Jonathan Lethem - Motherless Brooklyn

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Motherless Brooklyn: краткое содержание, описание и аннотация

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Dagger Awards
Lionel Essrog, a.k.a. the Human Freakshow, is a victim of Tourette's syndrome (an uncontrollable urge to shout out nonsense, touch every surface in reach and stroke people. Local tough guy hires Lionel and other boys and grooms them to become the Minna Men, a detective-agency-cum-limo service.
“Under the guise of a detective novel, Lethem has written a more piercing tale of investigation, one revealing how the mind drives on its own ‘wheels within wheels.’ ”
– The New York Times Book Review
“Who but Jonathan Lethem would attempt a half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette’s syndrome?… The dialogue crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist.”
– The Boston Globe
“Part detective novel and part literary fantasia, [Motherless Brooklyn] superbly balances beautiful writing and an engrossing plot.”
– The Wall Street Journal
“Intricately and satisfyingly plotted… Funny and dizzying and heart-breaking.”
– Luc Sante, Village Voice Literary Supplement
“A tour de force… With one unique and well-imagined character, Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”
– The Denver Post
“Aside from being one of the most inventive writers on the planet, Lethem is also one of the funniest.”
– San Francisco examiner Chronicle
“In Essrog… Jonathan Lethem has fashioned a lovably strange man-child and filled his cross-wired mind with a brilliant, crashing, self-referential interior monologue that is at once laugh-out-loud funny, tender and in the honest service of a terrific story.”
– The Washington Post Book World
“A true risk-taker… Lethem uses a familiar genre as the backdrop for his own artistic flourishes.”
– The Hartford Courant
“Wildly inventive… Jonathan Lethem has a knack for pushing commonplace ideas to absurdly literal ends.”
– City Pages
“Marvelous… Motherless Brooklyn is, among other things, a tale of orphans, a satire of Zen in the city and a murder mystery.”
– Time Out New York
“Finding out whodunit is interesting enough, but it’s more fun watching Lethem unravel the mysteries of his Tourettic creation.”
– Time
“Wonderfully inventive, slightly absurdist… [Motherless Brooklyn] is funny and sly, clever, compelling and endearing.”
– USA Today
“Utterly original and deeply moving.”
– Esquire
“Motherless Brooklyn is a whodunit that’s serious fiction… Lethem is a sort of Stanley Kubrick figure… stopping off in flat genres to do multidimensional work, blasting their hoary conventions to bits.”
“A pure delight.”
– The New York Observer
“A detective story, a shrewd portrait of Brooklyn, a retold Oliver Twist and a story so baroquely voiced (the hero has Tourette’s syndrome) that Philip Marlowe would blush. And tip his fedora.”
– Newsweek
“Wildly imaginative.”
– Minneapolis Star Tribune
“Funny, delightfully complicated and so outrageously inventive that no pitch could do it justice.”
– Baltimore Sun
“A multi-layered novel that’s fast-paced, witty and touching… Prose diatpunches its way down the page, every word loaded with energy and ready to explode.”
– The Oregonian
“Compulsively readable… Genuinely entertaining… Improbably hilarious… Lethem is at his peak Nabokov-meets-Woody-Allen verbal frenzy.”
– Bookforum
“Most rewarding… Delightfully oddball.”
– The New Yorker
“Motherless Brooklyn is Lethem’s finest work yet-exciting, strange, original, hilarious, human and soulful.”
– The Memphis Commercial Appeal
“A staggering piece of writing… On the edge of genius… The accents, class distinctions, highways, neighborhoods, grocery stores, flavors, scents and, yes, car services in a certain corner of [Brooklyn] are made vividly tangible, arising from these pages as if scratch-and-sniffs were embedded in the margins.”
– San Jose Mercury News
“Imagine the opportunities to explore language that arise when the narrator of a novel has Tourette’s syndrome… Unforgettable.”
– Los Angeles Times

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Motherless Brooklyn - изображение 14

The last boy in Minna’s van, Danny Fantl, was a ringer. He only looked white. Danny had assimilated to the majority population at St. Vincent’s happily, effortlessly, down to his bones. In his way he commanded as much respect as Tony (and he certainly commanded Tony’s respect, too) without bragging or posing, often without opening his mouth. His real language was basketball, and he was such a taut, fluid athlete that he couldn’t help seeming a bit bottled up indoors, in the classroom. When he spoke it was to scoff at our enthusiasms, our displays of uncool, but distantly, as if his mind were really elsewhere plotting crossover moves, footwork. He listened to Funkadelic and Cameo and Zapp and was as quick to embrace rap as any boy at the Home, yet when music he admired actually played , instead of dancing he’d stand with arms crossed, scowling and pouting in time with the beat, his expressive hips frozen. Danny existed in suspension, neither black nor white, neither beating up nor beaten, beautiful but unfazed by the concept of girls, rotten at schoolwork but coasting through classes, and frequently unanchored by gravity, floating between pavement and the tangled chain-mesh of the St. Vincent’s basketball hoops. Tony was tormented by his lost Italian family, adamant they would return; Danny might have coolly walked out on his parents one day when he was seven or eight and joined a pickup game that lasted until he was fourteen, to the day Minna drove up in his truck.

