Morag Joss - Among the Missing aka Across the Bridge

Soon I was wandering along a path of linked half-dreams where fog curled through unrecognizable trees and lifted across a mirrored loch and sunlight snapped between the spans of a bridge, and I stood within the imprisoning mesh of a forest, waiting for something. To be found, I thought, or maybe just to be seen; if by some magic twist I were able to be in two places at once, to be standing where I was and also seeing myself in the place I was looking toward, would I behold a less shabby me, transformed, reinvented, valid? It came to me, as I fell asleep, that that was what I was waiting for, and that I had always gone about my life in this way, looking with yearning across distances. I had reached out from my father’s sickness-bound house in Portsmouth toward a far-off, more authentic self as Col’s wife; now I was reaching from the flatness of our marriage for the distant picture of us as parents. I heard again the cry and the scrape of rocks as Stefan stumbled and fell, casting Anna away from him toward her safe, soft landing. I saw them as they had sat in the trailer, looking at each other, and when they turned to me, their faces wore frayed smiles, full of sadness because they knew I was incomplete in some way, lacking something specific, like money or an important fact, but something that they didn’t have a word for. And for all they could not say quite what it was, it was something definitive and tremendous, and they were regretful that by not having it I was excluded and set apart from them. I pulled a pillow across the bed and held it in my arms against my stomach. I watched the red numbers of the alarm clock at the bedside wink in the gloom, and I fell asleep again.

I was awakened by a text message from Col.

Soaking freezing. Going for drink their hotel F Aug. Back at 7.

I turned and stretched out on my back, relieved. I was still groggy, and the square of light from the window showed a sky silvery with cold and fading toward evening. Fort Augustus was twelve miles farther west of Invermuir. It was just after four o’clock. Now I could stay warm and rest for at least another hour, which would be time enough to get used to the thought of going out again.

I got up to make a cup of tea. Instead of switching on a lamp, I turned on the television, for its flickering light rather than the actual pictures, and I kept the volume off. It wasn’t until after I had filled the little kettle from the bathroom tap and come back to plug it in that I took any notice of what was happening on the screen.

I was watching trembly pictures of a man with a fishing rod standing by a river. He was showing off and smiling. He turned to the water to cast, concentrating for a moment or two, sideways from the camera. The picture swung up to the top of the rod and back down; the man grinned and cast again. It was an amateur video; it must have been one of those programs of supposedly hilarious home video clips and in a minute there would be a mishap: he’d fall in the river, a gull would land on his head, something like that. But in the instant before I turned away, the man’s body jolted and his knees buckled. He turned abruptly upriver and dropped the rod. When he spun round a second later to look at the camera, his face was frightened and bewildered. Then he was shouting and waving his arms, and he ran off out of the frame. The camera swung away; the picture tilted up, zigzagged, and hit darkness, and then it began to jerk irregularly and very fast, up and down. Black bars broke across the image; the person with the camera was running through trees. When the picture settled, it was trained on the water. It focused in, silently, on the distant bridge.

The bridge I had crossed that day was untying itself from the earth. Its taut steel curves were loosening, its angles unfolding and turning slack. Cables were swaying and bending out of the sky, curling down and inward and falling in cast-off tangles into the water. Around and underneath them, all across the river, cars careered off the tilting road and sent up white explosions of foam as they hit the surface. I turned up the sound; now the cries of the man with the fishing rod mingled with creaks and a hollow roaring from the bridge and the coming-and-going groan of the wind, or perhaps it was not the wind but the breathless rasps of effort from the man who kept hold of the shaking camera when all he must have wanted to do was turn his eyes away and weep. But he held on, and then came the high squealing and tearing of tons of breaking masonry and steel. The uprights supporting the bridge spans tottered stiffly toward and away from one another. With awful slowness they, too, crashed one by one into the river, and the road, tipping and sagging some more, in a slow, rolling twist, disappeared under the water.

Then the image froze. From the bridge’s severed end, girders hung suspended in space and in time, not yet lethally collapsed. A car arrested in a nosedive toward the water hovered in midair, its occupants not yet trapped and drowned. There was a digital whirring. For a second or two, the video ran backward and speeded up like some ludicrously cruel comic caper; the car reeled back from disaster and jumped up onto the road. Then the screen went blank except for numbers racing in one corner. There was a flicker, and there again was the man larking about with the fishing rod, his face untouched by what was about to happen. Again he twice cast his line, started, turned, dropped the rod, shouted, ran. Again the stumbling camera followed until it broke through the undergrowth and fixed on the collapsing giant of the bridge, the breaking concrete, the buckled spans, ripped lengths of roadway and falling cars, the river boiling with debris.

And again. Unable to move, I stood and watched with the kettle in my hand. There he was, a man about to cast a line on a riverbank in early spring. And again, what happened instead. What happened next. This time the footage came with commentary from a news anchor in the studio, but of course it didn’t alter anything; the fisherman started, turned, dropped the rod, shouted, ran. The juddering camera followed. Voices cried out, the wind howled, cables snapped, concrete and steel tore, and the bridge went down. But I was finding out what I suddenly realized I needed to know, because this time the commentary gave a chronology, minute by minute, of what happened. I dropped the kettle, scrabbled in my bag for a scrap of paper, and wrote down all the numbers I could. When the pictures stopped, suddenly the strength went out of my legs and I sank onto the bed. With my hand shaking, I checked the timings and worked out the arithmetic.

Right up until a quarter to three that afternoon, traffic had been flowing as normal in both directions over the bridge. I had left Stefan and Anna at the service station before one o’clock. Stefan hadn’t said so, but the man changing the license plates would be sure to be in Inverness. There was no reason for Stefan to have crossed the bridge. They would have been driving into the city within minutes of my leaving them. There was no cause for them to have been near the bridge at all.

I kept watching. The amateur cameraman was in the studio now. The young man and his father-in-law, after a pub lunch in Inverness, had crossed the bridge themselves at twelve minutes past two. They had parked and gone down to the riverbank on the north side to record the first tryout with the new rod, a birthday present. The bridge began to creak and lurch at two forty-five, as his father-in-law watched in terror, turned, dropped the fishing rod, shouted, and ran. The young man followed, and his camera was on it within thirty seconds. By two forty-eight, three of the central bridge spans and the stretch of road between them, measuring over two hundred and seventy feet and bearing, the young man estimated, about twenty vehicles, had collapsed into the water. He contacted the news channel straightaway, and his video, “probably the only eyewitness record of the disaster,” was broadcast for the first time at ten minutes past four. Then they asked him what he had felt as he watched it all happen, and the young man broke down in tears.