Mike Ashley - The Mammoth Book of Historical Crime Fiction

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From Ancient Rome through thirteenth-century Venice to 1930s' New York, twelve compelling historical crime stories.
Our dark past brought to life by leading contemporary crime writers A new generation of crime writers has broadened the genre of crime fiction, creating more human stories of historical realism, with a stronger emphasis on character and the psychology of crime.
This superb anthology of 12 novellas encompasses over 4,000 years of our dark, criminal past, from Bronze Age Britain to the eve of the Second World War, with stories set in ancient Greece, Rome, the Byzantine Empire, medieval Venice, seventh-century Ireland and 1930s' New York.
A Byzantine icon painter, suddenly out of work when icons are banned, becomes embroiled in a case of deception; Charles Babbage and the young Ada Byron try to crack a coded message and stop a master criminal; and New York detectives are on the lookout for Butch Cassidy and the Sundance Kid.

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That would match with the message that the dying man had tried to pass on to his housekeeper.

Trafalgar . Not the name of his late wife’s home, but the square in the heart of London. Would he have told the secret to Althea Barnes? A great joke, that, one she might have appreciated and passed on to her father and her brother.

What would such a reliquary be worth? Monetarily and intrinsically.

What would it be worth to Dr Barnes, working daily with men whose minds were destroyed by war? Had he come, in December, to ask for the use of the Middleton Host? And instead been pawned off with promises of the house in Dartmouth? A house he had no use for and couldn’t afford to keep up? An albatross, compared to the cure the reliquary might achieve in men who could be brought to believe in its power.

Rutledge went to the door, called to Mrs Gravely that he would be back shortly, and hurried to his motorcar. Driving into Cambridge as dawn was breaking, he went to the telephone he’d used before and put in a call to the clinic where Barnes worked.

He was informed that Dr Barnes was with a patient and couldn’t be disturbed.

Swearing under his breath, he walked out to his motorcar and was on the point of driving to London when another thought occurred to him. Even tired as he was, it made sense.

The old dog.

Mrs Gravely had claimed that Sir John had spoken to Dr Taylor just before he died. She had nearly been sure that he’d asked about his dog. And the doctor had responded with a single word. No . She had thought that the doctor was telling Sir John that the dog was dead.

Turning the motorcar around, he drove back to Mumford. He searched the High Street of the little town, then looked in the side streets. Shortly after nine, he found Dr Taylor’s surgery, next door but one to the house where the doctor lived — according to the nameplates on the small white gates to both properties.

Hamish said, “ ’Ware.” And it was a warning well taken.

Knocking on the surgery door, Rutledge scanned the house down the street. He could just see a small woman wrapped in a coat and headscarf, standing in the back garden, staring at the bare fruit trees and withered beds as if her wishing could bring them into bloom again. The doctor’s wife? That told him what he needed to know.

The nurse who admitted Rutledge was plump and motherly, calling him dearie , asking him to wait in the passage while she spoke with the doctor. “His first patients of the day are already in the front room. It’s better if you come directly back to the office.”

“It’s about his report on the post-mortem of Sir John.”

“He has already mailed it to the Yard,” she said. “I took it to the post myself.”

Rutledge gave her his best smile. “Yes, I’ve been in Dartmouth. It hasn’t caught up with me yet.”

She nodded and bustled off to tell the doctor that Rutledge was waiting.

Dr Taylor received him almost at once, saying, “Mrs Dunne tells me you haven’t seen the post-mortem results.” He sorted through some files on his desk and retrieved a sheet of paper. “My copy,” he added, passing it across the desk to Rutledge. “You’re welcome to read it.”

Rutledge took the sheet, scanning it quickly. “Yes. Everything seems to be in order,” he said, glancing up in time to see the tension around Dr Taylor’s eyes ease a little. “Two blows, one to the back of the head and the second to the face. Weapon possibly a cane.” He handed the report to Taylor. “There’s one minor detail to clear up before the inquest. Mrs Gravely told me that Sir John spoke to her as she was coming into the study. Was that possible, do you think?”

“I doubt if he was coherent,” Taylor said easily. “A grunt. A groan. But not words as such.”

“She also reported that he spoke to you. And that you answered him, just before he died.”

Taylor frowned. “I thought he was asking if the old dog was still alive. I told him it was dead. I wasn’t sure, you understand. But I thought if that was what he was trying to say, I’d ease his mind.”

He had just contradicted himself.

“I don’t think that the dog’s death was something that would comfort him.”

Taylor shrugged. “I wasn’t in a position to consider my answer. As I told you, he wasn’t coherent. I did my best in the circumstances.”

“Actually, I think he was probably asking if you’d use the Middleton Host to save the old dog. And you refused. You had to, because Mrs Gravely was standing there in the doorway.”

Taylor flushed. “What host?”

“He must have told you at one time or another. A medical man? That a king had found it useless and thrown it in a dung heap. But then Eleanor of Castile was probably beyond help by the time the reliquary reached her. She died anyway. King Edward loved his wife. Passionately. Everywhere her body rested the night on the long journey south to London, he built a shrine. The wonder was, he didn’t smash the relic. But I expect he felt that the dung heap was a more fitting end for it. A fake, a sham.”

“I have no idea what you’re talking about, Inspector. And there are patients waiting.”

“It was a story that must have touched Sir John. He hadn’t been able to save either of his wives, had he? The host was, after all, no more than a pretty fraud.”

The doctor’s face changed. “That’s an assumption that neither you nor I can make. Sir John was a soldier, a sceptic; hardly one to take seriously legends about relics and miracles. Where is this taking us?”

“I’m trying,” Rutledge returned blandly, “to establish whether or not Sir John loved Elizabeth Middleton as deeply as — for instance — you must love your wife. Because it was for her you did what you did. Not the patients out there in the waiting room.” It was a guess, but it struck home.

Taylor opened his mouth, then shut it again.

“Why did you put the dog out? Did it attack you? If I asked you to have another doctor look at your ankles or legs, would he find breaks in the skin to indicate you’d been bitten? Even if it has begun to heal, the marks must still be there. Would you agree to such an examination?”

Taylor rose from behind the desk. “Yes, all right, the dog was dying when I got there. Sir John was kneeling on the floor beside it when I opened the door and called to him. He told me he was in the study, and to come quickly. Still, the damned dog growled at me and got to its feet as I struck the first blow. I had to get rid of it because Sir John was still alive and I needed to hit him again. The cold finished it off, I expect. It’s breathing was shallow, laboured.” He moved to the hearth. “My wife has just been diagnosed with colon cancer. I’d already asked Sir John if I could borrow the reliquary. To give her a chance. He told me it had done nothing for his wife, dying of childbed fever. But I didn’t care. I was ready to try anything. I just wanted to try . But he was afraid that, if my wife recovered on her own, Mumford would be swamped with the desperate, the hopeless, believers in miracles. He said it would be wrong. Time was running out, and yet that afternoon he begged me to do something for his dog. It was obscene, I tell you.”

He reached down, his fingers closing over the handle of the fire tongs. Lifting his voice, he shouted, “No, no — you’re wrong! Put them down, for God’s sake.”

And, before Rutledge could stop him, he raised the tongs and brought them down on his own head, the blow carefully calculated to break the skin but not knock him down. And as blood ran down his face, he dropped the tongs and cried out, “Oh, God, someone help me … Mrs Dunnehe’s run mad.

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