Ingrid Parker - Rashomon Gate – A Mystery of Ancient Japan

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A riveting historical mystery – the second in the Akitada series – set amid the exquisite ritual and refined treachery of eleventh century Japan
From the author of The Dragon Scroll comes an ingenious new novel of murder and malfeasance in ancient Japan, featuring the detective Sugawara Akitada. The son of reduced nobility forced to toil in the Ministry of Justice, Akitada is relieved when an old friend, Professor Hirata, asks him to investigate a friend's blackmail. Taking a post at the Imperial University, he is soon sidetracked from his primary case by the murder of a young girl and the mysterious disappearance of an old man – a disappearance that the Emperor himself declares a miracle. Rashomon Gate is a mystery of magnificent complexity and historical detail that will leave readers yearning for more.

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"A very kind gentleman, the professor," Seimei nodded. "I well remember the time when you went to live with him. How is the young lady? She must be quite grown up."

"Yes." Akitada pondered. "Tamako must be about twenty-two by now. I have not seen her since my father died and I moved back into our home." Akitada's mother disapproved strongly of any ties with the Hiratas, but he could not honestly blame his reluctance to see Tamako on Lady Sugawara's snobbery. Too much time had passed, and he was afraid that they would not have anything to say to each other any longer. He said, "The professor writes that he needs my advice. He sounds worried. I hope nothing is wrong." Sighing, he said, "Well, Seimei, old friend, back to work!"

Two hours later Akitada carefully dried the ink on the last sheet of commentary on the legal intricacies of the case and remarked, "Apart from the exalted status of the litigants, this is a simple suit. May I take it that we have whittled down the backlog of cases under review?"

"Yes. There are only another twenty dossiers, all of them minor matters."

"In that case, Seimei, we are entitled to make an early evening of it. Let us go home!"

***

The sun was already slanting across the green-glazed roofs of the government buildings, when Akitada, on his way to the Hiratas, walked along Nijo Avenue, past the red pillars of the gate leading into the Imperial City. He squinted into the bright light, dodging the steady stream of clerks and scribes flowing through the gate on the way to their homes in the city.

From this gate, called Suzakumon, Suzaku Avenue stretched south to Rashomon, the great two-storied southern gate of the capital city. Along its entire length, Suzaku Avenue, more than two hundred feet wide and bisected by a wide canal, was lined with willow trees. A multitude of people, native and foreign, of high and low degree, pedestrians, ox carts and horsemen moved along this main thoroughfare all day long. Akitada thought it the most beautiful street in the world.

To the west, ahead of him, the pale greens of many trees in their spring foliage screened one of the residential quarters. From this vantage point the area looked like a vast beautiful park, but Akitada knew better. The northwestern quadrant of the city had, like its eastern counterpart, been planned for the palaces, mansions and villas of the "good people," the great noble families, the high-ranking court officials, and members of the imperial clan, while the southern two thirds of the city were occupied by the common people, and by the markets and amusement quarters. For no apparent reason, people had begun to abandon the western city and crowded into the eastern half or moved to the countryside.

Their palaces and villas had burned down or fallen into decay. Many of the humbler homes had been abandoned to squatters and cutthroats. Only the trees and shrubs had thrived, and a last few respectable families, like the Hiratas, lived quiet, isolated lives there.

As Akitada passed down street after street, some of them bisected by canals and crossed by simple wooden bridges, he saw that several more homes had become empty since he had last walked this way. He wondered how safe Tamako was when her father was teaching at the university.

To his relief, the Hirata villa appeared unchanged. Its wall had been kept in good repair, and the same gigantic willows flanked its wooden gate. The scent of wisteria blew over the wall on a soft breeze. With a sense of homecoming Akitada raised his eyes to the elegantly brushed inscription over the gate: "Willow Hermitage."

A white-haired servant, bent with age, opened the gate and greeted him with a wide, toothless smile. "Master Akitada! Welcome! Come in! Come in!"

"Saburo! It is good to see you again. How is your health these days?"

"Well, there's a pain in my back and my knees are stiff. And my hearing's going, too. "The old man touched each defective part in turn and then broke again into his big grin. "But it will have to get much worse than this before I'm ready to go. No man could ask for a better life than mine. And now here you are, come back a famous man!"

"Hardly famous, Saburo, but I thank you for the welcome. How is the professor?"

"Pretty well. He's waiting in his study for you, Master Akitada. But the young lady asked to speak to you first. She's in the garden."

As he made his way along the moss-covered stepping stones, Akitada basked in the warmth of the old servant's welcome. To be called "Master Akitada" again, just as if he were the son of the family, brought back the happy year he had spent here as a youngster.

When he rounded the corner of the house and saw a slender young woman among the flowering shrubs, he called out cheerfully, "Good evening to you, little sister!"

Tamako turned and looked at him wide-eyed. For a moment an expression of sadness passed over her pretty face, but then she smiled charmingly and ran towards him, hands outstretched in greeting.

"Dear friend! Welcome home! You make us very happy. And you look so distinguished and very handsome in that fine robe." She stopped before him, her hands in his, and smiled up at him.

Akitada was lost in surprise. She had become quite lovely, with that slender face and neck and an elegant figure.

"How is it that you are not married yet?" he blurted out.

She released his hands and looked away. "Perhaps the right person has not asked yet," she said lightly. "But then I hear you, too, are still single." Smiling up at him again, she added, "Shall we walk to the arbor? I have a particular favor to ask of you before you see Father. And then I must go see about dinner and change into a more proper gown."

He saw, as he walked with her, that she wore a plain blue cotton robe with a white-patterned cotton sash about her small waist. It seemed impossible to improve on the picture she made and he told her so.

She turned her head slightly and thanked him with a blush and a smile. "Here we are," she said, pointing to a wooden platform under a trellis covered with flowering wisteria. The purple blooms hung in thick clusters suspended from a leafy roof.

Akitada looked around him. Everywhere plants seemed to be in flower or bud. The air was heavy with their mingled fragrances and the humming of bees. When they sat down on two mats which had been spread on the platform, he was enveloped by the sweet scent of the wisteria blossoms and felt that he had walked into another, more perfect world, one which was far more intensely alive with colors, scents and the sounds of birds and bees than any existence on this earth had any right to be.

"Something is terribly wrong with Father," said Tamako, breaking into his fancy.

"What?"

She took his exclamation literally. "I do not know. He won't tell me. About two weeks ago he came back late from the university. He went directly to his study and spent a whole night pacing. The next morning he looked pale and drawn and he hardly ate anything. He left for work without any kind of explanation, and has done the same every day since then. Whenever I try to question him, he either maintains that nothing is wrong, or he snaps at me to mind my own business. You know this is not like him in the least." She looked at Akitada beseechingly.

"What do you want me to do?"

"I have been hoping that he invited you to dinner to confide in you. If he does, perhaps you can tell me what has happened. The uncertainty is very upsetting."

She looked pale and tense, but Akitada shook his head doubtfully. "If he has refused to tell you, he will hardly speak to me, and even if he did, he may ask that I keep his confidence."

"Oh," she cried, jumping up in frustration, "men are impossible! Well, if he does not speak, you must find out somehow, and if he swears you to secrecy, you must find a way! If you are my friend, that is!"

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