Carol O’Connell - Stone Angel

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The past comes back to haunt, in the new novel featuring Kathleen Mallory – “the strongest new detective of the decade” (Kirkus Reviews).
Carol O’Connell’s novels continue to draw extraordinary praise for her “unforgettable protagonist” (The Miami Herald), “thoroughly original characters” (People), “gifted storytelling” (Milwaukee Journal Sentinel), and “prose so stunning it takes your breath away” (Mostly Murder), all combining to produce some of the “most stylishly innovative and witty mysteries in years” (San Francisco Chronicle).
At their heart is NYPD sergeant Kathleen Mallory, a wild child turned policewoman possessed of a ferocious intelligence and a unique inner compass of right and wrong – which has drawn her now to a place far from home.
In a small town in Louisiana, Mallory steps off a train. Within an hour, one man has been assaulted, another has had a heart attack, a third has been murdered, and Mallory is in jail, although she has had nothing to do with any of these events. She is there for an entirely different purpose.
Seventeen years ago, Mallory’s mother died in this town, stoned to death by a mob, and the six-year-old Mallory vanished, to reappear later on the streets of New York. Now she has returned to find out who killed her mother, and what happened to the body, vanished as well, its only trace a winged angel in the local cemetery. Her search will take her through a dark and murky past, and into the company of people who have much to warn her about and even more to hide, but for Mallory there is no stopping – even if what she discovers is something better left buried in the grave.
Filled with the rich prose, resonant characters, and knife-edge suspense that have won her so many admirers, Stone Angel is Carol O’Connell’s most remarkable novel yet.
Carol O’Connell is also the author of Mallory’s Oracle, The Man Who Cast Two Shadows, and Killing Critics. She lives in New York City.

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“No problem,” said Riker.

As the small group entered the reception area, they encountered Jane’s smiling face. She was seated on the bench by the door and holding a covered tray on her lap. “Hello, Tom. I saw your new prisoner come in. I thought you might want to feed him.”

“No need, Jane. I turned him loose ten minutes ago. But you just send me the bill for that tray, all right?”

Jane’s smile was undiminished, and that told him she wasn’t going away with nothing for her trouble but the price of the tray.

When the door closed behind her, he turned to Riker. “Whatever she heard, it’s gonna be all over town before lunchtime.”

“How fast can you get the warrants?”

“Not fast enough. Babe’s funeral is tonight in Owltown – just family, but that’s at least a hundred drunks. It’s a better idea to move in real early tomorrow morning with state troopers. We’ll pick up the suspects when they’re all hungover and sick.”

At one o’clock, Charles returned to the sheriff’s office, carrying their lunch and coffee in paper bags from Jane’s Cafe. “I didn’t hear any gossip going around. Maybe Jane didn’t hear anything either.”

“Fat chance.” Riker’s eyes never left the window on the square as he groped in the brown paper bag and pulled out a sandwich. He was staring at one of Jane’s customers. The man had just walked out of the cafe and now he slowly turned to face the sheriff’s office.

Charles was in good spirits as he sipped his coffee. “So Mallory did it by the book.”

“I count three felonies in the paperwork gathering. Whose book are we talking about?”

“Well, she didn’t hurt anybody.”

Didn’t she?

Riker said nothing. The sandwich lay on the desk, untouched. He was intent on the man in the square, who had been joined by a friend. There was no conversation between them, nor any curiosity. They were only keeping watch on the sheriff’s door – sentries.

“Riker, you don’t still think she – ”

“Mallory came back here to get those bastards, and now she has a complete list.” He slumped back in the sheriff’s chair and put his feet up on the cluttered desk. “I wish you’d go back to Augusta’s and keep her occupied for a while.”

Another man had joined the watchers in the square. They moved back to the fountain and perched on the rim of the basin like a row of Augusta’s birds on the paddock fence.

Riker turned away from the window to face Charles, his next problem, and such a large one. How to get rid of him?

“Why can’t you trust her?” Charles was pacing now, unaware of the watchers, but adding to the tension. “You know she won’t do anything to compromise this case.”

“Charles, what does it take to get through to you? For Christ’s sake, she’s telegraphing everything.” It was a fight to keep his eyes from straying back to the window, to the watchers. “You’ve seen the gunslinger outfit. You think Mallory’s playing dress-up? She’s the real thing, Charles – the genuine article.”

