Marie O’Reganis a British Fantasy Award-nominated horror and dark fantasy writer and editor. She has served as the Chair of the British Fantasy Society, and has at times edited both their publications, Dark Horizons and Prism . In September 2009, Simon & Schuster’s Pocket Books imprint published her anthology (co-edited with Paul Kane) Hellbound Hearts , a collection of short stories based on the original novella The Hellbound Heart by Clive Barker that inspired the movie Hellraiser . Marie lives in Derbyshire, England.
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The Mammoth Book of
Ghost Stories
by Women
Edited by
MARIE O’REGAN
Constable & Robinson Ltd
55–56 Russell Square
London WC1B 4HP
www.constablerobinson.com
Copyright © Marie O’Regan, 2012 (unless otherwise stated)
For Jen, who loves the spooky stuff
Contents
Acknowledgements
Introduction Marie O’Regan
Field of the Dead Kim Lakin-Smith
Collect Call Sarah Pinborough
Dead Flowers by a Roadside Kelley Armstrong
The Shadow in the Corner Mary Elizabeth Braddon
The Madam of the Narrow Houses Caitlín R. Kiernan
The Lost Ghost Mary E. Wilkins-Freeman
The Ninth Witch Sarah Langan
Sister, Shhh . . . Elizabeth Massie
The Fifth Bedroom Alex Bell
Scairt Alison Littlewood
Seeing Nancy Nina Allan
The Third Person Lisa Tuttle
Freeze Out Nancy Holder
Return Yvonne Navarro
Let Loose Mary Cholmondeley
Another One in from the Cold Marion Arnott
My Moira Lilith Saintcrow
Forget Us Not Nancy Kilpatrick
Front Row Rider Muriel Gray
God Grant That She Lye Still Cynthia Asquith
The Phantom Coach Amelia B. Edwards
The Old Nurse’s Story Elizabeth Gaskell
Among the Shoals Forever Gail Z. Martin
Afterward Edith Wharton
A Silver Music Gaie Sebold
Biographies
Acknowledgements
Special thanks to Roland, Vivien and Portia Asquith; also Mike Ashley, Paul Kane, Stephen Jones and Duncan Proudfoot, for all their help and support.
Introduction copyright © Marie O’Regan 2012.
“Field Of The Dead” by Kim Lakin-Smith, copyright © 2012
“Collect Call” by Sarah Pinborough, copyright © 2012
“Dead Flowers by a Roadside” by Kelley Armstrong, copyright © 2012
“The Shadow in the Corner” by Mary Elizabeth Braddon, originally published in All the Year Round , 1879.
“The Madam of the Narrow Houses” by Caitlín R. Kiernan, originally published in The Ammonite Violin & Others (Subterranean Press, 2010). Reprinted by permission of the author.
“The Lost Ghost” by Mary E. Wilkins-Freeman, originally published in The Wind in the Rosebush and Other Stories of the Supernatural (Doubleday, 1903).
“The Ninth Witch” by Sarah Langan, copyright © 2012
“Sister, Shhh . . .” by Elizabeth Massie, copyright © 2012
“The Fifth Bedroom” by Alex Bell, copyright © 2012
“Scairt” by Alison Littlewood, originally published in Not One Of Us #43 (Not One of Us, 2010). Reprinted by permission of the author.
“Seeing Nancy” by Nina Allan, copyright © 2012
“The Third Person” by Lisa Tuttle, copyright © 2012
“Freeze Out” by Nancy Holder, copyright © 2012
“Return” by Yvonne Navarro, copyright © 2012
“Let Loose” by Mary Cholmondeley, originally published in Moth and Rust (John Murray, 1902).
“Another One in from the Cold” by Marion Arnott, copyright © 2012
“My Moira” by Lilith Saintcrow, copyright © 2012
“Forget Us Not” by Nancy Kilpatrick, copyright © 2012
“Front Row Rider” by Muriel Gray, copyright © 2012
“God Grant That She Lye Still” by Cynthia Asquith. Originally published in When Churchyards Yawn (Hutchinson and Co., 1931). Reproduced by permission of Roland Asquith.
“The Phantom Coach” by Amelia B. Edwards, originally published in All the Year Round , 1864.
“The Old Nurse’s Story” by Elizabeth Gaskell, originally published in Famous Ghost Stories by English Authors , (Gowans & Gray, 1910)
“Among the Shoals Forever” by Gail Z. Martin, copyright © 2012
“Afterward” by Edith Wharton, originally published in The Century Magazine (The Century Co, 1910)
“A Silver Music” by Gaie Sebold, copyright © 2012
Introduction
Ghost stories have always been my favourite kind of tale, especially in the short form. Recently I’ve read or re-read several pieces by women whose work I admire, both from the Victorian era and from today (Michelle Paver’s excellent novel Dark Matter and Susan Hill’s short novel The Small Hand spring to mind, as well as short stories such as Edith Wharton’s “Afterward”, to be found in this anthology) – while at the same time reading grumblings about the lack of “women in genre fiction”. The truth is that there isn’t really a lack , as such – women have always written in the horror and supernatural fields, and continue to do so. Proportionately, they form a smaller part of the genre as a whole. They are, however, a significant part, which leads me to this anthology.
I wanted to put together a collection of ghost stories – both old and new – that would showcase the talents of women in the genre, both past and present; and because there’s a wealth of talent out there, regardless of the writers’ gender.
These stories range from Amelia B. Edwards’s “The Phantom Coach”, which first saw print in 1864, through stories by such luminaries of the past as Edith Wharton, Elizabeth Gaskell, Mary E. Wilkins-Freeman, Mary Elizabeth Braddon and Mary Cholmondeley, right up to modern writers such as Lilith Saintcrow, Muriel Gray, Sarah Pinborough, Marion Arnott and Nina Allan. The subject matter covered is wide, from ghostly children to visitations by departed loved ones both human and animal, intended to warn, scare, or even comfort – Mary E. Wilkins-Freeman offers a genuinely heartrending spectral visitor in “The Lost Ghost”, while stories such as “The Fifth Bedroom” by Alex Bell (her first ghost story) show us a more malevolent creature by far.
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