”

“No.” She basted the wound with the foul-smelling contents of a small dark bottle.

“Because you know where it is. Finger Bayou literally points to her grave, doesn’t it? Is that why you became the executrix? So you could stop the herbicide on the water along her property line? When the water hyacinth ran wild, it choked off the bayou and made it impassable by boat. And then you planted trees on the road to Trebec House to discourage visitors. Betty does have a way of whipping up the tourists’ curiosity.”

“It’s an interesting theory. I guess I’ve heard worse logic over the years.” She layered fresh gauze on the wound and set the bat back in the box.

“It’s your style, Augusta. You watched Cass Shelley grow up in that house – and then Kathy. And then when you saw what had been done to that woman, ordinary justice wasn’t good enough, was it? Not for an artist like yourself. What an original revenge.”

“And when did I have time to do all of this? Henry was the one who found the body.”

“He reported the murder on the following day. You had all night to dispose of her body.”

“I never heard that mob, and that’s the truth.”

He believed that much. “The mob never made any noise, but you can hear a dog howl in pain from quite a distance. You would have wondered about that howling. You would have seen the dog from this window and gone to help him. You’d do anything for a wounded animal.” The cat gave away her character. It was a natural enemy of her precious birds, yet she had saved the creature. And now she was working over a bat she had once characterized as owl food.

“You’re talking through your hat, Charles.”

“As Mallory said, all the evidence of the murder was lying around in plain sight. No one had attempted to hide the crime. But the sheriff told me the back stairs had been cleaned. I don’t believe Mallory knows about that. If she did, she would have put it together before I did. You took the body down those stairs, and then you erased your tracks – and the smaller tracks Kathy made when she ran from the house.”

“The sheriff was all over my land, poking and digging.” She gently prodded the bat with one finger until the animal was roused from his herbal sleep. “Tom even dragged Finger Bayou. It was a damn thorough job.”

“You put Cass’s body in a temporary hiding place. Later, you had all the time in the world to bury her in ground he’d already covered. She’s probably lying under something heavy enough to keep a corpse from rising – say; a pile of rocks. You were standing on a pile of rocks on the day you fed the alligator.”

“You have a flair for spinning stories, Charles.”

“I wonder if the sheriff could do anything with my guesswork. I think he might go to a lot of trouble to find out where Cass Shelley is.”

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