“That’s ludicrous.”

Riker only glanced out the window, as though he might have a casual interest in the weather. Malcolm Laurie was leaving Jane’s Cafe, stopping for a moment to exchange smiles with the men by the fountain, and then passing on. Charles was looming over the desk, waiting for a return volley.

“I’m not gonna argue with you, Charles.” Riker flicked through the sheriff’s Rolodex, then picked up the phone and dialed the number for the hotel across the square. “Hi, I wanna book a room for Charles Butler… Yeah, that one.” As if there might be two giants with large noses. “He’ll be by in a few minutes… Fine. Thanks.”

When he set the phone down he looked up at Charles. “No offense, Charles. I like your company, but I need to get some sleep. I don’t want anybody to see that car going over the bayou bridge, so leave it in front of Betty’s. Sign the register and go straight on through to the back door. Then go back to Augusta’s and sit on the brat till morning.” And now for the closing shot. “But don’t get any ideas about taking the gun away from her. She’ll hurt you just for trying.”

Well, that made him angry, but at least he was leaving, silently and quickly. The outer door slammed. Bless Charles’s misplaced loyalty to Mallory.

Riker looked back at the small gathering of men. Their heads turned in unison to watch the silver Mercedes drive down the street, turn the corner and roll to a stop on the opposite side of the square. When Charles had disappeared into the hotel, the men turned their attention back to the sheriff’s office. They were joined by two more men.

Riker checked the bullets in his gun and debated calling in the state troopers. What would he say? ‘There’s a crowd of smiling good ol’ boys gathering in the town square, and they scare the shit out of me.‘ And then the state cops would ask what he was drinking.

“Excuse me, neighbor.” A man his own age was standing in the office doorway. Flab hung over the belt of his jeans. His smile was wide; his eyes were dull and stupid. “My name’s Ray Laurie.” The man was walking toward him with one hand extended.

Under the cover of the desk, Riker shifted the gun to his left hand and offered Ray Laurie his right.

Ray pulled up a chair across the desk from Riker. A new visitor was standing in the doorway, and there was another man behind him. When Riker glanced back to the square, the sentries were moving toward the building. Underneath the desk, Riker was pointing a.38 automatic at Ray Laurie’s midsection.

More men filed into the office. Riker counted eight of them, and now the gun in his hand became meaningless. They stood all about the room, and one of them moved to the window next to the desk. Another man used this distraction to move to the wall behind the desk. He listened to the heavy feet climbing the stairs to the lockup, and then running down again.

This man appeared at the door. Catching his breath, he looked to Ray Laurie. “The place is empty. Maybe she heard right and they did turn him loose.”

Riker never heard Ray’s end of that conversation. He was struck from behind. When his eyes opened again, he was on the floor. He drifted in and out of consciousness as he floated through the back door of the sheriff’s office.

“I don’t buy it. Idiots can’t even write,” said the man who held his legs to the man who held his arms. If there was more to this discussion, Riker didn’t hear it.

Nap time.

The bats had flown from Trebec House in the sunset hour. Ira tracked them across all the sky he could see from the circle of trees around the cemetery. And then he turned back to the statue of Dr. Cass.

His mother had been wrong. This was the same old statue of Dr. Cass with Kathy in her arms, and she was standing right where she always did. But there were changes to deal with. There were wheel ruts and spills of gravel on the grass, and broken twigs on the low-hanging branches.

The birds were flying up from the trees, and the rush of wings created a breeze all around him.

“So you’re the witness,” said a voice behind him, only sound without real meaning. Alarmed, Ira turned to see a man striding down the gravel path between the tombs.

“So you’re the witness,” said Ira, not comprehending, only making the required response as he was backing up to the angel, pressing into the stone folds of her robe, looking there for sanctuary.

The man came closer, growing larger, his hands rising in closed fists. Ira slumped down to the grass. He drew in his arms and legs and tucked in his head like a turtle. The first blow was nothing to him, only an unwanted intimacy. Fistfalls rained harder, and soon the pain seeped in like the color red knifing into pure white paint, cutting a clean sharp edge into his brain.

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