Motherless Brooklyn - изображение 15

Tourette’s teaches you what people will ignore and forget, teaches you to see the reality-knitting mechanism people employ to tuck away the intolerable, the incongruous, the disruptive-it teaches you this because you’re the one lobbing the intolerable, incongruous, and disruptive their way. Once I sat on an Atlantic Avenue bus a few rows ahead of a man with a belching tic-long, groaning, almost vomitous-sounding noises, the kind a fifth-grader learns to make, swallowing a bellyful of air, then forgets by high school, when charming girls becomes more vital than freaking them out. My colleague’s compulsion was terribly specific: He sat at the back of the bus, and only when every head faced forward did he give out with his masterly digestive simulacra. We’d turn, shocked-there were fifteen or twenty others on the bus-and he’d look away. Then, every sixth or seventh time, he’d mix in a messy farting sound. He was a miserable-looking black man in his sixties, a drinker, an idler. Despite the peekaboo brilliance of his timing it was clear to everyone he was the source, and so the other riders hummed or coughed reprovingly, quit giving him the satisfaction of looking, and avoided one another’s gaze. This was a loser’s game, since not glancing back freed him to run together great uninterrupted phrases of his ripest noise. To all but me he was surely a childish jerk-off, a pathetic wino fishing for attention (maybe he understood himself this way, too-if he was undiagnosed, probably so). But it was unmistakably a compulsion, a tic-Tourette’s. And it went on and on, until I’d reached my stop and, I’m sure, after.

The point is, I knew that those other passengers would barely recall it a few minutes after stepping off to their destinations. Despite how that maniacal froglike groaning filled the auditorium of the bus, the concertgoers were plainly engaged in the task of forgettig the music. Consensual reality is both fragile and elastic, and it heals like the skin of a bubble. The belching man ruptured it so quickly and completely that I could watch the wound instantly seal.

A Touretter can also be The Invisible Man.

Motherless Brooklyn - изображение 16

Similarly, I doubt the other Boys, even the three who joined me in becoming Minna Men, directly recalled my bouts of kissing. I probably could have forced them to remember, but it would have been grudgingly. That tic was too much for us to encompass then, at St. Vincent’s, as it would be now, anytime, anywhere. Besides, as my Tourette’s bloomed I quickly layered the kissing behind hundreds of other behaviors, some of which, seen through the prism of Minna’s rough endearments, became my trademarks, my Freakshow. So the kissing was gratefully forgotten.

By the time I was twelve, nine months or so after touching the penguins, I had begun to overflow with reaching, tapping, grabbing and kissing urges-those compulsions emerged first, while language for me was still trapped like a roiling ocean under a calm floe of ice, the way I’d been trapped in the underwater half of the penguin display, mute, beneath glass. I’d begun reaching for doorframes, kneeling to grab at skittering loosened sneaker laces (a recent fashion among the toughest boys at St. Vincent’s, unfortunately for me), incessantly tapping the metal-pipe legs of the schoolroom desks and chairs in search of certain ringing tones, and worst, grabbing and kissing my fellow Boys. I grew terrified of myself then, and burrowed deeper into the library, but was forced out for classes or meals or bedtime. Then it would happen. I’d lunge at someone, surround him with my arms, and kiss his cheek or neck or forehead, whatever I hit. Then, compulsion expelled, I’d be left to explain, defend myself, or flee. I kissed Greg Toon and Edwin Torres, whose eyes I’d never dared meet. I kissed Leshawn Montrose, who’d broken Mr. Voccaro’s arm with a chair. I kissed Tony Vermonte and Gilbert Coney and tried to kiss Danny Fantl. I kissed Steven Grossman, pathetically thankful he’d come along just then. I kissed my own counterparts, other sad invisible Boys working the margins at St. Vincent’s, just surviving, whose names I didn’t know. “It’s a game!” I’d say, pleadingly. “It’s a game.” That was my only defense, and since the most inexplicable things in our lives were games, with their ancient embedded rituals-British Bulldog, Ringolevio, Scully and Jinx-a mythos handed down to us orphans who-knew-how, it seemed possible I might persuade them this was another one, The Kissing Game. Just as important, I might persuade myself-wasn’t it something in a book I’d read, a game for fevered teenagers, perhaps Sadie Hawkins Day? Forget the absence of girls, didn’t we Boys deserve the same? That was it, then, I decided-I was single-handedly dragging the underprivileged into adolescence. I knew something they didn’t. “It’s a game,” I’d say desperately, sometimes as tears of pain ran down my face. “It’s a game.” Leshawn Montrose cracked my head against a porcelain water fountain, Greg Toon and Edwin Torres generously only shucked me off onto the floor. Tony Vermonte twisted my arm behind my back and forced me against a wall. “It’s a game,” I breathed. He released me and shook his head, full of pity. The result, oddly enough, was I was spared a few months’ worth of beatings at his hands-I was too pathetic and faggy to touch, might be better avoided. Danny Fantlher my move coming and faked me out as though I were a lead-footed defender, then vanished down a stairwell. Gilbert stood and glared, deeply unnerved due to our private history. “A game,” I reassured him. “It’s a game,” I told poor Steven Grossman and he believed me, just long enough to try kissing our mutual tormentor Tony, perhaps hoping it was a key to overturning the current order. He was not spared.

Motherless Brooklyn - изображение 17

Meantime, beneath that frozen shell a sea of language was reaching full boil. It became harder and harder not to notice that when a television pitchman said to last the rest of a lifetime my brain went to rest the lust of a loaftomb , that when I heard “Alfred Hitchcock,” I silently replied “Altered Houseclock” or “Ilford Hotchkiss,” that when I sat reading Booth Tarkington in the library now my throat and jaw worked behind my clenched lips, desperately fitting the syllables of the prose to the rhythms of “Rapper’s Delight” (which was then playing every fifteen or twenty minutes out on the yard), that an invisible companion named Billy or Bailey was begging for insults I found it harder and harder to withhold.

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